Tag Archives: books

5 THINGS WRITERS SHOULD ASK POTENTIAL AGENTS

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 by:

Categories: Brian Klems’ The Writer’s Dig Tags: Brian Klems.

questions-to-ask-an-agentAn agent has offered me representation, but I don’t know how to tell if she’s right for me. What are the most important questions a writer should ask an agent before signing? —Anonymous

There are hundreds of questions you could ask an agent, from the sensible “What attracted you to my book?” to the slightly less sensible “When will you net me my first million?” The key is to choose the ones that will get you the most important information you need to make an informed decision.

Here’s a list of the five most crucial questions you should ask any agent before agreeing to join her client list.

1. Why do you want to represent me and my work?

The agent should be able to answer this easily. Agents generally take on projects that they not only think will sell well, but that they personally admire. This question gives the agent an opportunity to express her interest to you.

[Want to land an agent? Here are 4 things to consider when researching literary agents.]

2. How did you become an agent/get your start in publishing?

You want an agent who has a history in publishing, whether as a junior associate at a well-known agency or perhaps as an editor with a small imprint. You need to be assured that the agent knows the business and has the contacts necessary to give your book its best shot. You might also want to ask if the agent could refer you to one of her clients in your genre as well; getting the perspective of a writer who is in the role you’re about to step into can be invaluable.

3. What editors do you have in mind for my book? Have you sold to them before? Will you continue to market to other editors if you can’t make a deal with your first choices?

This is more of a three-part question, but it’s the overall answer that you want. By asking these questions, you’re checking to see if this agent has connections, and you’re also clarifying her overall game plan. This is key. You want to make sure your expectations are aligned.

[Understanding Book Contracts: Learn what’s negotiable and what’s not.]

4. What books have you sold recently?

This indicates whether the agent has a track record of selling books in your category or genre.

5. Why should I sign with you?

You’re about to enter into a partnership that neither party should take lightly. This is an opportunity for the agent to pitch you, just as you’ve pitched her, and convince you that she’s the right person to represent your work.

You’ll have additional questions more specific to your work, so don’t hesitate to ask them. They’ll simply show the agent that you’re savvy about your book’s target market. Agents are used to these inquiries, so they are unlikely to be surprised by any questions you may have. And if an agent refuses to answer anything on the list above, that should be a red flag that something is amiss.

2014-guide-to-literary-agentsGet the #1 guide to finding contact information, 
“How to Submit” submission guidelines and more for nearly 
every literary agent there is with the Guide to Literary Agents
Order now from WD and get a steep discount.

Thanks for visiting The Writer’s Dig blog. For more great writing advice, click here.

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brian-klems-2013Brian A. Klems is the online editor of Writer’s Digest and author of the popular gift book Oh Boy, You’re Having a Girl: A Dad’s Survival Guide to Raising Daughters.

Follow Brian on Twitter: @BrianKlems
Sign up for Brian’s free Writer’s Digest eNewsletter: WD Newsletter

 

 

 

 

 

 

 

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How To Get Book Reviews – The 5 Myths

 

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June 17, 2014

The Future of Ink article by  How to Get Book Reviews - The 5 Myths by Shelley HitzGetting reviews for your book is an essential part of the publishing and marketing process. However, there are many misconceptions authors have regarding book reviews.  In this post I address the5 common myths about getting reviewsfor your book.

Myth #1:  Customers Don’t Read Reviews

Reviews are important and research has actually shown they do impact buying decisions.  A research study conducted by Dimensional Research showed that 90% of customers reported reading positive reviews online impacted their buying decisions.In the same way, 86% of customers said reading negative reviews online impacted their buying decisions as well. Tip:  Make sure you don’t ignore this important step of getting honest reviews for your book.  They have more impact than you may realize.

Myth #2:  Anyone Can Post Reviews on Amazon

As an author, it is important understand each retailer’s terms of service regarding reviews.  For example, Amazon prohibits authors from reviewing a competitor’s book that would be seen as a “directly competing product.” Tip:  Even though “directly competing” authors are unable to post reviews for you,you can ask them for endorsementsYou can then put these endorsements in the beginning of your book as well as in the “Editorial Reviews” section on your sales page.

Myth #3:  You’re Going To Spend an Arm and a Leg on Review Copies

You may think that you have to spend a fortune to give out review copies of your book.  First, you have to pay for the print book copies and then you have to pay to have it shipped to your reviewer.  If the reviewer is international, the shipping will be even more expensive. Tip: However, you can significantly cut your costs by sending out eBook copies to reviewers.  You can send out PDF, mobi, and/or epub copies of your books to most reviewers.  You may still want to send print copies to certain high profile book review bloggers and/or potential endorsers for your book, but most reviewers will agree to review a digital copy of your book.

Myth #4:  No Reviews Are Better Than Bad Reviews

When writing, publishing, and marketing your book it is good to know upfront that you will get both positive and negative reviews.After pouring your time and talent into your book (and some of your hard earned money), it is natural to want to see all 4 and 5 star reviews. However, the reality is that you will NOT please every reader who buys your book. Even the very best authors still get 1, 2, and 3 star reviews on their books.

Even the very best authors still get 1, 2, and 3 star reviews on their books.

Sometimes negative reviews can actually be helpful.You may think that no reviews are better than bad reviews.  But if your book has all 5 star reviews, people may think all your reviews are from supporters: your family and friends. Tip:We encourage you to not be afraid of getting negative reviews. Expect that they will come and then move on. If you have written a good book, good reviews will continue to come in faster than the bad reviews and your overall rating will still remain high.

Myth #5:  Everyone Who Agrees to Review Your Book Will Follow Through

Understand that not all readers who agree to review your book will actually follow through. Don’t take it personally as your reviewers are volunteers and have busy lives, but make sure to send at least one follow up e-mail message. Tip:  We have found that sending a follow-up message to reviewers who have not posted a review can double the response rate. Reviewers will sometimes forget, or lose the links, to post the review. They are busy just like us. Sending a simple reminder can make a huge difference.   Read the rest of this article on The Future of Ink:http://thefutureofink.com/how-to-get-book-reviews/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+tfoi+%28The+Future+of+Ink%29 logo v2 600x124 02

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BookReels, an MTV for Books?

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Found at Publisher’s Weekly!

BookReels, a dedicated interactive website that allows publishers and authors to post multimedia visuals ranging from animated book covers to trailers, is now available for readers as a unique way to preview and browse books.

The founder and CEO of BookReels is Dan Rosen, a screenwriter and director who has worked on a number of book trailers. With his friend CV Herst, a writer and tech entrepreneur, the Los Angeles-based duo came up with the idea to create a website where authors and publishers could easily promote themselves, through visual means, and simultaneously sell their work.

Registration on the site is free, and BookReels members have access to 3,000 trailers and author interviews, as well as the option to purchase books through either IndieBound or Amazon.

“What MTV did for music videos and record sales, BookReels wants to do for book trailers and book sales,” Rosen said. The site includes over 20 book categories. The most popular category is young adult fiction, which features hundreds of trailers, author interviews, and live readings. The adult fiction category is the second most popular category.

Book trailers on the site range from classics such as Anna Karenina to Tina Fey’s Bossypants. According to user ratings, some of the current member favorites trailers for Emma Donaghue’s Frog Music, which utilizes a slideshow; Tim Winton’s Eyrie, a creepy live action trailer; and The One & Only by Emily Giffin.

Without any live action filming, Giffin’s trailer represents what can be done with just a simple book cover animation, and blurbs.

Tiffany Hawk’s Love Me Anyway: A Novel was published a year ago, but the book trailer ranks #1 on the site’s top ten list because of its darkly funny execution. “Book trailers vary in style and delivery from homemade to professional productions,” said Rosen. “They help provide an outlet for authors and publishers on a shoestring budget, and a platform for the seasoned bestsellers as well.” Once submissions are approved, they appear on BookReels free of charge.

Members are offered a variety of free options on the site. With access to community pages, they can rate trailers, post comments and reviews, join discussion groups, and share BookReel discoveries through a variety of social media sites. On the Recommend a Reel page, members can also submit their own book-related videos.

Tyson Cornell, founder of Rare Bird Lit book promotions, has embraced BookReels as an effective way to visually market books. “There just hasn’t been a platform beyond YouTube and Author Central that can stimulate book sales until now,” Cornell said. “BookReels has the potential to connect more books with readers. It definitely fills a void.”

 

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The DNA of a Successful Book: INFOGRAPHIC

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INFOGRAPHICS

The DNA of a Successful Book: INFOGRAPHIC

Reposted from GalleyCat: By Dianna Dilworth on January 23, 2014 3:20 PM

hiptypeHiptype has created an infographic called, “The DNA of a Successful Book,” which explores what goes into a good book.

According to the graphic, 300-page books have an 87 percent completion rate. Completion rates steadily drop the longer a book gets, with 700-word books only earning a 35 percent completion rate. The graphic also reveals that books that earned the most revenue cost an average of $3.99, while books that sell for $.99 are sold 12x as often as other titles.

We’ve embedded the entire graphic after the jump for you to explore further.

The DNA of a Successful Book

by NowSourcing.
Explore more infographics like this one on the web’s largest information design community –Visually.

How to find a hungry agent

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Publishers – Aggregators – Master Distributors

Great post from The Book Deal!
Here’s a literary agent who’s very specific about the kind of book she’d like to see in her inbox:

“I love books with some kind of psychological element, like if the MC has a mental illness or if they can’t trust their mind.”

Working on anything like that? Or something close? Want to know more about this agent? Well you can find her on Twitter. She’s Annie, of the Annie Bomke Literary Agency, tweeting as @Abliterary

Twitter: Start here

Commercial publishers, agents, editors and publicists have for years relied on Twitter as an important element in book marketing. It’s also an essential tool for agents looking for new writers to build their client lists.

Annie Bomke, for example, is included in the Writer’s Digest Oct. 2013 cover story 28 Agents Seeking New Writers. Twenty of those agents are active on Twitter.

Bomke tweets regularly not only about what she’s looking for, but also about how to submit a book to her: “If you’re going to attach your synopsis/sample chapters, make sure you still put your query in the body of the email.” Here she is on the art and craft of writing: “Avoid descriptions that are obvious, like ‘the yellow sun’. The only time you should mention the color of the sun is if it’s not yellow.”

Not bad. Wish I’d said that. She packed a lot into the official Twitter 140 character limit.

More tweeting agents:

Lori Perkins at L. Perkins Agency (@loriperkinsRAB) writes that she’s looking for “time travel novels with female protagonists who change the world (without looking for love).”

Brandi Bowles of Foundry Literary & Media (@brandibowles) reminds authors, “Don’t neglect your platform while searching for an agent. We browse magazines, newspapers, and journals for great writing all the time!”

The biggest little agent-author conversation in the world

In a previous post called Strategic Tweeting for Authors, I described Twitter as a huge, noisy cocktail party, packed with publishing insiders, agents, editors, journalists, book bloggers, reviewers, your readers, potential new readers, other writers – just about everyone you’d ever want to connect with — there and waiting for you to drop in and mingle your heart out.

Now that more agents are using Twitter to build their client lists, it’s gone way beyond marketing to become a treasure trove of useful information for authors about what agents want and how to find them.

Remember that it’s OK to lurk on Twitter. You can search this resource as much as you want without ever posting a tweet yourself if you’re not ready or willing to jump into the fray. That’s some of the advice in a highly recommended primer for the uninitiated: 10 Must-Learn Lessons For Twitter Newbies .

Quick and easy ways to start your search

• Go to Twitter Search and insert #literaryagents in the box See what’s happening right now. You’ll be rewarded with a long list of tweets to and from literary agents. The scroll is in reverse chronological order, often beginning with a tweet only minutes old. The participants offer a bounty of useful chatter and links.

• Or try searching #MSWL, which stands for manuscript wish list, another Twitter address used by agents and publishers to let people know what they’re looking for. For a very useful archive of MSWL tweets organized by agent (and editor) names, go to this Tumbler page.

• Check out Galley Cat’s list Best Literary Agents on Twitter . You’ll find a terrific collection of agents with links to their Twitter feeds, from not only the generation of hungry new faces but also veteran agents like Jason Allen Ashlock, Stephanie Evans, Jennifer Laughran, Meredith Smith, Scott Waxman and Rachelle Gardner.

Twitter etiquette

As in all forms of social networking, certain rules apply.

• Don’t try to submit to an agent via Twitter. It won’t work. Go to the agent’s website or blog and pay close attention to the instructions on query letters, proposals, and sample pages.

• Be service oriented. Your tweets should offer a helpful comment or link to something relevant and useful. Try to be positive, altruistic, and empathic. Keep it upbeat.

• No hard sell. Never come right out with “Read my book” or “Please be my agent.” As per above, follow their rules about sending anything. Refer back to your own website and blog, which of course you’ll have by this time, right?

Be cool

Finding good agent matches on Twitter for your project might take a little time and patience. When you’ve located the agents you’d like to focus on, register on Twitter so you can restrict your own tweets to your targeted audience.

Then follow these agents and everyone relevant they link to. Check out how they want to be approached and be ready with the best possible query letter, proposal, sample pages or, in the case of most debut fiction, the entire manuscript.

And remember, agents are deluged with submissions, so once they reject a project (or ignore the submission) you won’t get a second chance. So be sure your manuscript is in the best possible shape before sending it in.

Some great advice

Listen to agent Rachelle Gardner, who advises writers to work with a professional developmental editor to “Get an experienced set of eyes on it to help you identify problems and figure out how to fix them… It’s a terrific learning experience and can help you grow as a writer… almost like having a writing tutor.”

Hear hear.

What about you?

Is Twitter already one of your sources to track down good potential agents for your book? If so, how is that working for you?

If this is a new idea for you, give it a try, and let us know how it goes. We welcome stories of your experience and your tips for fellow authors.

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– See more at: http://www.alanrinzler.com/blog/2013/08/29/how-to-find-a-hungry-agent/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+AlanRinzler+%28Alan+Rinzler%29#sthash.zvXBrxc4.dpuf

5 Steps for Restarting Your Book Marketing Efforts After a Break

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Another great post from Duolit!

“Break’s over.” – Jed Bartlet, The West Wing

Photo: araza123 | FlickrLife loves to throw curveballs.

As soon as you’re feeling good about how things are moving —WHAM! — something comes along to knock you back.

If you’re part of our mailing list, you’ve read about the personal curveballs Shannon and I were thrown this summer, but I’m sure you’ve experienced similar situations, too.

A change in seasons (“Summer’s here — I’m going outside!”), big life events (“I’m having a baby!”) and just the simple ebb and flow of life all affect our priorities, habits and schedules.

At some point in your writing career, building your fanbase will be the farthest thing from your mind.

When you first waver off track, it might just be for a few days. But then, a week goes by…then a month, and before you know it, it feels harder and harder to get back into marketing your work and easier and easier to extend the break.

Eventually, you realize that you need to get back to promoting your work.

But where do you start?

Falling behind is terrifying. You’re afraid that you’ve done irreparable damage to your writing career by taking a break.

I mean, what if you have to start from — gulp — scratch?!

How to Get Back on Track After Taking a Fanbase-Building Break

First off, simply take a deep breath.

Even if you’ve been out of the game for a few months (or longer!) you won’t have to start promoting your work from scratch, unless you want a clean slate. Regardless of how dire it feels, the fans you’ve gained and the progress you’ve made won’t be negated by the time off.

I don’t want to mislead you — it takes effort to get the ball rolling again, but it won’t be as much as you think.

Are you ready to get started? Put on some relaxing music and let’s work through the five steps for getting back on the book marketing bandwagon!

1. Cut yourself some slack

Many writers I know (myself included) have terribly guilty consciences. Heck, I can still feel bad over mistakes I made as a kid!

But, one thing I’ve realized about guilt over the years is that it doesn’t do anything to help you move forward.

So, the first step for getting back on track is to forgive yourself for veering off in the first place. Taking a break does not make you a bad, bad author who doesn’t care about her career — it just makes you human!

Take a (-nother) deep breath and remember: the passed time is what it is; you’ve done nothing wrong.

2. Assess the situation

Now that you’ve taken care of the guilt, let’s figure out where you left off the last time you were working on promotion. It’s the best way to decide how to move forward. As a start, ask yourself:

  • Do I have a website? If so, where?
  • Do I have a blog? If so, where?
  • Which social networks am I a part of?
  • What was the last promotion/promotional activity I was working on? What were the results?
  • Who are my readers? How was I trying to reach them?
  • Who were my biggest fans and/or author allies? How do I get in touch with them?

Spending a few moments on the survey serves two purposes:

  1. Reminds you of the progress you’ve made in the past
  2. Puts you back into the self-promotion mindset

Basically, it gives you all the information you need to start moving forward and making new plans!

3. Focus on promotions you enjoy

While falling off the wagon can happen to even the most enthusiastic author, it happens more often to those who dread promotion or are only using certain promotional tools because they feel like they have to.

I officially give you permission to stop this madness!

Shannon and I are both huge proponents of book marketing your way. When the responsibility’s all on your shoulders, you get to decide which methods you want to use. Why? Because, if using Twitter triggers head-bashing tendencies, you will start finding reasons not to log in.

Remember: much to many authors’ chagrin, there is no one true path to publishing and promotional success. Some authors couldn’t imagine their success without Facebook, but others (who are doing just as well) have never even used the service.

Blaze your own trail and only partake in the promotional avenues you feel comfortable with and enjoy. You’ll be happier (and more successful) in the end!

4. Take small steps

After a break, you’ll feel tempted to make up for lost time by taking on a bunch of new marketing projects at one time, but don’t do it! If you do, that initial, enthusiastic push will fizzle into burnout, and that’s what we want to avoid this time, right?

Instead, focus on one promotional project at a time and break that task down into smaller steps. In this vein, we’re starting a new blog series with a monthly project for you to tackle, but you can easily do this yourself with any of your marketing ideas.

As an added bonus, breaking down a single idea into smaller steps will allow you to accomplish each one more quickly — and what feels better than quickly checking things off your to-do list?

5. Build in breaks

This time around, get ahead of the game by building mini-breaks into your promotional life. You’ll not only keep up your enthusiasm for promotion, but you’ll also become a pro at restarting things after a few days or a week off. Then, when real life strikes, you’ll know exactly how to bounce back!

If taking time off doesn’t make you feel comfortable, instead focus on moving at a pace that is maintainable for you.

As an example, if you realistically have 5 hours a week to devote to promotion, don’t try to schedule in 10 hours of work. Or, if you have more motivation during certain weeks, accomplish more during that week and plan for a more relaxed schedule the following week.

Very few of us work at this whole book marketing “thing” full-time. The more flexible you are with planning your time and accomplishing your goals, the happier (and more productive!) you’ll be.

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25 #Tweet Ideas To Help #Authors Fight Follower Fatigue

From Duolit, a helpful article by Toni (The Geek).

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I’ve developed a dangerous addiction.

There’s a local ice cream place that has stolen my heart. It’s called Cold Cow, and those magical folks give you a RIDICULOUS amount of the creamy, delicious treat for startlingly low prices.

For just $4, I get a HUGE bowl of vanilla ice cream piled high with cookie dough (straight out of the Toll House tub), Reeses Peanut Butter Cups and Oreos. 

Do your teeth hurt yet?

Now, I understand that Cold Cow is definitely an indulgence, but it’s one I fully commit to enjoying each and every time I sit down with my tanker-truck-sized bowl.

No matter my excitement, however, something strange happens after I dig in.

The first bite is ridiculously awesome.

The second bite is really good.

After the third bite or so, it still tastes wonderful, but each subsequent bite never lives up to the same level as the first.

It’s like my taste buds get fatigued from processing all the awesomeness.

The Law of Diminishing Returns

No matter how amazing something tastes, if you taste it over and over again the flavors will never live up to that first-bite magic.

Taking the analogy to book marketing, fans get the same way when it comes to your social media updates. If all they read are the same types of updates (even if those updates are ridiculously awesome) they will eventually lose interest.

I see this problem most often on Twitter. Authors alternate between one or two update types (most commonly a link to buy their book and an excerpt/review) which will tire out even the most ardent fan.

Honestly, though, this update repetition isn’t necessarily your fault. I get it: sometimes, it’s simply difficult to think of anything else to write about.

Well, I’m here to fix that (yay!) I’ve put on my thinking cap and come up with 25 different tweet ideas. That way, if you tweet 3 times a day, you won’t have to repeat a tweet type for over a week. Pretty awesome, right?

25 Types of Author Tweets (with examples!)

I know you’re eager to start changing up those tweetable topics so, without further ado, here is my mega-list of unique tweet ideas:

  1. A genuine recommendation of a fellow indie author’s work
    ex: “Just checked out Killer Shine by @ShanWrites and LOVED IT! My review: http://amazon.link”
  2. favorite recipe or food-related advice
  3. fun photo (your workspace, pets, lunch, whatever!)
  4. link to a blog post on a topic both you and your readers find interesting (be sure to @mention the author if he/she’s on Twitter)
    ex: “Doing 1, 5 and 10! –> 25 Summer Decorating Ideas by @ShanWrites: http://link.y”
  5. personal shoutout to a (single) follower
    ex: “A big welcome to the gals at @Duolit — Mountain Dew is my fav, too!”
  6. An excerpt from a positive review of your book
  7. Your take on a trending topic
  8. thought-provoking question
    ex: “If you could only read one book for the rest of your life, which would you choose? #amreading”
  9. Live-tweeting during a TV show or event
  10. personal thank you for a fellow, reply or retweet
  11. link to sign up for your mailing list
    ex: “For exclusive excerpts and giveaways, join my Readers’ Club: http://link.y”
  12. Reply to someone’s tweet with your own thoughts
  13. Share a short, interesting musing from your day (if you have kids or pets, these practically write themselves!)
  14. Share the logline from your WIP
    ex: “What I’m working on: Single mom/waitress by day, time-travelling superhero by night. Sound interesting?”
  15. The link to your most recent blog post
  16. Share your #1 desert island book and why you chose it
  17. Start a conversation with someone using a relevant hashtag
    ex: “@SomeoneElse That dinner sounds amazing! How did it turn out? #amcooking”
  18. A link to download an excerpt of your book
  19. Take part in a Twitter chat (check out this mega-list of chats!)
  20. tantalizing quote from your book
  21. Thoughts on what you’re currently reading ( be sure to mention the author if he/she’s on Twitter)
    ex: “#AmReading Storm of Swords by @GeorgeRRMartin and just got to the Red Wedding. OMG!!!”
  22. Your favorite quote of all time
  23. link to a news story/blog post about you and your book
  24. Your thoughts on a topic of interest to you and your readers
    ex: “Hitchhiker’s Guide was WRONG?! I don’t buy it — what do you think? http://link.y”
  25. Give away a free copy of your book to a random follower

4 Terrific Twitter Tips (say that 5 times fast!)

Phew! Those topics should keep you busy for awhile, huh? Before you jump into crafting those tweets, however, I’d like to share a few general Twitter guidelines to keep in mind:

1. Keep Tweets Short

I know, I know, that’s kind of obvious, right? After all, you’re automatically limited to 140 characters when crafting your tweets. It’s actually in your best interest, however, to keep your tweets even shorter than that.

Limiting your tweets to just 120 characters makes it easy for your followers to retweet your updates without having to do any editing. Take 5 seconds to check the character count before tweeting to make sharing your content as easy as possible!

2. Don’t sound robotic

Take advantage of the fact that you’re in charge of your own promotion by making it clear that your tweets come from you — not a publisher or ghosttweeter (that’s a thing, right?)

Craft each and every one of your tweets to sound personal and engaging to your followers. For example, instead of sharing the title of a blog post, write (briefly) what it’s about before including the link (check out #4 and #24 in the list above).

3. Emulate, but stay true to yourself.

There are some awesome author-tweeters out there (not that I’m biased, but our own Shannon @ShanWrites does a great job) and you can certainly learn a lot by following them and checking out their tweets.

When it comes to planning your own, however, don’t be tempted to copy what you see. Make your tweets reflect your personality and appeal to your fanbase, not the fanbase of another author!

4. Reply to replies.

When you’re starting out on Twitter, make it a point to reply to every single (non-robotic) mention you receive.

This simple act can earn a new reader or make a connection that will benefit you in your author career. Aside from that, it’s just good manners to take the time to reply to someone who takes the time to mention you!

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Author (R)evolution Day Set #FED_ebooks #author #writer #indieauthor

 
Author (R)evolution Day Set for February 12, 2013

 

O’Reilly Media’s Tools of Change and Publishers Weekly are collaborating to launch a new conference called Author (R)evolution Day, aimed at professional authors, content creators, agents, and other independent author services providers. This daylong conference-within-a-conference debuts Tuesday, February 12, 2013 during O’Reilly’s flagship TOC conference in New York City.

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market Author (R)evolution Day will answer the demand for important ideas, strategies, and conversations about the future of publishing from a key constituency in publishing’s future–the authors and creators.

Author, activist, and Publishers Weekly contributor Cory Doctorow headlines a dynamic list of presentations covering a wide range of issues for those who want to move beyond “Social Media 101” to a more robust dialogue about today’s rapidly shifting landscape. Topics include:

–          A cohesive understanding of the future of publishing for authors

–          The emergence of the “alternate publishing” model

–          Successful use of crowd-funding platforms

–          Disruptive author-centric publishing experiments

–          The inversion of book marketing practices

–          The best platforms and tools for entrepreneurial authors

 

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor

Hook Up With a Holiday Book #FED_ebooks #christmas #author #writer

First Edition Design Publishing

Want to cozy up with a holiday book?

Here’s a few suggestions in no particular order from classics to modern literature:

  • A Christmas Carol (1843) by Charles Dickens. A classic that includes the miserly Scrooge and other iconic characters. Inspired by Dickens humiliating childhood, the book has been adapted to numerous movies, and to opera, theatre and ballet.
  • The Gift of the Magi (1906) a short story by O. Henry. A must read for the budding author for its classic, situational irony ending. It has been adapted to stage and screen, including Christmas Eve on Sesame Street in 1978.
  • The Greatest Gift (1939) by Philip Van Doren Stern. His self-published short story became a highly successful movie in 1946 — It’s a Wonderful Life. One of the best loved and most inspirational movies of all time.
  • The Christmas Wish by Richard Siddoway (1998). Adapted to a CBS movie in 1998. Siddoway was a member of the Utah House of Representatives.
  • The Christmas Quest by Richard Siddoway (a sequel).
  • The Christmas Shoes by (2001) by Donna VanLiere
  • The Christmas Blessing by Donna VanLiere. Both of VanLiere’s books were adapted into movies. She has several other Christmas themed books www.donnavanliere.com
  • The Christmas Box (1994) by Richard Paul Evans. While working as an advertising executive he wrote a Christmas story for his children. Unable to find a publisher or an agent, Evans self-published the work in 1993 as a paperback novella entitled The Christmas Box. He distributed it to book stores in his community. The book became a local bestseller, prompting Evans to publish the book nationally. The next year The Christmas Box hit #2 on the New York Times bestseller list, inciting an auction for the publishing rights among the world’s top publishing houses. Evans signed a publishing deal with Simon & Schuster, who paid Evans $4.2 million in an advance. Released in hardcover in 1995, The Christmas Box became the first book to simultaneously reach the number-one position on the New York Times bestseller list for both paperback and hardcover editions. That same year, the book was made into a television movie of the same title, starring Richard Thomas and Maureen O’Hara.
  • The Christmas Jars (2005) by Jason F. Wright
  • The 13th Day of Christmas (2012) by Jason F. Wright. Wright is a national bestselling author.
  • The Christmas Candle by Max Lucado. A bestselling author, Lucado has more than 50 books with 80 million copies in print.

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor

Could eBooks Save Libraries #FED_ebooks #library #author #writer #ebook

First Edition Design Publishing 

 

Could downloaded e-books be the saviour of libraries?

 

Over the last few years several libraries around the UK have either transferred to volunteer control or closed completely – and more closures are planned in the near future. But while this has prompted widespread outrage from the public – and much discussion in the national media – something else has been happening which could have an equally major impact on libraries and their long-term future.

 

eBook Submission / Distribution First Edition Design eBook Publishing (aggregator) formats, converts and submits your book to over thousands of eBook distribution points worldwide and to the top internet retailers including but not limited to - Apple, Amazon, Barnes & Noble, Sony, Kobo, Google, EBSCO and Diesel. We format and convert your book to the different needs of each distribution point, including a custom ePub file. We will assign a custom ISBN for your eBook / POD publication, as well as register and submit your title to the Library of Congress (POD)

EBooks could save libraries

Many libraries around the UK have recently launched their own e-lending services. This morning I visited one of them, Holborn Library in Camden, where readers can now download e-books from their account on the council’s website directly onto their e-reading device – without even having to visit the physical library premises. Once the loan period of a maximum of three weeks has expired, the book simply disappears from the e-reader.

I spoke to Janene Cox, President of the Society of Chief Librarians. “Librarians on the whole are very positive about e-lending,” she told me, “and I think the reasons for that is that they recognise that if libraries are to remain relevant and accessible in a digital age then we have to provide our services in a way that people want to make use of them. So e-books provide us with an opportunity for our books to be 24/7 and for people to access them remotely and for people to download them to their own digital device.”

But e-book lending around the country is patchy and there’s no comprehensive service. So tomorrow, the Department of Culture, Media and Sport will announce a review into the best way to make e-books available to all library users.

The Minister for Libraries, Ed Vaizey, told me: “We’ve seen that sales of digital books have increased massively in the UK; they now represent something like 10 per cent of all books sales. Amazon says it’s selling more digital books than it’s selling physical books. So in order for libraries to keep pace and remain relevant to people they should be able to lend books electronically.”

 

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

But there are major concerns that the e-books lent by libraries could be copied illegally and prompt a rise in piracy. And several key figures in the publishing industry are worried that e-lending could seriously damage book sales. Many of us like owning and collecting the physical books we read but this isn’t true for e-books. Put simply, if we can borrow e-books for free, then why would we ever buy them?

I spoke to Richard Mollet, CEO of the Publishers Association. He told me: “Publishers work very closely with libraries and have done for decades. I think the nub of the problem with e-lending is that we have to be sure publishers can have a sustainable business model because when it is as easy to buy a book as to click a button and borrow one, a lot more people are going to take the borrowing option and that has serious implications for authors and their royalties, for booksellers and as well for publishers.”

And several authors have already expressed strong opinions on the subject – and on one aspect of it in particular.

Under the public lending right scheme, authors get paid 6.05p each time one of their physical books is borrowed from a public library. But despite the recommendations of the Digital Economy Act 2010, as it stands e-books are still exempt from the scheme.

I spoke to SJ Parris, bestselling author of the Giordano Bruno trilogy of historical novels, Heresy, Prophecy and Sacrilege. She told me: “I think it seems self-evident that e-books should be treated in exactly the same way as hardbacks and paperbacks; they’re just another format for the same content and the same amount of work has gone into it. And for a lot of authors that income that comes through PLR is vital to them, it’s not a little extra, it’s a vital part of their income. And I don’t think e-books should be able to undermine that.”

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market Parris also commented on a recent shift in people’s attitudes towards the way they consume their entertainment. “I think collectively we’ve almost unquestioningly accepted that it’s the norm to be able to access our entertainment, whether that be books or films or music or even the news, that we should be able to get hold of that for free at the click of a touchscreen. And I think those of us who create the content, creative artists and the people that represent us, we do need to be vocal about this and we need to keep reminding people that at a certain point somebody’s labour and time and creative work went into making that film or that song or the novel that people are enjoying.”

Like many authors, Parris is also concerned about the impact of e-lending on the kind of readers libraries were set up to serve – those who might not be able to afford to buy physical books or indeed an e-reader. And the DCMS has already come under fire from readers around the country for failing to prevent local councils from closing libraries.

I asked Ed Vaizey whether a nationwide e-lending service would leave more libraries vulnerable to closure. “Well, we’ve specifically asked the review to take into account the impact of e-lending on library premises,” he told me. “Clearly there’s a debate about library closures, some libraries have closed but of course people who put library closures at the forefront fail to mention that actually lots of libraries are also opening. Next year, for example, Birmingham is going to open the biggest library in Europe. The death of the library has been hugely exaggerated and we still have a massively thriving public library service.”

Insisting on a visit to the library to download an e-book might be one way of protecting libraries from closure in an increasingly digital future. But there’s another threat – from online retailer Amazon, who make the best-selling e-reading device, the Kindle. Amazon currently refuses to license Kindle technology to libraries, prompting fears it could launch its own nationwide e-lending service, which could perhaps further undermine both the publishing industry and the local library – whatever the outcome of the government’s review on e-lending.

Source: blogs.channel4.com By: Matthew Cain Sept 25, 2012

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor