What do Self-Published Authors Need?

What do Self-Published Authors Need?

Interesting response from Hugh C. Howey, author of Wool.

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June 16th, 2013 | Hugh C. Howey

Jason asks:

Mr. Howey,

First of all, I’ve read the first four parts of Wool (you got me hooked with the first part, which was free!) and am loving it, it’s been a while since I’ve read a sci-fi novel that had truly original ideas, and I’ve felt compelled to stay up late to read.

However, I’m writing you, not to ask you about your specific motivations/inspirations, but hoping that you might be able to answer a few questions for me. I’m not exactly an aspiring author (though I suppose I am one at heart, I don’t have any specific book inside just waiting to get out), I’ve become somewhat disenchanted with the current publishing models that are available for those who are aspiring to write full time.

I love the self-publishing model, though, as I’m sure you’re aware, it does tend to lead to the mass-publishing of less than ideal literary works. I don’t necessarily think that there is anything wrong with this as certain gems occasionally achieve public recognition. I do, however, think that if aspiring authors were able to find more affordable and perhaps reliable help in editing, proofreading, illustrating and the like, that perhaps there would be an overall increase in the quality of self-published works and even less reliability on the current publisher model in the literary arena.

I was wondering what you consider to be the biggest barriers to the self-publishing of quality works (as someone who has done it himself). 

I have been thinking about trying my hand at an online solution specifically for aspiring authors involving an online community of sorts to help, and any advice you have would be much appreciated.

I’m not really expecting a reply (I’m sure you’re inundated!) but you miss every shot you don’t take!

This is a great question. I’d say the biggest barrier to releasing quality material is probably impatience. You have a work that feels pretty good; you’re exhausted; you want to move on; you might be a bit delusional about how good it really is; so you hit publish. Nobody steps in and tells you to make it better, to do another pass, to get a better cover, to write a better blurb, to hire or trade for some editing, to beg or trade for some beta reading. You simply jump the gun.

What the community of self-published authors needs is readers and reviewers. They can get this by publishing, watching the feedback, and attempting to fix and re-publish their work. If they are smart, they get a loved one or friend to do this before they publish. If they are smarter, they get beta readers. Smartest, they hire an editor.

What might be helpful, as a service, is a process whereby manuscripts are uploaded and read for a fee. A random reader is paid to get as far as they can into a manuscript before they lose interest (hopefully they read to the end). Let’s say the fee is $10. Here’s why it can be so inexpensive: If the reader is enjoying what they’re reading, they’ll want to keep reading! Hey, they are getting paid $10 to read something they like! A book they didn’t pay for!

But let’s say they get to a part they don’t like (this is good; remember we are hoping to make these stories better). It could be they get hung up on the first page. It could be in the second chapter. After this mild stumble, they push on, determined to see it get better. But it doesn’t, not quickly enough. This is where they would abandon the book had they paid $3.99 for it on Amazon. This is where they would throw in the towel. To earn their $10, they write a note to the author explaining that it was just too many typos, this or that sentence was clunky, not enough action, too many unicorns, whatever.

Of course, you’ll get some Hamiltons (that’s what we’ll call these $10 beta readers) who try to collect their $10, say they simply didn’t like it, and move on. They’ll game the system. But what if the author could rate the Hamilton right back? Like how eBay cuts down on scammers and how Amazon lets you rate third-party sellers. You would want to do a good job and give great feedback so you have more authors willing to hire you. You may even take pride in this skill. You may get addicted to the joy of reading indie works, shaping them to make them better, and getting paid in the process.

Let’s call the system The Slush Pile. Monetize it. Make it fun. For the writer, a $50 investment to get five honest opinions is a great deal. And I think writers will do MORE work before they even upload the manuscript, knowing they are paying someone to read it. The works that come out of this system will be vetted; they will have more polish; they will have reader feedback built-in; and they will have interested parties out there, hoping to see the work they helped shape do well.

On the other side, there are a lot of adventurous readers out there looking for the next great thing. Imagine the joy of getting paid to discover those reads (and even helping make them better). Imagine making an extra $30 on the weekend to read a few stories, highlight typos, and suggest that the love triangle look more square-ish. How cool would that be?

Anyway, that’s what I think self-publishing needs. And if I wasn’t knee-deep in writing my next book, I would build it myself. :)

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25 #Tweet Ideas To Help #Authors Fight Follower Fatigue

From Duolit, a helpful article by Toni (The Geek).

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I’ve developed a dangerous addiction.

There’s a local ice cream place that has stolen my heart. It’s called Cold Cow, and those magical folks give you a RIDICULOUS amount of the creamy, delicious treat for startlingly low prices.

For just $4, I get a HUGE bowl of vanilla ice cream piled high with cookie dough (straight out of the Toll House tub), Reeses Peanut Butter Cups and Oreos. 

Do your teeth hurt yet?

Now, I understand that Cold Cow is definitely an indulgence, but it’s one I fully commit to enjoying each and every time I sit down with my tanker-truck-sized bowl.

No matter my excitement, however, something strange happens after I dig in.

The first bite is ridiculously awesome.

The second bite is really good.

After the third bite or so, it still tastes wonderful, but each subsequent bite never lives up to the same level as the first.

It’s like my taste buds get fatigued from processing all the awesomeness.

The Law of Diminishing Returns

No matter how amazing something tastes, if you taste it over and over again the flavors will never live up to that first-bite magic.

Taking the analogy to book marketing, fans get the same way when it comes to your social media updates. If all they read are the same types of updates (even if those updates are ridiculously awesome) they will eventually lose interest.

I see this problem most often on Twitter. Authors alternate between one or two update types (most commonly a link to buy their book and an excerpt/review) which will tire out even the most ardent fan.

Honestly, though, this update repetition isn’t necessarily your fault. I get it: sometimes, it’s simply difficult to think of anything else to write about.

Well, I’m here to fix that (yay!) I’ve put on my thinking cap and come up with 25 different tweet ideas. That way, if you tweet 3 times a day, you won’t have to repeat a tweet type for over a week. Pretty awesome, right?

25 Types of Author Tweets (with examples!)

I know you’re eager to start changing up those tweetable topics so, without further ado, here is my mega-list of unique tweet ideas:

  1. A genuine recommendation of a fellow indie author’s work
    ex: “Just checked out Killer Shine by @ShanWrites and LOVED IT! My review: http://amazon.link”
  2. favorite recipe or food-related advice
  3. fun photo (your workspace, pets, lunch, whatever!)
  4. link to a blog post on a topic both you and your readers find interesting (be sure to @mention the author if he/she’s on Twitter)
    ex: “Doing 1, 5 and 10! –> 25 Summer Decorating Ideas by @ShanWrites: http://link.y”
  5. personal shoutout to a (single) follower
    ex: “A big welcome to the gals at @Duolit — Mountain Dew is my fav, too!”
  6. An excerpt from a positive review of your book
  7. Your take on a trending topic
  8. thought-provoking question
    ex: “If you could only read one book for the rest of your life, which would you choose? #amreading”
  9. Live-tweeting during a TV show or event
  10. personal thank you for a fellow, reply or retweet
  11. link to sign up for your mailing list
    ex: “For exclusive excerpts and giveaways, join my Readers’ Club: http://link.y”
  12. Reply to someone’s tweet with your own thoughts
  13. Share a short, interesting musing from your day (if you have kids or pets, these practically write themselves!)
  14. Share the logline from your WIP
    ex: “What I’m working on: Single mom/waitress by day, time-travelling superhero by night. Sound interesting?”
  15. The link to your most recent blog post
  16. Share your #1 desert island book and why you chose it
  17. Start a conversation with someone using a relevant hashtag
    ex: “@SomeoneElse That dinner sounds amazing! How did it turn out? #amcooking”
  18. A link to download an excerpt of your book
  19. Take part in a Twitter chat (check out this mega-list of chats!)
  20. tantalizing quote from your book
  21. Thoughts on what you’re currently reading ( be sure to mention the author if he/she’s on Twitter)
    ex: “#AmReading Storm of Swords by @GeorgeRRMartin and just got to the Red Wedding. OMG!!!”
  22. Your favorite quote of all time
  23. link to a news story/blog post about you and your book
  24. Your thoughts on a topic of interest to you and your readers
    ex: “Hitchhiker’s Guide was WRONG?! I don’t buy it — what do you think? http://link.y”
  25. Give away a free copy of your book to a random follower

4 Terrific Twitter Tips (say that 5 times fast!)

Phew! Those topics should keep you busy for awhile, huh? Before you jump into crafting those tweets, however, I’d like to share a few general Twitter guidelines to keep in mind:

1. Keep Tweets Short

I know, I know, that’s kind of obvious, right? After all, you’re automatically limited to 140 characters when crafting your tweets. It’s actually in your best interest, however, to keep your tweets even shorter than that.

Limiting your tweets to just 120 characters makes it easy for your followers to retweet your updates without having to do any editing. Take 5 seconds to check the character count before tweeting to make sharing your content as easy as possible!

2. Don’t sound robotic

Take advantage of the fact that you’re in charge of your own promotion by making it clear that your tweets come from you — not a publisher or ghosttweeter (that’s a thing, right?)

Craft each and every one of your tweets to sound personal and engaging to your followers. For example, instead of sharing the title of a blog post, write (briefly) what it’s about before including the link (check out #4 and #24 in the list above).

3. Emulate, but stay true to yourself.

There are some awesome author-tweeters out there (not that I’m biased, but our own Shannon @ShanWrites does a great job) and you can certainly learn a lot by following them and checking out their tweets.

When it comes to planning your own, however, don’t be tempted to copy what you see. Make your tweets reflect your personality and appeal to your fanbase, not the fanbase of another author!

4. Reply to replies.

When you’re starting out on Twitter, make it a point to reply to every single (non-robotic) mention you receive.

This simple act can earn a new reader or make a connection that will benefit you in your author career. Aside from that, it’s just good manners to take the time to reply to someone who takes the time to mention you!

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5 Places to Find an Intern to Help with Your Book Marketing this Summer

Good post from – 30 Day Books – enjoy! First Edition Design Publishing

logo v2 600x124 02

Hello hello.

I’m on a mission this weekend – I’m looking for summer help with The Write Life Magazine. Interns in fact. Things have been ramping up with the publication (issue 2 is out today!) and it’s time to find excited, young writerly people to help with content, social media and PR.

And this gave me this great idea that authors could use a little help in those areas too, right? Who doesn’t want an extra pair of hands to help get the non-writing related stuff done?

I know that internships get a bad rap. The common view is that it’s going to be all coffee-making, photocopying and stuffing envelopes; in other words, cheap or free labor.

I actually experienced a completely different kind of internship a few years back that truly rocked my world.  3 months working for an organization that threw me in the deep end, gave me responsibilities that forced me to learn new skills fast, and taught me a lot about time management and professional relationships. Most importantly of all, it gave me a taste of what I did and didn’t want in a job, and funnily enough, it was during those 3 months that I discovered how much I loved writing.

I also walked away with something new and exciting to put on my resume, a fantastic reference, and some pretty amazing contacts. (people, not eyesight-correctors :))

I think that in an economy such as this, when many university students struggle to find  work during the summer holidays, hiring an intern is not only a great opportunity for you, it’s a brilliant experience and opportunity for them.

Authors can use a little help on their websites, social media, marketing as well as aspects of the writing process such as research and fact-checking. And students can learn more about self-publishing, marketing and careers in writing. All of which would make for a pretty exciting and fruitful internship methinks. Here are 5 places I am posting classifieds for help wanted – perhaps you might find a wonderful intern for your book marketing in one of these places, too.

intern sushi
1. Intern Sushi, Free.

http://www.internsushi.com/

Intern Sushi provides both interns and companies with a multimedia platform to find each other through. You have to sign up and answer a few question, but it’s free to post your listing.


2. Craigslist, Free – $75

http://craigslist.com/

Craigslist has a section ‘Gigs’, where you can post for an intern for free. If you don’t get much traction here, there is the option to post under the Jobs section. The cost of posting here varies between $10-$75 depending on your location. See here http://www.craigslist.org/about/help/posting_fees (US info only).


3. A university career site, Cost varies

I’m lucky to live in a city with several great universities, and I’ve been looking into the most prestigious one’s career website. The cost to post here is $25 for 30 days, and it allows you to choose the majors you want to hear from. For me, that’s English, Communications, and PR students. Look for something similar in your town or city.


4. Student newspaper, $10+

The same university I mentioned above has a daily newspaper that gets distributed around campus. It allows you to write a classified for about $10.

fliers
5. Fliers in local coffee shop, Cost of printing

If you want to get offline and catch students in their natural environment, there’s always a coffee shop, student union, or other hang out that students naturally gravitate to! Why not leave a flier or a poster with your email address asking them to get in touch with a resume and cover letter? Be sure to ask with the owner of the establishment before posting or leaving anything, as some places have strict rules about what can be displayed.

Internships are a great way to offer students meaningful, practical work experience that relates to their studies or career choice. Don’t forget though, to check out the criteria for the Department of Labor in your country. Here are the US guidelines: http://www.dol.gov/whd/regs/compliance/whdfs71.htm

Creating An Author Press Kit #author #indieauthor #FED_ebooks

Book Marketing: Creating Your Author Press Kit

 This site focuses a lot on online promotion, but PR and traditional media can still be a great way to get name recognition in the market. Having a press kit is a great way to prepare yourself for a foray into that style of marketing and in today’s post, Tolulope Popoola explains more about it.

As a new author and publisher, I had to learn the ropes about publishing and book publicity pretty quickly. Of course websites and blogs like The Creative Penn and The Book Designer have been a tremendous help.

While doing research just before my novel was published, I came across the “press kit” and its usefulness when contacting people in the media for publicity. And since I started promoting the novel, it’s been a great tool, handy for sending out information quickly. It was also easy to give it to my publicist, so she could send it to her contacts as well.

But it’s not just for media or journalists; your press kit can also be requested by retailers, book bloggers, event planners, editors; basically anyone who might take an interest in you as an author or in the topic of your book.

So what should your press kit contain?

From my own experience, most people requesting a press kit would like the following information:

 

1) Author Bio and Contact Information

You should already have an author bio to hand. If not, start working on it right away, whether you’re already published or not. You’ll need it for your blog or website, for guest posts (like this one!) or stories submitted to magazines. Your author bio should be about 200 words, and it should have things that make you sound interesting and professional. You should include your name, your place of birth or where you currently live, what you do (or used to do) for a living, what you’ve written, perhaps your education (if it’s relevant), quirky hobbies, or interesting travel experiences. Basically, anything that will make you stand out.

Don’t forget to include your contact information, and your agent or other representatives if necessary.

2) Press Release

A press release should focus on the unveiling of your new work. It should be brief and sucking, one page should do. Include information that is newsworthy about your book or about you as an author. If you have upcoming events, it might be a good idea to omit them from your press kit press release to keep the article timely a month or two down the road. You can read more about creating a perfect press release on the Creative Penn here.

3) Sample Author Q&A

Make a list of interview questions (and responses) about you and your book. This can include questions about your background, your inspiration for writing this book, why you chose to self-publish, your own favorite writers, future projects, etc. This section is particularly helpful for the interviewer and bloggers who want to help you promote your work, as it’s useful and ready content for them.

4) Specific Information on Your Book

So many books are published every week, every month, every year. This is where you need to talk about what makes yours different. You can describe your book in terms of its unique features. Why did you write this book? Did you feel there was a gap in the market for this type of story? Does the book shed new light on a common issue? Is it a topic that a lot of people can easily relate to? Is the story set in a place or time that is quite significant? As the author, do you have a unique background different from most other authors? You need to convince the person reading your press kit that your story is interesting enough for their audience.

Tip: Sometimes, when requesting your press kit, you may be asked to send in excerpts of your book as well. I’ve put the first three chapters of my novel together into a sample PDF that can be downloaded from my website and blog, at the same time as the press kit. I also have the samples in print, so I can hand it to people when they ask about my book.

You can also include interesting information about your book’s topics (especially for non-fiction titles) and a sample Q & A for an interviewer, since it’s unlikely they will have read your book.

You may also include things like: editorial reviews, testimonials, links to relevant media content like audio and video, any awards you’ve won, etc.

Here’s two great examples of author press kits:

Nowadays, most people prefer to receive a PDF version of press kits. They are easier to distribute by email and upload onto blogs and websites. It’s also easier for the recipient to copy the information they need. I would still suggest printing a few copies and having them on hand, especially for your local retailers, bookstore or library readings and other speaking events. You should, of course, have a copy of the press kit on your author website or blog.

Remember, a press kit doesn’t have to be complicated or fancy.

The people who are requesting it just want information that will help them. Keep the format and font simple. If you’re putting one together for the first time, I’m sure you already have some of the materials needed. Start with the items you already have and then work on adding the others as you go along. You don’t want to create a press kit at the last minute for the editor or reviewer who requests one.

SOURCE: http://www.thecreativepenn.com by JOANNA PENN on APRIL 23, 2013

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

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Exploring Options for #Library #eBooks #FED_ebooks #EBSCO #library #author

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eBooks 550x200 322 eBooks: Exploring the Rapidly Evolving Options

 Sponsored by EBSCO and Library Journal

As the eBook industry continues to evolve, there are more and more acquisition and collection development options available to libraries, which is a great thing—once you can make sense of them all.  Subscribe or purchase?  Outright or demand-driven purchase?  What about short-term loan and loan-to-own?  There are so many variables to explore, and these are just a small handful of the business model considerations available to libraries today.

This special webinar event, hosted by EBSCO, will address key points to consider when navigating eBook business models, and will also take a closer look at other options, including ordering services (e.g., EBSCOhost Collection Manager, GOBI and OASIS), eBook providers, user experience, digital preservation and much more.

Panelist:

Scott Wasinger- Vice President of Sales for eBooks and Audiobooks, EBSCO

Moderator:

Barbara Genco- Manager, Special Projects , Library Journal

Can’t make it April 23rd? No problem! Register now and you will get an email reminder from Library Journal post-live event when the webcast is archived and available for on-demand viewing at your convenience!

By registering for this webcast, you are agreeing that Library Journal may share your registration information with sponsors currently shown and future sponsors of this event. Click here to review the entire Library Journal Privacy Policy.

 

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

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Why Is Academic Writing So Bad? #FED_ebooks #writer #author

 

 The Importance of Clear Writing

Harvard political-science professor Stephen Walt posted an excellent piece over at Foreign Policy earlier this week. Its title accurately conveys the gist of it: “Why Is Academic Writing So Bad?” Such laments echo. Some of Walt’s commentary reminds me of Captain Alfred Thayer Mahan’s century-old reminiscences about his failings as a literary craftsman. Mahan was an author who sold a metric gazillion books and articles, spreading the good word of sea power. The bibliography of his works is itself a book. But then as now, readers were no fans of his rambling Victorian style.

first edition design publishing ebook PODGrammatical and stylistic shortcomings have consequences. Having studied and taught sea-power theory for two decades now, I’m convinced that half the reason naval officers prefer Sir Julian Corbett’s ideas to Mahan’s is because of Corbett’s fluid writing style. He’s an easy read, saving students precious hours of reading time. It appears style, not substance, may decide important debates. Victory may go to the contestant who conveys ideas more fluently, not the one with superior ideas. Hence the importance of clear, concise writing. The medium may not be the message, but it carries — or obstructs — the message.

Mahan was unusually candid about the criticisms flung his way. In his memoir From Sail to Steam, he confesses to a “besetting anxiety” to be “exact and lucid.” The downside to precision, he recalls, was being “nervously susceptible to being convicted of a mistake.” To escape criticism, he “strove to introduce between the same two periods every qualification” or disclaimer possible. Cumbersome sentences and paragraphs were the result. He admitted to overtaxing readers’ attention “as an author has no right to do,” and reported being “reproached … justly” for the “diffuseness” of his writing.

There’s good news — from my selfish standpoint, at any rate. (And it is all about me.) First, like Mahan, Naval War College students tend to be a self-critical lot, receptive to help with details. And second, our students face no pressure to write only for scholars. Quite the opposite. Plainspoken language is at a premium when working for senior commanders or diplomats, as our graduates will in future assignments. By contrast, civilian universities actively discourage publishing in outlets where specialists converse with laymen about arcane matters.

Op-eds, professional journal articles, and — needless to say — blog entries like this one count for next to nothing in hiring, tenure, and promotion decisions. Indeed, non-scholarly writing probably counts for less than nothing in the academy. It carries steep opportunity costs. An hour spent writing for a newspaper, practically minded journal, or commercial press is an hour not spent writing for a university press or peer-reviewed journal — an outlet where academics are the gatekeepers.

Scholarly publishers are the ones that make or break careers on campus. But if academic writing is bad, writing solely for other academics looks like a bad way to improve matters.

Source: www. thediplomat.com By: James R. Holmes

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

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Study Claims Older People Find Reading #eBooks Easier #FED_ebooks

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Serving Publishers & Independent Authors

 

Reading e-books easier than printed versions for older people

Older people may find e-books much faster and easier to read than their paper editions, a new study has claimed.

While people young and old prefer reading paper books to tablets and e-readers, older individuals could find themselves reading faster and with less effort on a tablet, found researchers at the Johannes Gutenberg University in Mainz, Germany.

Among 360 readers ages 21 to 34, no difference in reading speed or brain effort was detected between reading via a book, an e-reader and tablet.

But big differences were recorded among 21 users ages 60 to 77 when they read the same text on paper instead of the devices, TechNewsDaily reported.first edition design ebook publishing

In fact, using a tablet improved speed and reduced effort compared to paper and e-readers. Researchers measured eye movements and brain activity from EEG readings to determine ease of reading.

Traditional e-readers were no help: Reading a short page of text on a e-reader took the older group about 28 seconds, the longest of the three.

Switching to the printed book shaved 1.5 seconds off the time. But reading on a tablet took just 24 seconds, that’s 2.5 seconds faster than reading on paper.

The researchers concluded that a tablet’s backlighting, which was adjusted to the brightest setting, made the difference.

All tablets use backlighting, while e-readers use what’s called an E Ink display that provides less contrast than a brighter tablet (although it allows people to read in bright sunlight).

But despite the physical findings, older adults and their younger counterparts said they got more pleasure reading from a paper book.

The researchers said this was evidence of a cultural bias against digital books rather than a cognitive phenomenon. The study was published in the journal PLOS ONE.

source: ibnlive.com 

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

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John Grisham Writing Tips #FED_ebooks #author #writer #indieauthor #teacher

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Writing Tips From John Grisham

 

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor

Is the eReader Revolution Over? #FED_ebooks #ebook #ereader #tablet #author #writer #kindle

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The E-Reader Revolution: Over Just as It Has Begun?

 

The e-reader era just arrived, but now it may be ending.

Dedicated devices for reading e-books have been a hot category for the past half-dozen years, but the shrinking sizes and falling prices of full-featured tablet computers are raising questions about the fate of reading-only gadgets like Amazon.com Inc.’s original Kindle and Barnes & Noble Inc.’s first Nooks.

Market-researcher IDC recently estimated 2012 global e-reader

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

There’s a new wave of tablets including this model from Toys R’ Us.

shipments at 19.9 million units, down 28% from 27.7 million units in 2011. By contrast, IDC’s 2012 tablet forecast is 122.3 million units.

Specialized devices for reading e-books have been hot sellers for five years – but one market-research company forecasts a significant decline in 2014. The WSJ’s Greg Bensinger explains why the introduction of lighter tablets may spell the end of the e-reader era.

IHS iSuppli comes up with different totals, but it sees a similar trend. It estimates that shipments of dedicated e-readers peaked in 2011 and predicts that 2012 shipments slid to 14.9 million units, down 36% from a year earlier. By 2015, it expects unit sales of dedicated e-readers to be just 7.8 million.

One problem is that some users who bought e-readers see no particular urgency to buy another. Julie Curtis, a substance-abuse counselor in Stow, Ohio, says she is devoted to her two-year-old Kindle. “It works fine, I really have no reason to get a new one,” she says. “If I did ever want to upgrade, it would probably be to a tablet, like the Kindle Fire,” she adds.

E-readers seemed revolutionary when they came into vogue in 2007. They allowed users to store and read hundreds of books on a device that was lighter than many hardcovers and took up much less space. In addition, digital books cost less to buy.

 

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

What is the future for Sony’s eReader released in 2012?

In the intervening years, e-reader designs improved. The devices looked sleeker, they were easier to read, they weighed less, their pages turned faster, and they held more books. Wireless capability allowed users to download novels, magazines and newspapers wherever they were, whenever they wanted, and now the devices allow for reading in the dark.

From humble beginnings to a bookselling behemoth, Barnes & Noble has seen ups and downs over the decades as it tried to straddle the world of paper books and e-books.

“The real innovation in e-readers has been giving consumers a convenient way to buy books, wirelessly, without even having to use their computers,” says Sarah Rotman Epps, a Forrester Research analyst. “Giving consumers a digital storefront right in their hands, that’s what really made e-readers a phenomenon.”

But tastes and technology have moved on. People haven’t stopped reading. They are just increasingly likely to read e-books on tablets rather than e-readers, according to a recent Pew Research Center report. The polling firm found that 23% of Americans said they had read e-books in 2012, compared with 16% in 2011.

And ever cheaper tablet computers can be used not just as sophisticated readers but also as Web browsers, game consoles and cameras. “For most consumers, a multi-use tablet is a better fit, particularly at the price points at which tablets can now be had,” says Tom Mainelli, IDC’s tablet research director. “E-readers will eventually become a niche product.”

The trend away from dedicated e-readers stems, in part, from their more-limited capabilities, which often include monochrome screens and rudimentary Web surfing. Tablet computers, such as Apple Inc.’s iPad, Amazon’s Kindle Fire and other devices using Google Inc.’s Android operating system, have color displays, full Web browsing.

The price gap for many tablets has also narrowed, making them even more attractive to consumers. Google, for instance, sells a version of its Nexus 7 tablet for just $199, and Amazon now offers a $159 model of its Fire device, which is $20 less than the most expensive Kindle e-reader and $40 more than the priciest Nook. And the arrival of the iPad Mini recently brought the entry price of Apple tablets to $329, down from $499 at the original iPad size.

Not that all tablets are being embraced by consumers. Some data have shown a slow start to such devices powered by Microsoft Corp.’s new Windows 8 software.

Sales of Windows notebooks and tablets fell 13% in the Oct. 21 to Dec. 8 time period, compared with the same stretch in 2011, according to NPD Group. The market-research firm says the Windows 8 tablet sales it measured were immaterial. (It hasn’t tracked sales of Microsoft’s new Surface tablet.)

On Thursday, Barnes & Noble said that revenue at its Nook segment—which includes both tablets and e-readers, as well as digital content and accessories—fell 13% from a year earlier to $311 million for the nine-week holiday period ended Dec. 29. The company doesn’t detail sales for specific devices.

A Barnes & Noble spokeswoman didn’t immediately respond to a request for comment. An Amazon spokeswoman declined to comment.

Despite the trends, dedicated e-readers have some selling points. They tend to be lighter than most tablets, and a different style of display improves their battery life. Barnes & Noble says the low-end Simple Touch version of its Nook line can operate up to two months on a battery charge, compared with around 10 hours of reading on its Nook HD tablet.

There have also been major improvements in e-readers, including touch-screen technology and self-lighting screens. “E-readers are dramatically better today than they were even two years ago,” says Avi Greengart, an analyst at Current Analysis.

Moreover, e-reader prices have fallen sharply, with Kindles starting as low as $69 for a model that comes with ads.

Source: http://www.WSJ.com  By Greg Bensinger—Shira Ovide contributed to this article.

 

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor

Are printed books dead? #FED_ebooks #ebook #author #writer #publishing

First Edition Design Publishing

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

Publisher – Aggregator – Master Distributor
Serving Publishers & Independent Authors

 

Lovers of ink and paper, take heart. Reports of the death of the printed book may be exaggerated

A 2012 survey revealed that just 16% of Americans have actually purchased an e-book.

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market Ever since Amazon introduced its popular Kindle e-reader five years ago, pundits have assumed that the future of book publishing is digital. Opinions about the speed of the shift from page to screen have varied. But the consensus has been that digitization, having had its way with music and photographs and maps, would in due course have its way with books as well. By 2015, one media maven predicted a few years back, traditional books would be gone.

Half a decade into the e-book revolution, though, the prognosis for traditional books is suddenly looking brighter. Hardcover books are displaying surprising resiliency. The growth in e-book sales is slowing markedly. And purchases of e-readers are actually shrinking, as consumers opt instead for multipurpose tablets. It may be that e-books, rather than replacing printed books, will ultimately serve a role more like that of audio books—a complement to traditional reading, not a substitute.

How attached are Americans to old-fashioned books? Just look at the results of a Pew Research Center survey released last month. The report showed that the percentage of adults who have read an e-book rose modestly over the past year, from 16% to 23%. But it also revealed that fully 89% of regular book readers said that they had read at least one printed book during the preceding 12 months. Only 30% reported reading even a single e-book in the past year.

What’s more, the Association of American Publishers reported that the annual growth rate for e-book sales fell abruptly during 2012, to about 34%. That’s still a healthy clip, but it is a sharp decline from the triple-digit growth rates of the preceding four years.

The initial e-book explosion is starting to look like an aberration. The technology’s early adopters, a small but enthusiastic bunch, made the move to e-books quickly and in a concentrated period. Further converts will be harder to come by. A 2012 survey by Bowker Market Research revealed that just 16% of Americans have actually purchased an e-book and that a whopping 59% say they have “no interest” in buying one.

Meanwhile, the shift from e-readers to tablets may also be dampening e-book purchases. Sales of e-readers plunged 36% in 2012, according to estimates from IHS iSuppli, while tablet sales exploded. When forced to compete with the easy pleasures of games, videos and Facebook on devices like the iPad and the Kindle Fire, e-books lose a lot of their allure. The fact that an e-book can’t be sold or given away after it’s read also reduces the perceived value of the product.

Beyond the practical reasons for the decline in e-book growth, something deeper may be going on. We may have misjudged the nature of the electronic book.

From the start, e-book purchases have skewed disproportionately toward fiction, with novels representing close to two-thirds of sales. Digital best-seller lists are dominated in particular by genre novels, like thrillers and romances. Screen reading seems particularly well-suited to the kind of light entertainments that have traditionally been sold in supermarkets and airports as mass-market paperbacks.

These are, by design, the most disposable of books. We read them quickly and have no desire to hang onto them after we’ve turned the last page. We may even be a little embarrassed to be seen reading them, which makes anonymous digital versions all the more appealing. The “Fifty Shades of Grey” phenomenon probably wouldn’t have happened if e-books didn’t exist.

Readers of weightier fare, including literary fiction and narrative nonfiction, have been less inclined to go digital. They seem to prefer the heft and durability, the tactile pleasures, of what we still call “real books”—the kind you can set on a shelf.

E-books, in other words, may turn out to be just another format—an even lighter-weight, more disposable paperback. That would fit with the discovery that once people start buying digital books, they don’t necessarily stop buying printed ones. In fact, according to Pew, nearly 90% of e-book readers continue to read physical volumes. The two forms seem to serve different purposes.

Having survived 500 years of technological upheaval, Gutenberg’s invention may withstand the digital onslaught as well. There’s something about a crisply printed, tightly bound book that we don’t seem eager to let go of.

Source: WSJ.com By Nicholas Carr

—Mr. Carr is the author of “The Shallows: What the Internet Is Doing to Our Brains.”

 

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor