Tag Archives: thriller

Deconstructing Best Sellers in Your Niche Genre

I’ve been studying thrillers because I’m about to write a thriller series. Even though I’ve written a couple of novels with thriller elements, I want to nail this genre. I want my novels in this series to fit right up there with best-selling authors.

And that has involved a lot of work. I spent a bunch of money flying to NY to attend Thrillerfest (and I’m so glad I did!). I took a masters class, and all-day ATF workshop (the highlight of the week!), I met with and shmoozed with best-selling authors. I listened to panel discussions. And so much more.

In addition, I’ve been doing hours of research online. I’ve made phone appointments to talk with experts (FBI, ATF, park rangers, lightning experts, etc.). I am heading up to Seattle to scout locations and meet with local ATF special agents and park rangers in Mt. Rainier.

Yes, I take my writing seriously, and that means I do my homework. Before I wrote my latest novel in my Western series, I went to Wyoming to get a feel for Laramie, the state penitentiary, and the environs. I also went to many museums, dug into newspaper archives, and read passages from books that I couldn’t check out and had been written decades ago that shed light on the 1870s (the decade in which my series is set).

One of the most important things a writer can do, and which I’m in the process of doing now, is deconstruct best sellers in her genre.

 

I can’t emphasize this enough. Few writers that I work with ever take the time to do this. Sure, they read mysteries because they want to write mysteries. But they aren’t tearing them apart.

That’s so important to do! Why? Because best sellers in a niche genre have a specific structure.

For example: I took four thrillers that I love, which are very different from one another, and I made a chart and briefly wrote a summary of the first four scene in each novel. I put the novel titles at the top of a sheet of paper and I put scene #1, scene #2, etc. down the left side. Guess what I learned just from this simple exercise?

That those first four scenes accomplish very specific things. That those scenes have specific action and purpose. What did I do then? I plotted out my first four scenes based on their structure. I feel very confident that those scenes I write will be exactly what I need to kick off my thriller.

Do Your Homework!

I’ve written on how to write a sample chapter in your targeted genre. That’s a very helpful thing to do, and that’s my next step.

Think about grabbing a half-dozen novels in your genre and try making a chart, like I do. Here’s what I do when I want to tear apart a genre.

I take pieces of paper and runa vertical line down the middle. On one side I put the scene # and plot summary—just a few sentences to tell what happened in the scene. On the other side facing it I write what the scene did structurally for the story.

If a scene shows the hero working in his job and thinking about how his best friend just got married and he wishes he could find the right woman, I might write “see hero in his ordinary life. Establish his core need for love.” There is no exact way to word this. Just keep in mind you aren’t trying to copy the plot in any way. You just want a feel for the pacing of the story and how complicated it is, when certain plot elements come into play, how many subplots and what kinds there are.

When you study the mechanics of tone, pacing, description, and all your basic elements, the style and voice will fit the genre. With deconstructing plot, you can get a feel for the actual kind of storytelling you need to do.

Many authors use charts to lay out their scenes, and I find them extremely helpful. This is very similar. You may just want to create a brief paragraph summary of each scene in the novel you’re deconstructing, or you may want to go deeper into the details, showing the time covered in the scene, the overall amount of time the entire novel covers, or following subplots. Play around with ideas to find one that works for you.

Because I didn’t want to copy the structure exactly when I deconstructed a novel, I didn’t try to match each scene exactly. I wanted more of a general overview so that the plot I came up with could have room to breathe and grow.

But you might find you want a much closer match. You might, for example, choose a popular thriller and decide to have the exact number of scenes with each scene basically accomplishing the same objectives, aiming for the same length.

There are other ways to deconstruct a novel than the one I use. Example:

Scene #

Chapter

Opening line

Pages

POV

Characters present in the scene

Date

Location

Gist of what’s happening

Conflict

POV’s goal for the scene

Author’s goal for the scene

The reader reads on because…

The scene advances the story because…

Scene/chapter hook

Feeling it leaves me with

Deconstructing can be done with any type of book genre. And it leaves plenty of room for your originality, voice, style, plot ideas. You don’t want to be a copycat. Sure, go ahead and write a mail-order bride historical romance. Yes, there are dozens out there. But they are huge sellers. Thousands of readers want more. There is nothing wrong with adding another one.

How original do your plot and characters have to be? Maybe not all that much. But if you can come up with an interesting scenario no one else has done, some characters with problems and personalities that are fresh and engaging, there is no reason your novels won’t sell up there with all the others.

So spend time on this and really nail your genre. It may take weeks. Don’t rush. Plot out your story, flesh out great characters, and practice writing a scene or two. Be sure to refer to your research chart that looked at the mechanics for your scenes. Show the chapters to critique partners, or find some readers of that genre willing to give you feedback to see if you nailed your genre.

Once you feel you have, you’re ready to get writing that book.

Another thing that helps as you read through these books is to keep a notebook and jot down phrases and expressions, word choice. I found this helpful when doing my historical, as I picked up adjectives and verbs that fit the era. I later did more thorough research online for slang, expressions, and vocabulary for the 1870s West. But even with contemporary novels, jotting down interesting phrasing or words that catch your eye can help spark ideas for your book (without copying them exactly).

Source: livewritethrive.com

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Elements of Suspense: The Cliffhanger

Once upon a time writers actually left their characters hanging from cliffs. In the early days of movies, when theaters ran serialized episodes of a story, a cliffhanger ending was a good way to ensure viewers would make the effort to come back next week. The same was true for serialized novels run in newspapers and magazines. Writers intentionally left characters hanging (not necessarily from a cliff) to entice readers to purchase the next installment.

Today’s readers and moviegoers may roll their eyes at Pauline hanging by her fingertips from a cliff, but the cliffhanger technique is still very much in use. If we change the definition of cliffhanger from:

a situation of imminent disaster usually occurring at the end of an episode of a serialized film

to the broader concept of:

a moment of unresolved danger or conflict

then a cliffhanger can happen anywhere a writer needs to crank up the tension. The key here is unresolved. Something is left hanging.

Consider the commercial breaks in a typical detective show. When do the breaks happen? Just after some new evidence is discovered that threatens to take the investigation in a whole new direction. Viewers are left hanging during the commercial, wondering what the hero will do with the new information.

In a similar vein, writers use the cliffhanger technique at the end of a chapter, scene, or beat to keep readers turning pages.

How to use the unresolved tension of a cliffhanger to increase suspense in your manuscript

  1. End a scene in the middle of danger. The tried and true cliffhanger ending—a bad thing has happened and the character is left some kind of danger at the end of a scene. You might switch to a different set of characters in the next scene and leave the poor hero hanging for a scene or two, or you might continue the action in the next scene. Either way, the reader must keep reading to find out how the situation is resolved.
  2. End a scene by hinting that a bad thing is about to happen. The doorknob turns… A shadowy figure appears in the window… The heroine hears the voice she’s been dreading for pages… This is similar to number one, except the danger is only implied, leaving the reader to imagine all sorts of horrible things that are about to ensue.
  3. End a scene by hinting that a bad thing might be about to happen. A subtler variation of number two. Instead of the heroine hearing a voice she recognizes and dreads, what if she hears a voice she doesn’t recognize? Is it a friend or a foe? The reader doesn’t know until they read on.
  4. End a scene on an ambiguous note. Instead of making it clear exactly what happened and how that affects the main character, try leaving things a little less clear. Sometimes a writer can accomplish this simply by backing up a few sentences. Instead of ending the scene with the sleuth deciding she needs to question the shop clerk, back up a few sentences and end with the information that could be interpreted to mean the clerk was guilty.

The cliffhanger technique isn’t just for the end of chapters or episodes, however. You can use subtle touches of cliffhanger anywhere in your story.

  1. End a conversation with a tantalizing bit of information. Imagine the sleuth is talking with an informant who tells him about a new clue that’s come to light. But instead of giving all the details right away, the informant says, “I found something in the wall of the garage. You’d better come take a look.” The sleuth will naturally ask for details, but the if informant refuses to give them, both sleuth and reader will be dying to find out what’s been unearthed. Ratchet up the tension further by forcing the sleuth to finish his current task before he can go take a look.
  2. Leave a character in a high emotional state. Tension is not only created by external danger. Sometimes the conflict is within a character.  Examples: The hero gets word his wife has cancer while in the middle of a meeting, or the heroine has an argument with her fiancé but has to break it off to interview a key suspect. These bits of unresolved life issues can add tension even when they have nothing to do with the main plot.

Bottom line: Look for places in your story where you can leave a situation unresolved, however briefly. Closure is important at the end of story, but unresolved tension is what keeps the reader turning page after page to get there.

By Lisa E. Betz
Source: almostanauthor.com

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First Edition Design Publishing Releases The Morphine Murders by LJ King #FED_ebooks #Author #Writer

First Edition Design Publishing

First Edition Design Publishing has released LJ King’s debut novel The Morphine Murders.

The Morphine Murder’s protagonist Raina Prentiss jeopardizes her relationship, her job, a friendship, and maybe her life in LJ King’s breakout murder mystery. Prentiss goes full force into a double murder investigation without a badge, superpowers, or a vampire boyfriend.

First Edition Design eBook Publishing (aggregator) formats, converts and submits your book to over thousands of eBook distribution points worldwide and to the top internet retailers including but not limited to - Apple, Amazon, Barnes & Noble, Sony, Kobo, Google, EBSCO and Diesel. We format and convert your book to the different needs of each distribution point, including a custom ePub file. We will assign a custom ISBN for your eBook / POD publication, as well as register and submit your title to the Library of Congress (POD)

Author LJ King

Raina Prentiss never imagined that she would investigate a homicide beyond the comfort of her couch, armed with a remote, but that’s exactly what happens when she inadvertently finds circumstantial evidence connecting her boss to not one, but two local murders. With the reluctant approval of her police lieutenant boyfriend, Danny, she launches Mission Bottle to obtain her boss’ DNA. She recruits her co-worker, Tyler, to divert their boss’ attention while Raina sneaks around and swipes his water bottle. But a simple waft of Tyler’s scent, or the heat from his body, transports her back to the feeling of the feather-light pressure of his mouth on hers, teasing her, taunting her, during the passionate kiss she found herself entwined in a few weeks prior. With no DNA found at the crime scenes to match to their sample, Raina together with Tyler, and Danny and his detectives, continue to investigate. Because of her easy access to her boss, Raina is convinced that she is the key to obtaining proof and solving the case. Determination blinds the risks incurred by hunting a killer, as Raina uses inside information from Danny to plan her next mission. 

LJ King’s 252 page suspense filled thriller The Morphine Murders is available in hardcover, softcover and ebook formats at all on-line booksellers.  

When New York author LJ King isn’t defending her position that she is not an eccentric recluse but a focused writer, she is out of her office at the beach, playing tennis, gardening, and doing things with people.

For more about The Morphine Murders and LJ King visit www.ljking.net

First Edition Design Publishing  is the world’s largest eBook and POD (Print On Demand) distributor. Ranked first in the industry, First Edition Design Publishing converts, formats and submits Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and scores of additional on-line retailers, libraries, schools, colleges and universities. The company also has a POD  division, which creates printed books and makes them available worldwide through their distribution network. The company is a licensed and approved Aggregator and holds licenses with both Apple and Microsoft. First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) distributor. Ranked first in the industry, First Edition Design Publishing converts, formats and submits Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and scores of additional on-line retailers, libraries, schools, colleges and universities. The company also has a POD division, which creates printed books and makes them available worldwide through their distribution network. The company is a licensed and approved Aggregator and holds licenses with both Apple and Microsoft.

  www.firsteditiondesignpublishing.com

First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) distributor. Ranked first in the industry, First Edition Design Publishing converts, formats and submits Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and scores of additional on-line retailers, libraries, schools, colleges and universities. The company also has a POD division, which creates printed books and makes them available worldwide through their distribution network. The company is a licensed and approved Aggregator and holds licenses with both Apple and Microsoft.

2017: Third Term — A Timely Political Thriller #ebook #FED_ebooks

First Edition Design Publishing
2017: Third Term — A Timely Political Thriller

Tim Wuebker teaches in greater Kansas City. He has worked with over 2,000 students, ages 14-62, from every continent, facilitated 11 kinds of college English classes, and taught six kinds of high school math. Wuebker runs marathons and has now penned a political thriller…2017: Third Term.

2017: Third Term tells the story of America’s future through the lens of a single family, the Thatchers. Jack Thatcher is an ex-marine–discharged for saving the wrong lives. Heather steals away to the woods to have her birth control implants illegally removed. Breanna and Mark may lose their college scholarships for defending themselves. Their father, Tom, works in what soon may be an illegal–a second job, which he is “hoarding in a time of scarcity.” Their mother, Julie, is being watched.

They think they are ordinary people. They are about to find how wrong they are.

As their options narrow, the Thatchers realize America has always been country where individuals can shape events. And no matter how restrictive a society becomes, there is always a freedom movement… You just have to be prepared to sacrifice everything.

2017: Third Term, ISBN 9781622870189, published by First Edition Design Publishing, is available in eBook format through Amazon Kindle, BN.com Nook and all on-line booksellers.

First Edition Design eBook Publishing

First Edition Design Publishing, is the world’s largest eBook distributor. Ranked first in the industry, they convert, format and submit eBooks to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, scores of additional on-line retailers and libraries, schools, colleges and universities. The company also has a POD (Print On Demanddivision, which creates printed books and makes them available worldwide through their distribution networkThe Company is a licensed and approved eBook Aggregator, Apple Developer and Microsoft Solution Provider.

First Edition Design Publishing