How to Write a Thank You Note (a Real One)

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Handwritten notes are like sending a hug through the mail. They have personality and character, attributes a computer screen will never have. Let me show you why, when, and how to write a thank you note.

How to Write a Thank You Note

Why You Should Write a Thank You Note

It is easier and quicker to send a text message, an email, or a voice message to say “thank you.” However, if the purpose of the thank you message is to convey your deepest, most sincere gratitude, taking the time to carefully write a message by your own hand, and not your secretaries hand, will mean more to the recipient than an instant media message.

When was the last time you wrote a thank you note? A real thank you note on a piece of paper that goes into an envelope with an address written on it and a stamp stuck in the upper right hand corner?

Too long, right?! Let’s write one together today.

What Is a Thank You Note?

Perhaps it would be a good idea to talk about what a note actually is, not just a thank you note.

A note is a short informal letter or brief written message. We are not talking about currency or bird noises here. If you want to write about what you did last summer, or about how many litter boxes you have, write a letter instead.

Joe Bunting wrote a great article about writing letters, which you can read here: What Letter Writing Can Teach Us, but a thank you note is not a full letter.

Why You Should Send a Thank You Note:

  1. You should send a thank you note because my mother said it is a good idea.
  2. To connect with another person.
  3. Send a thank you note because you want to say thank you.
  4. The biggest reason to send a thank you note, is because you are a kind, considerate person. And you always want your friends and acquaintances to know how much you appreciate them.
  5.  Because you are thoughtful.

There is simply nothing as personal as a handwritten note. In a stack of bills and flyers, it’s a treasure in a sealed packet, full of promise and potential. — Dan Post Senning

Write the rest of your note at TheWritePractice

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Where to Find Ideas for Writing a Story

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ideas for writing a story

Ideas for writing a story

It always seem like there are too many writing ideas or not enough.

When you don’t have time to write, ideas come hurtling out of nowhere. Sometimes they come so fast, you can’t even write them all down. But when you sit down, stretch your fingers, and lean over your keyboard to start typing, nothing happens. Where did all those ideas go?

Chances are, you’re not really out of ideas; you’re just not in the mood to write. Sometimes, that’s okay. Take a break and do something else. Give yourself a day off. But other times, you need to dig your heels in, make those ideas flow, and get busy writing.

Where to Find Story Writing Ideas

Luckily, ideas for writing a story are all around you. As long as you can force yourself to get focused, you should easily be able to overcome a bout of writer’s block.

Read the rest at Writing Forward

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4 Delightful Editing Tips to Make Your Words Dazzle and Dance

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how to create excellence through editing

Do you ever read back a draft of your writing and wonder what happened?

Red-cheeked, you thought your draft was complete. You felt excited. Brimming with enthusiasm. You knew it … this was going to be superb. Probably your best-ever blog post. Yay!

You poured yourself a beer, feeling elated with your success.

Any minor editing and proofreading could wait until the next day.

But, the next day … you feel disappointed. Your writing sounds bland. Your sentences seem to stutter.

What can you do?

How can you create a smooth and enjoyable reading experience? How can you make your content dazzle and dance?

Let’s explore four ways …

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Looking Closely at Words

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Some great writing tips by Donn Taylor over at AuthorCulture

MONDAY, NOVEMBER 2, 2015

W.H. Auden describes a poem as a verbal contraption, and the same is true of any written work. The writer has an idea important enough to tell other people, and the only way he can communicate that idea is through a contraption made out of words. And since words are all we writers have to work with, it behooves us to pay attention to everything about them, including small details.

 

In this blog I will review a few basics about words. Readers have probably heard these before, but it never hurts to review the basics again.

First, it’s no surprise that some words are stronger than others. In general, verbs are stronger than nouns, nouns are stronger than adjectives, and adjectives are stronger than adverbs. That’s why writing guides suggest that the first step in strengthening a body of writing is to delete all the adverbs that are not vital to the meaning.

 

One way to strengthen a sentence is to put the main idea in the verb rather than in a noun. Here is an example modeled on a lesson from the non-defunct Famous Writers School:

Read the rest of Donn’s article at AuthorCulture

 

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World Building 101

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If you write fiction, you need world building. It’s the skeleton of your story: though unseen, those bones determine the shape of the beast.

World Building 101

 

I recently had the honor of co-leading a panel at Geek Girl Con all about world building (you can hear the audio and read the notes here), so I’ve been giving the topic a lot of thought. I want this to help you no matter what genre you write, so this post will cover broad but powerful principles.

Buckle your seatbelt. It’s time to dive into advanced world building.

Read the rest at The Write Practice

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Where to Get a Writing Critique

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By Maeve Maddox over at DailyWritingTips

From time to time, I receive emails from writers, asking me to critique attached poems or short stories.

In the early days, I would send a polite reply, explaining that I hadn’t time to critique their work. Now I simply delete the email and attachments and get back to my own writing. The DWT Contact page states the policy that our writers don’t answer questions via email.

Critiquing a manuscript of any length is time-consuming. Time is the most precious possession of a working writer. Asking another writer, especially one with whom you have no personal acquaintance, for a free critique is the equivalent of asking a stranger for a gift costing anywhere from $300 up. I have arrived at this figure by browsing the sites of professional critiquing services.

Rates are based on word-count, number of pages, or some combination of the two.

One service that specializes in science fiction, fantasy, and horror charges $300 for the first 20,000 words and $15 per every 1,000 words thereafter.

Another service offers a flat rate of $260 for the first 50 pages, but applies a per-page rate thereafter. A manuscript of 100-199 pages is priced at $6 per page; from 100-199 pages, $4 per page. A manuscript of 200 pages is priced at $3.75 per page.

Paid critiquing is neither a practical nor sensible solution for the beginning writer. Such services are for writers who have already done everything they can to improve their drafts with whatever help is available to them without an outlay of cash.

On the other hand, writers need the feedback of other writers. What’s the solution? Where can beginners find suitable readers for their early drafts without an outlay of cash?

Read the rest at DailyWritingTips

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This Surprising Reading Level Analysis Will Change the Way You Write

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Great article from Shane Snow from over  at The FreeLancer

Ernest Hemingway is regarded as one of the world’s greatest writers. After running some nerdy reading level stats, I now respect him even more.

The other day, a friend and I were talking about becoming better writers by looking at the “reading levels” of our work. Scholars have formulas for automatically estimating reading level using syllables, sentence length, and other proxies for vocabulary and concept complexity. After the chat, just for fun, I ran a chapter from my book through the most common one, the Flesch-Kincaid index:

I learned, to my dismay, that I’ve been writing for 8th graders.

Curiosity piqued, I decided to see how I compared to the first famous writer that popped in my head: Hemingway. So I ran a reading level calculation on The Old Man and the Sea. That’s when I was really surprised:

Apparently, my man Ernest, the Pulitzer- and Nobel Prize-winning novelist whose work shaped 20th-century fiction, wrote for elementary-schoolers.

 

Read the rest at The FreeLancer

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Point of View in Writing

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As an editor, point of view problems are among the top mistakes I see inexperienced writers make, and they instantly erode credibility and reader trust.

Point of View in Writing

All stories are written from a point of view. However, when point of view goes wrong—and believe me, it goes wrong often—you threaten whatever trust you have with your reader and fracture their suspension of disbelief.

However, point of view is simple to master if you use common sense.

This post will define point of view, go over each of the major POVs, explain a few of the POV rules, and then point out the major pitfalls writers make when dealing with that point of view.

Read more at The Write Practice

 

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Is there a right time to use an Editing Service

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Ripped from the pages at enago
09 September 2015  

Use Editing ServiceIs This An ‘If’ Or A ‘When’ Decision?
For some academic writers, the use of an editing service is not an automatic choice. A postdoctoral researcher working in a department with well-respected peers at a prestigious institution may see no need to add extra time to the writing process by bringing in an outside reviewer. As an experienced writer with access to other experienced writers for a ‘second set of eyes’ to look over the paper prior to submission, the expense of an editing service may seem unnecessary. “I already have all the editing experience I need,” is a perspective that seems to prevail in many institutions.

For a non-native English speaker pursuing publication in an English language journal, the need is more obvious. Even with access to native English speaking colleagues, the need for solid verification of the use of appropriate nuances and idioms is worth the investment of an editing service.

Read more:http://www.enago.com/blog/is-there-a-right-time-to-use-an-editing-service/#ixzz3lRZIJSx9

 

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4 LESSONS IN STORYTELLING FROM A SCREENWRITER WHO’S ALSO A D&D DUNGEON MASTER

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Filmmaker and D&D devotee Matthew Robinson talks about what screenwriting and the fantasy roleplaying game have in common.

 

They say writers shouldn’t hesitate to kill their darlings. It’s not an invitation to actual homicide, but a plea for the willingness to jettison any element of a story, even if you love it like a friend. That’s just one of the many work-hazards writers share with those in charge of Dungeons and Dragons games—a dungeon master has to kill off his or her friends all the time.

Consider pouring out a flagon of mead, in that case, for poor Matthew Robinson. As a pro screenwriter and a recent convert to the world of Dungeons and Dragons, he is constantly deluged with decisions about character arcs and turns of phrase by day, and also responsible for the fate of those fellow D&D-ers whose weekly quests he architects. Naturally, he has found that there is some serious overlap between the skill sets of screenwriting and overseeing fantasy roleplaying games.

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