Tag Archives: literary agents

5 THINGS WRITERS SHOULD ASK POTENTIAL AGENTS

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Categories: Brian Klems’ The Writer’s Dig Tags: Brian Klems.

questions-to-ask-an-agentAn agent has offered me representation, but I don’t know how to tell if she’s right for me. What are the most important questions a writer should ask an agent before signing? —Anonymous

There are hundreds of questions you could ask an agent, from the sensible “What attracted you to my book?” to the slightly less sensible “When will you net me my first million?” The key is to choose the ones that will get you the most important information you need to make an informed decision.

Here’s a list of the five most crucial questions you should ask any agent before agreeing to join her client list.

1. Why do you want to represent me and my work?

The agent should be able to answer this easily. Agents generally take on projects that they not only think will sell well, but that they personally admire. This question gives the agent an opportunity to express her interest to you.

[Want to land an agent? Here are 4 things to consider when researching literary agents.]

2. How did you become an agent/get your start in publishing?

You want an agent who has a history in publishing, whether as a junior associate at a well-known agency or perhaps as an editor with a small imprint. You need to be assured that the agent knows the business and has the contacts necessary to give your book its best shot. You might also want to ask if the agent could refer you to one of her clients in your genre as well; getting the perspective of a writer who is in the role you’re about to step into can be invaluable.

3. What editors do you have in mind for my book? Have you sold to them before? Will you continue to market to other editors if you can’t make a deal with your first choices?

This is more of a three-part question, but it’s the overall answer that you want. By asking these questions, you’re checking to see if this agent has connections, and you’re also clarifying her overall game plan. This is key. You want to make sure your expectations are aligned.

[Understanding Book Contracts: Learn what’s negotiable and what’s not.]

4. What books have you sold recently?

This indicates whether the agent has a track record of selling books in your category or genre.

5. Why should I sign with you?

You’re about to enter into a partnership that neither party should take lightly. This is an opportunity for the agent to pitch you, just as you’ve pitched her, and convince you that she’s the right person to represent your work.

You’ll have additional questions more specific to your work, so don’t hesitate to ask them. They’ll simply show the agent that you’re savvy about your book’s target market. Agents are used to these inquiries, so they are unlikely to be surprised by any questions you may have. And if an agent refuses to answer anything on the list above, that should be a red flag that something is amiss.

2014-guide-to-literary-agentsGet the #1 guide to finding contact information, 
“How to Submit” submission guidelines and more for nearly 
every literary agent there is with the Guide to Literary Agents
Order now from WD and get a steep discount.

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brian-klems-2013Brian A. Klems is the online editor of Writer’s Digest and author of the popular gift book Oh Boy, You’re Having a Girl: A Dad’s Survival Guide to Raising Daughters.

Follow Brian on Twitter: @BrianKlems
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How to find a hungry agent

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Publishers – Aggregators – Master Distributors

Great post from The Book Deal!
Here’s a literary agent who’s very specific about the kind of book she’d like to see in her inbox:

“I love books with some kind of psychological element, like if the MC has a mental illness or if they can’t trust their mind.”

Working on anything like that? Or something close? Want to know more about this agent? Well you can find her on Twitter. She’s Annie, of the Annie Bomke Literary Agency, tweeting as @Abliterary

Twitter: Start here

Commercial publishers, agents, editors and publicists have for years relied on Twitter as an important element in book marketing. It’s also an essential tool for agents looking for new writers to build their client lists.

Annie Bomke, for example, is included in the Writer’s Digest Oct. 2013 cover story 28 Agents Seeking New Writers. Twenty of those agents are active on Twitter.

Bomke tweets regularly not only about what she’s looking for, but also about how to submit a book to her: “If you’re going to attach your synopsis/sample chapters, make sure you still put your query in the body of the email.” Here she is on the art and craft of writing: “Avoid descriptions that are obvious, like ‘the yellow sun’. The only time you should mention the color of the sun is if it’s not yellow.”

Not bad. Wish I’d said that. She packed a lot into the official Twitter 140 character limit.

More tweeting agents:

Lori Perkins at L. Perkins Agency (@loriperkinsRAB) writes that she’s looking for “time travel novels with female protagonists who change the world (without looking for love).”

Brandi Bowles of Foundry Literary & Media (@brandibowles) reminds authors, “Don’t neglect your platform while searching for an agent. We browse magazines, newspapers, and journals for great writing all the time!”

The biggest little agent-author conversation in the world

In a previous post called Strategic Tweeting for Authors, I described Twitter as a huge, noisy cocktail party, packed with publishing insiders, agents, editors, journalists, book bloggers, reviewers, your readers, potential new readers, other writers – just about everyone you’d ever want to connect with — there and waiting for you to drop in and mingle your heart out.

Now that more agents are using Twitter to build their client lists, it’s gone way beyond marketing to become a treasure trove of useful information for authors about what agents want and how to find them.

Remember that it’s OK to lurk on Twitter. You can search this resource as much as you want without ever posting a tweet yourself if you’re not ready or willing to jump into the fray. That’s some of the advice in a highly recommended primer for the uninitiated: 10 Must-Learn Lessons For Twitter Newbies .

Quick and easy ways to start your search

• Go to Twitter Search and insert #literaryagents in the box See what’s happening right now. You’ll be rewarded with a long list of tweets to and from literary agents. The scroll is in reverse chronological order, often beginning with a tweet only minutes old. The participants offer a bounty of useful chatter and links.

• Or try searching #MSWL, which stands for manuscript wish list, another Twitter address used by agents and publishers to let people know what they’re looking for. For a very useful archive of MSWL tweets organized by agent (and editor) names, go to this Tumbler page.

• Check out Galley Cat’s list Best Literary Agents on Twitter . You’ll find a terrific collection of agents with links to their Twitter feeds, from not only the generation of hungry new faces but also veteran agents like Jason Allen Ashlock, Stephanie Evans, Jennifer Laughran, Meredith Smith, Scott Waxman and Rachelle Gardner.

Twitter etiquette

As in all forms of social networking, certain rules apply.

• Don’t try to submit to an agent via Twitter. It won’t work. Go to the agent’s website or blog and pay close attention to the instructions on query letters, proposals, and sample pages.

• Be service oriented. Your tweets should offer a helpful comment or link to something relevant and useful. Try to be positive, altruistic, and empathic. Keep it upbeat.

• No hard sell. Never come right out with “Read my book” or “Please be my agent.” As per above, follow their rules about sending anything. Refer back to your own website and blog, which of course you’ll have by this time, right?

Be cool

Finding good agent matches on Twitter for your project might take a little time and patience. When you’ve located the agents you’d like to focus on, register on Twitter so you can restrict your own tweets to your targeted audience.

Then follow these agents and everyone relevant they link to. Check out how they want to be approached and be ready with the best possible query letter, proposal, sample pages or, in the case of most debut fiction, the entire manuscript.

And remember, agents are deluged with submissions, so once they reject a project (or ignore the submission) you won’t get a second chance. So be sure your manuscript is in the best possible shape before sending it in.

Some great advice

Listen to agent Rachelle Gardner, who advises writers to work with a professional developmental editor to “Get an experienced set of eyes on it to help you identify problems and figure out how to fix them… It’s a terrific learning experience and can help you grow as a writer… almost like having a writing tutor.”

Hear hear.

What about you?

Is Twitter already one of your sources to track down good potential agents for your book? If so, how is that working for you?

If this is a new idea for you, give it a try, and let us know how it goes. We welcome stories of your experience and your tips for fellow authors.

Visit: www.firsteditiondesignpublishing.com

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