Tag Archives: inspiration

7 Ways to Encourage Young Writers

I wrote my very first novel on the rainbow-colored pages of a Hello Kitty notebook. I was eight. It definitely read like an eight-year-old’s first novel, but it also was over 80 pages of a story with characters, a plot, and dialogue. I had a lot of maturing and growing to do, but even then I knew I was a WRITER. My parents encouraged this every step of the way and their support fostered creativity and faith in myself as a writer. Because of this new age of digital media, we have many more opportunities than ever before. This can be a great thing, but it also has some pitfalls. Here are 7 ways to encourage young writers.

A Note to Parents: These suggestions may not be suitable for young writers of all ages, especially the ones related to the internet. I would recommend you continue to use the common sense and boundaries that you already have in place with regards to these!

A Note to Young Writers: If you are reading, I’m so glad you are here! Please contact me if you have questions or need more resources. I would love to help you on your writing journey.

7 Ways to Encourage Young Writers

1. Buy a domain.

Do this right now. Immediately. Domains are a commodity and it would be great for you to own your child’s name.com right now. It costs less than $10 to buy and keep one as a placeholder, even if you don’t want a website yet. (More thoughts on owning your own name.) Do make the domain private (a paid service) so your family address, email, and other information cannot be accessed. If you DO choose to actually make a site, this will represent your young writer, so do be professional. Consider gifting this as a graduation present, as I have known some parents to do.

2. Get a Twitter handle.

Many social media platforms come and go. Twitter is, I think, in it for the long haul. Facebook also might be, but with it’s ever-changing algorithms for pages, I would recommend Twitter. I have also found that Twitter is a great place to make connections with other writers and reveals less than a Facebook profile. (Some tips for using Twitter!) Encourage your child to use it as a WRITER, not simply as interaction with friends. (If your child uses Twitter with friends, perhaps set up a separate Author Twitter handle.) Read these tips on how to use Twitter as an author.

3. Find community through Wattpad.

Wattpad is a place where writers can register, post their work, and read the work of others. Many people use it to reveal their work chapter by chapter, receiving comments and shares from other Wattpad users. Writers can be inspired by other writers, connect with new readers, and be part of a community. *A word of caution to parents: Not ALL writing on Wattpad is appropriate for all ages. Check it out with and for your child and make appropriate boundaries.

4. Set up good work habits & goals. 

Writing should stay fun. But young writers can also learn about writing as a craft. Whether that is taking classes, attending a conference (like the Teen Book Con here in Houston), or simply setting up a time to write each day, young writers can learn good habits now that will help in the long run. Encourage your child to both foster creativity and also discipline.

5. Consider self-publishing on Amazon.

Every year in elementary school, I entered the Young Authors competition (and even won a few years). It was my favorite time of year because I got to write a book, then bind it together and hold it in my hands. There is something magical about holding your own book in your hands!! My nephew just published his first book on Amazon & Create Space and I couldn’t be prouder! But I use the word “consider” seriously. The only flip side to self-publishing is that the internet has a long shelf-life. Perhaps later on, your child might be embarrassed for that work to represent him or her. That work will carry his or her name (which could be a privacy concern) and will represent him or her. If you do decided to make the book available to the public, take it seriously. Hire an editor to make the work polished. Make sure the book formats correctly and also has a slick cover!

My nephew with his self-published book, flanked by proud grandparents!

6. Start an email list. 

This may sound like a strange one, but if your young writer does want to become a serious published author one day, starting an email list would be an asset. For now, it could be dormant like a website. Maybe it would be friends and family to start with, but your young writer could collect emails and add them to the list along the way. If he or she does publish on Amazon or Wattpad or has any fun writerly news, this email list could be the place to share it. No one EVER regrets starting an email list too early. (Read how to start an email list.) An email list is a valuable digital commodity and would be a huge resource to start early.

7. Encourage reading. 

I don’t know any writers who were not also voracious readers as children. Read with your child and to your child. Take your young writer to author readings and to the library. Budget for books. Spend time in book stores. Allow for extra time at night for reading before bed. Mix up the kinds of books for your child—maybe encourage him or her to read one classic for every two or three modern or YA books. Readers don’t always write. But writers always READ.

 

How were you encouraged by your parents as a writer? Or how have you fostered creativity and writing habits in your child? 

Source: createifwriting.com

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10 Success Tips from Stephen King

Last month, I shared J.K. Rowlings top tips on writing and success, and it was a tough choice between her and Stephen King. Those two write such wonderful books because they understand love and fear. Have you read Stephen King’s On Writing? Seen The Shawshank Redemption (my favorite movie ever)  or The Green Mile? King is a writer who sees the visceral underbelly of courage and the tenacity of the human spirit.

Here is his “Top Ten” list for writers:

1. Love what you do.

Really, y’all. Why would you do this writing thing if you didn’t love it? Most people don’t line up for the chance to rip their hearts out and show it to friends and strangers. But we do. We not only rip our hearts onto the page, we fight to make that painful process sound like something others may actually want to read. Why would any sane person do this kind of work unless they loved it?

King’s take: “For me, not working is the real work. When I’m writing, it’s all the playground…”

2. Be yourself.

Many years ago I heard literary agent, Natasha Kern, speak about writing. She said, “Every time you put words on the page, you are shouting out, ‘this is who I am.’” Terrifying thought, isn’t it? It’s enough to put you off writing if you let it.

Be who you are and write your truth and your voice will come through. Jill Marie Landis described “voice” to me like this: “Imagine you are sitting in a coffee shop, telling your best pal a story. Your story, your hand gestures, your expressions – they all have rhythms that are uniquely you. That’s voice.” Your voice will permeate everything you write.

3. Explore new ideas.

Don’t worry that it’s all be done before. Your story hasn’t been done before because only YOU can tell it. It’s that voice thing again. The imaginative one-of-a-kind lens you see the world through filters your words into your own one-of-a-kind story. Even if you’re exploring what King calls “the three stories shared by all horror writers,” your take on it will be different from anyone else’s.

4. The good idea stays with you.

Are you one of those writers who always wants to chase the shiny new idea “before it flies away?” One of the most amazing things about creativity is that the stories you are meant to write stick around. They kick at your brain and your heart until you let them out into the world.

This is why we are writers…we’re the designated vaults that hold the stories. We are the ones who care enough to put those stories into words for others.

Note: I’m not talking about those times when you are wading through the pit of despair in your current WIP, wondering when you will get back to “the good stuff.” Everyone goes through that phase, when the shiny new idea seems like a cup of cool water in the middle of a sweltering desert.

5. Love the process.

This bit of advice cracks me up. I don’t know any writers who love the whole process. Maybe they love the beginning and end, but they detest the middle. Maybe they love to plot, but hate to finish. Or they love to write but would rather go to the dentist than revise.

Whether or not I “love the process” pretty much depends on which day you ask me about it. But I always love the words. I always love the process of finding the best words, of teasing out the theme to a story and discovering what I really want to say.

It’s okay if you don’t love the entire process, as long as you love some piece of it so much that it becomes the carrot that draws you through the crappy parts. If you can’t find that carrot for yourself, talk to a writing friend and have them help you find it. It’s there, I promise you.

6. Learn from rejections.

Rejection is something all writers must deal with. Our own Laura Drake went through 417 rejections before she sold. Four. Hundred. Seventeen. That takes stamina and some pretty thick skin. I love her post, Don’t Give Away Your Power, where she discusses how to manage rejection.

7. Look for ideas you enjoy.

King says he never wrote a book where he wanted to say goodbye to the characters. You will be spending quite a bit of time with these people and if you aren’t having a ball, it’s unlikely the reader will either. Your goal is to create worlds and characters that nobody wants to leave, including you.

8. Find your creative process.

The biggest step, at least for me, is putting the booty into the writing chair. Not the social media/blogging/day job chair, the story chair. Stephen King likens the first ten minutes of writing time to “smelling a dead fish or walking through a monkey house.” If you stick with it, he insists that “something will click and lead to something else that sucks you down into the story.”

So, my take on his advice: Butt in the story chair. Stick with it for at least 15 minutes.

A bit of advice from Laura Drake: She has a saying: Nobody gets it all. Stop being greedy, thinking you need that elusive more to be a writer. You were given everything you need to tell your stories. Dig deep and find a process that helps you get the story out.

9. Pass something on.

Frankly, this is the essence of WITS to all of us here behind the scenes. We pass on knowledge because we think it’s important. Whether it’s knowledge, time, or simply a post, it’s important to share your abundance with others. Teach a class. Volunteer. Sponsor NaNoWriMo. Or, like Harley Christensen and Elizabeth Craig, curate knowledge for other writers and share the best damn tweets in the Twitterverse.

King makes an excellent point: it’s not like you can take it with you when you go.

10. Tell great stories.

Read a lot, write a lot and learn. Those are the activities you must engage in if you want to tell great stories. Stephen King writes to entertain himself, but he also never forgets the reader. His take on opening lines: “An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

Sources:

Stephen King struggled with depression, poverty, addiction and self-doubt, but he kept writing. What is your biggest challenge when it comes to getting words on the page? Which of these ten bits of wisdom do you struggle with the most?

By Jenny Hansen
Source: writersinthestormblog.com

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Stumped for Story Ideas? Try This One Tip

In a recent episode of Jane the Virgin, the main character, Jane, is stumped for story ideas. She already published one book, but that was inspired by her dramatic telenovela-like life. She’s convinced that she has no other story to tell.

one tip 2

When she shares her dilemma with her fellow writing-class students, they assure her that what she described is not a problem at all. She doesn’t need new story ideas. Why?

Because she can retell the same story.

Follow the Heat

Cheryl Strayed calls this “following the heat.” Her most famous book is Wild, a memoir about the hike that help her deal with her mother’s death.

But she wrote about that period of her life and the loss of her mother repeatedly. She wrote personal essays about it and fiction inspired by it. She told and retold her story as many times and as many ways as she could.

That’s following the heat.

There are so many examples of authors rehashing the same story ideas and telling stories about the same thing over and over again. Philip Roth is one of the most prolific American writers ever—somehow Newark, NJ manages to find its way into most, if not all, of his books. In the show, Jane’s fellow classmates astutely point to Jamaica Kincaid and John Updike and their tendency to return to the same themes or characters.

Tell and Retell

So, do you feel like you’ve already told your one great story?

No problem. Tell it again.

Tell it from a different perspective (e.g, a side character). Zoom in on a specific moment or zoom out to show how it fits into something bigger. Try telling your great story in a different format: perhaps a personal essay instead of a novel, or vice versa.

It’s OK to take the same story ideas and tell your story again and again and again.

Can you think of other writers who have told and retold the same story? Let us know in the comments.

By Monica M. Clark
Source: thewritepractice.com

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5 Tips for Spring Cleaning Your Writing Habits

Spring is almost here, which means it’s almost time to spring clean. Spring cleaning isn’t only good for cluttered houses, but for cluttered minds, as well. As writers, it’s important to learn new skills so long as it’s not at the expense of polishing old ones. Spring is the perfect time to do take a look at your writing habits and do some review.

5 Steps for Spring Cleaning

Here are five things you can do to avoid falling into bad writing habits.

1. Get rid of adverbs

As Stephen King said, “the road to hell is paved with adverbs.” If you’ve ever taken a class on writing or read a few articles, you’ve probably heard that adverbs are the devil’s tool. It makes for lazy writing. If a man can walk quickly, he can march instead, or jog, or trot. Expressing those movements with adverbs is a bad writing habit.

If you feel the urge to use an adverb, take a look at your verb and see if there’s a stronger choice available to you, then go with that one.

2. Brush up on your vocabulary

You don’t have to pepper all of your paragraphs with SAT words—in fact, please don’t, as that usually makes your writing look pretentious and turns readers away—but it doesn’t hurt to throw a doozy in there every now and then.

Just make sure your ten-dollar words are well placed, somewhere that will allow them to make the greatest impact. If you call a show, for example, “bombastic” rather than “grand,” it conveys something much different.

3. Simplify your sentences

There’s a fine line between interesting writing and convoluted writing. Yes, make your prose sing, but also remember that what a reader wants most of all is to get right to the point and move on with the story. Don’t dwell on any one thing for too long for the sake of showing off your poetic phrasing or using the aforementioned ten-dollar words.

Don’t flounder. Keep things moving at a steady pace

4. Spruce up your description

There is nothing more boring than reading a tired, cliché description. As a poetry instructor of mine once said, “get weird.”

During a class all about similes and metaphors, he asked us which was more interesting to read: “Love is like a rose” or “love is like a dog from hell?”

Obviously, we all said the second one was more interesting. Why? Because it was weird, unexpected, and creative.

Don’t be afraid to be bizarre. Your writing will thank you for it.

5. Reorganize your workspace

A reliable workspace is important for any serious writer. It doesn’t have to be big or flashy. It can be as simple as a place as your kitchen table. Wherever you write, take a look at that space and make sure everything is in order.

Do some literal spring cleaning by tossing trash where it belongs, putting books back on their shelves, and making your desk as neat and tidy as possible. Orient the furniture differently, if you want. Change things up so you have room to focus and stay refreshed.

Clearing the Clutter

Our minds are full of thoughts, worries, and questions about our busy lives, all the time. With all of those preoccupations racing through our brains, it can be hard to focus on our creative pursuits, but easy to fall into bad habits. Take this as your sign to stop, inhale, exhale, and ask yourself what you can do to improve your writing habits.

What aspects of your writing do you want to polish? What writing habits do you want to develop? Let us know in the comments.

By The Magic Violinist
Source: thewritepractice.com

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Grammar Rules: Capitalization

Proper capitalization is one of the cornerstones of good grammar, yet many people fling capital letters around carelessly.

Not every word deserves to be capitalized. It’s an honor that must be warranted, and in writing, capitalization is reserved only for special words.

Most of the grammar rules are explicit about which words should be capitalized. However, there are some cases (like title case) in which the rules are vague. 

Capitalization of Titles

There are several contexts in which we can examine capitalization. When writing a title (of a blog post, for example), almost all the words in the title are capitalized. This is called title case.

Title case is used for titles of books, articles, songs, albums, television shows, magazines, movies…you get the idea.

Capitalization isn’t normally applied to every word in a title. Smaller words, such as a, an, and the are not capitalized. Some writers only capitalize words that are longer than three letters. Others stretch it to four.

There is an exception to the rule of using lowercase for short words in a title: Words that are important should remain capitalized, even if they are shorter than three or four letters. For example, the word run is only three letters, but if it appeared in a title, it would be capitalized, because it would be the verb (or action) within the title: “Would You Run for Office?” Similarly, important nouns (subjects of objects of a title), such as me, would retain capitalization: Marley and Me.

There’s no fixed grammar rule for which words aren’t capitalized in a title, although they tend to be smaller and less significant words; you should check your style guide for specific guidelines to ensure that your capitalization in consistent.

Capitalization of Acronyms

Every letter in an acronym should be capitalized, regardless of whether the words those letters represent start with capital letters:

  • The acronym for Writing Forward would be WF.
  • WYSIWYG is an acronym that stands for what you see is what you get. Although the words in the original phrase aren’t capitalized, every letter in the acronym is capitalized.
  • Most people use acronyms heavily in text messaging and online messaging. In common usage, these acronyms are rarely capitalized: omg, btw, nsfw. However, if you were using these acronyms in a more formal capacity, they would be entirely capitalized: OMG, BTW, NSFW.

First Word of a Sentence

As I’m sure you know, grammar rules state that the first word in a sentence is always capitalized.

Capitalization of Proper Nouns

To keep things simple here today, we’ll refer to a noun as a person, place, or thing. You need not worry about the other parts of speech because only nouns are eligible for perennial capitalization.

There are two types of nouns that matter in terms of capitalization: proper nouns and common nouns. Proper nouns are the names of specific people, places, and things. Common nouns are all the other, nonspecific people, places, and things.

When considering whether to capitalize, ask whether the noun in question is specific. This will tell you if it’s a proper noun, which should be capitalized, or a common noun, which remains in all lowercase letters.

Proper Noun Capitalization Example

The word country is not specific. It could be any country. Even if you’re talking about the country in which you live, which is a specific country, the word itself could indicate any number of nations. So keep it lowercase because it’s a common noun.

Conversely, Chile is a specific country. You can tell because Chile is the name of a particular land in which people reside. When you discuss the people of that land, you won’t capitalize the word people. However, if you’re talking about Chileans, you definitely capitalize because Chileans are a very specific people, from a very specific country, Chile.

Hopefully that makes sense. If not, keep reading because I’m about to confuse you even more.

Capitalization of Web and Internet

Have you ever noticed the word Internet capitalized? How about the word Web? The linguistic jury is still out on these newfangled technology terms, but generally speaking, the Internet is one great big, specific place. The Web is just another word for that same place.

Wait — what about websites? Do they get capitalized? Only if you’re referring to the name of an actual site, like Writing Forward.

Capitalization of Web and Internet is not a hard and fast grammar rule. Lots of people write these words in all lowercase letters. If you’re not sure about whether to capitalize these words, check your style guide.

Common Capitalization Errors

Folks often think that capitalization should be applied to any word that’s deemed important. Here’s an example:

We sent the Product to the local Market in our last shipment. Have the Sales Force check to see if our Widgets are properly packaged.

It’s not uncommon, especially in business writing, to see nouns that are crucial to a company’s enterprise capitalized. This is technically incorrect but could be considered colloquial usage of a sort. Unless it’s mandated by a company style guide, avoid it.

Here’s correct capitalization of our example:

We sent the product to the local market in our last shipment. Have the sales force check to see if our widgets are properly packaged.

Now, in a rewrite of the example, some of the words will be again capitalized, but only if they are changed to proper nouns (names or titles of things and people).

We sent the Widgetbusters (TM) to WidgetMart in our last shipment. Have Bob, Sales Manager, check to see if our widgets are properly packaged.

What about Capitalization for Job Titles?

Ah, this one’s tricky. Job titles are only capitalized when used as part of a specific person’s title:

  • Have you ever met a president?
  • Did you vote for president?
  • Do you want to become the president?
  • Nice to meet you, Mr. President.
  • I read a book about President Lincoln.

Again, this has to do with specificity. “The president” or “a president” could be any president, even if in using the phrase, it’s obvious by context who you mean. However “Mr. President” or “President Lincoln” are specific individuals, and they call for capitalization.

Grammar Rules!

Do you have any questions about grammar rules regarding capitalization? Any additional tips to add? Leave a comment!

By Melissa Donovan
Source: writingforward.com

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How to Write a Book in 100 Days

Let’s start with the obvious: You don’t know how to write a book. I’ve written seven books, and I don’t really know how to write a book either. I have a process that works, sure, but with writing, as with many things in life, it’s always when you think you know what you’re doing that you get into trouble.

So let’s just admit right now, you don’t know how to write a book, and definitely not in 100 days, and that’s okay. There, don’t you feel better?

How to Write a Book in 100 Days 2

There’s this one moment I think about all the time. I had just finished work—I had this horrible desk job at the time—and as I was getting ready to go home, I felt this urge come over me to become a writer. I had felt like I wanted to become a writer before, for years actually, but in that moment, it was all-consuming. Have you ever felt like that before?

And so, instead of going home, I got out a blank piece of paper, and I stared at it. I stared at that blank piece of paper for a really long time. Because I was looking for a book. If only I could come up with the perfect idea, if only I could write a book, then I’d finally feel like a writer.

But I couldn’t think of anything, or at least nothing worthy, and after staring at that blank piece of paper for an hour with nothing, I gave up. In that moment, I felt like I was further from my goal to become a writer than I ever had be. I was so discouraged.

I was discouraged because I didn’t know how to write a book.

Honestly, I might still be there today if I hadn’t had a few lucky breaks and several mentors to teach me the process of how to write a book.

13 Writers Who Finished Their Books in 100 Days

You might say you’re not able write a book in 100 days. You might worry that you’re not able to write a book at all. But I don’t believe that. I honestly believe that everyone can write a book, and I’m not just saying that. I believe it because I’ve done it.

In fact I wrote my first book in fewer than 100 days. I wrote my latest book in just sixty-three days.

I’m not alone, either. I’ve worked with hundreds of other writers to write their books, too. Here are just a few:

Fall 2017 Cohort

These writers are just a few who finished their books in our Fall semester of the 100 Day Book program.

Stella Moreux had been “marinating” on an idea for her “southern fried” fantasy novel for more than three years, but it wasn’t until she signed up for the 100 Day Book program that she seriously started writing it. “I won’t mince words when I say this was hard,” Stella says in her post about the writing process. “However, I would not trade this experience for anything. I survived and finished! The 100 Day Book Program is a challenge but worth it!”

Jodi Elderton had written short stories, but never a novel, and with almost two jobs and young kids, she worried she never would. But she says, “This program made it doable, if you stick with it.” By the end, she finished her novel and said to her writing community, “We made it!” Read Jodi’s full story here.

Rita Harris had an incredibly hard year. After committing to writing her novel, she says she had a marriage breakdown, sold her house and moved, and then had a health scare. Any one of those things could have derailed her writing process, but she kept going, motivated by the writing team she had surrounded herself with and the accountability she agreed to. Despite everything, she finished her book, “something which I doubt I would have had even without the life challenges I faced during the course of my writing if I had not enrolled in the program.” Read her story of determination here.

Karin Weiss‘s novel, A Roaring Deep Within, had been languishing half-finished for years. When she began the process, she thought it would be easy, mostly rewriting, but the process proved much more difficult than expected. What saved her was the writing community in the 100 Day Book program. “I found there a ‘writer’s community,’” she says, “that was available night and day that gave me support and motivation to keep going when my energy dragged, or when I felt discouraged at a tough point in my writing.” Read more about how Karin finally finished her novel-in-progress here.

Spring 2017 Cohort

These writers are just a few who finished their books in our Spring semester of the 100 Day Book program.

Sef Churchill decided to write her book in 100 days “on an impulse one Thursday night.” She followed our process, and by Sunday had committed to an idea. How did it go? “Now I have a book,” she says, “a book which before that first Sunday, I had not even dreamed of.” Check out the 10 lessons she learned about the book writing process.

Ella J. Smyth wrote two of her Romance novels (two novels!) in a little over a 100 days. She talks about her experience, and the power of accountability, here.

Nathan Salley set aside one day a week to write his book, and in that restricted amount of time he was able to finish his book in less than 100 days. You can read about Nathan’s experience (and his next steps into publishing) here.

When Margherita Crystal Lotus told me her sci-fi/fantasy mashup novel was going to be over 100,000 words, and that she was going to do it in 100 days, I had a few doubts she would be able to finish it in time. But she did finish in time, a few days early in fact. And now she’s about to publish the finished book. You can read more about her novel The Color Game here.

Kira Swanson rewrote her novel, which she finished in NaNoWriMo, expanding it from a 70,000-word first draft into a 100,000-word second draft. She recently pitched it to agents and had five of them ask to see the finished manuscript. You can read more about her novel revision experience here.

100 Day Book Challenge Performance

Sandra Whitten was feeling lost and unprepared in the midst of her first book. But after she signed up for our course, she began writing every day for the first time and finally finished her book. You can read more about Sandra’s experience here.

Fran Benfield said that before she signed up for our program, she was “drowning in a sea of words” (I can relate to that feeling!). But she did finish, and found her voice through the process. You can read about how she wrote her memoir here.

Uma Eachempati had been wanting to write about her father’s experience as a prisoner of war during World War II for years. She finally finished it in August, writing it in less than 100 days!

Doug Smith told me he had been thinking about his idea for a novel, Phoenix Searching, “for more years than I care to admit to.” By following our process, he finally finished his novel in May! “What I thought was a long shot,” he says, “turned out to be totally doable.”

These writers have finished their books in less than 100 days, and the reality is you can too. You just need to have the right process.

How to Write a Book in 100 Days: 5 Steps

What did these writers do differently? How do you actually write a book in 100 days? There are five steps:

1. Commit to an idea.

Having an idea is easy. Committing to an idea isn’t, especially if you’re like most writers I know and have dozens of them!

The first step to writing a book is to commit to executing—no matter how you feel about your writing during the process, no matter how many new ideas you come up with in the meantime, no matter what other important things come up. You have to commit to finishing no matter what.

2.  Create a plan.

I’ve found that the people who have planned are much more likely to finish their books. A plan doesn’t have to look like a detailed outline, though, so if you’re not into plotting, that’s okay.

Here are a few things your plan should include:

  • Word count. How long will your book be? (Here’s a word count cheat sheet.) Divide that by how many days you have to write: e.g. there are about 71 weekdays in 100 days.
  • Intention. Where will you write each day? How long will you write each day? Visualize yourself writing there for that long.
  • Publishing and Marketing process. Not because you need to know that now, but because by thinking about it and visualizing it, you improve your chances of actually getting there.

If you think through each step of your book, from your initial idea through the writing process to the publication and marketing of your book, you’ll be much more prepared when the writing goes wrong (because it will).

3. Get a team.

Most people think they can write a book on their own. Most people think they don’t need support or encouragement or accountability to write a book. And that’s why most people fail to finish their books.

That was me. I used to think that I could do it own my own. Honestly, I thought I had no choice but to do it on my own. And I failed again and again and again.

Don’t be most people. The great writers throughout history wrote in the midst of a community of other writers. You need a community, too.

A team might look like:

  • A writer’s group
  • A writing course or class
  • An editor or mentor

When you get stuck, as you inevitably will, it’s your team who will help you get unstuck. Don’t start writing your book without one.

4. Write badly every day.

Your first draft will not be perfect. Far from it. You may not be able to stand how bad your writing is. Your sentences might come out as deformed monsters. Your story or logic might go off on strange tangents. You may feel like everything you write is stupid, shallow, and boring.

Write anyway.

It always starts out like this. Writing is iterative. Your second draft will be better than your first. And your fifth draft will be better than your second.

Write badly all the way to the end. You can fix it later.

5. Get accountability.

I had been writing my latest book for two years, two unproductive years of feeling bad about myself all the time for not writing. This was my seventh book. I should have known how to write a book by now. I didn’t.

It took two writing friends calling me out (see step 3) for me to finally realize I needed to take drastic measures.

And so I wrote a check for $1,000 to the presidential candidate I disliked the most (this was during the 2016 election), and gave it to a friend with orders to send the check if I missed my deadline. I’ve never been more focused in my life, and I finished my book in sixty-three days.

Pretty good accountability, right? Most writers need deadlines and accountability to stay focused and do the hard work of writing.

You Can Try to Do This on Your Own, But You Probably Won’t

Have you ever tried to write a book and failed? I have. Many many times over. My biggest mistake was trying to do it alone.

Honestly, it wasn’t until I hired a coach and found a writing mentor that I finally finished my first book.

If you want to write a book, I would love to help you. Right now, for a limited time, you can join the 100 Day Book program. Over the course of 100 days, I’ll guide you through the writing process, and by the end of the 100 days, you’ll have a finished book.

So many writers have finished their books in this program (including the writers above), and so can you. If you want to join the program and finish your book in 100 days like the writers above, you can sign up here.

Have you finished writing a book? What was the most important thing that enabled you to finish? Let us know in the comments!

By Joe Bunting
Source: thewritepractice.com

Visit us at First Edition Design Publishing

Writing Tips: Write What You Know

A common piece of writing advice is write what you know.

When I first heard this advice, I thought it was odd. I don’t remember where I first heard it, but I remember thinking that as far as writing tips went, it was absurd.

What about writing from your imagination or your feelings? How do genres like science fiction and fantasy fit into the idea that you should only write what you know?

It all seemed rather limiting. Was I supposed to write about American suburbia? That’s what I knew, and it was the last thing I wanted to write about.

One of the reasons memoir doesn’t appeal to me as a writer is because I don’t want to write what I know. I don’t want to relive my life. I want to use writing to live outside of my life, to explore what I don’t know.

I decided to disregard the advice and write whatever I wanted.

What Does It Mean to Write What You Know?

Over the years, I began to understand that write what you know isn’t one of those writing tips that is meant to be taken literally. It’s not an instruction; it’s a guideline.

J.K. Rowling invented a world of magic, a world that many of us might dream about but none could know in the literal sense. Yet she based that world on our world and on the many fantastical, fictional worlds that already exist in literature. Even if we’re not consciously aware of it, we are constantly influenced by what we’ve read, seen, and experienced. My guess is that in one way or another, the seeds of Harry Potter’s world came from Middle Earth, Narnia, and a galaxy far, far away.

The most fantastical worlds in storytelling are beloved because they are full of truths. They tell us who we are as individuals and as a society. I would guess that Ms. Rowling knows a thing or two about friendship and loyalty because there is truth in the relationships that exist between Harry and his closest friends, Ron and Hermione. These relationships have ups and downs but are constant.

While flipping back and forth between two channels late at night, Suzanne Collins saw kids competing on reality TV and footage of the war in Iraq. The images blurred in her tired mind, and the Hunger Games were born. She didn’t know a world where children were thrust into an arena to fight to the death. But she could take what she knew (or could learn), add a heap of her own imagination, and render a believable story world.

To write what you know does not mean you only write about experiences you’ve had, people you’ve met, or places you’ve been. It means you use what you know about life, nature, and humanity as the foundation for your stories.

Write What You Want

I believe the best writing is a balanced mixture of what the writer knows and what the writer seeks. Maybe the setting is the writer’s home town and the characters are based on her friends and family, but the plot is completely outside her realm of experience. Maybe the plot is taken from history, which the writer has researched (and therefore knows), but the world in which it is set is drawn from her imagination. Creativity and art are all about combining existing elements in innovative ways.

It is true: you should write what you know, but you should also leave room in writing for the unknown, room to explore and discover new truths, ideas, and possibilities:

  • Write what you feel. Use your personal, emotional experiences and share them with the reader through characters you’ve invented. Emotional truths make a piece of fiction honest and compelling.
  • Write what you imagine. Let yourself explore a world of possibilities: fantastical beasts, mythical creatures, aliens, and strange, magical worlds.
  • Write what you experience. Every experience you’ve had can be translated to fiction. Remember your first day of school? Tweak that experience and give it to one of your characters, even if the character is an elf or an alien.
  • Write what interests you. You can write what you know after you’ve learned it. Conduct research about things that interest you and then use those things in your stories. Pull facts and ideas from history, current events, and textbooks.
  • Write what matters to you. It goes without saying that your work must matter to you. Write about what moves you, stirs your passion, fills you with joy or rage. If you’re invested in your project, it will come through in your writing and it will speak to higher truths.

What do you write?

How do you feel about writing tips like write what you know? Do you try to write what you know? How far outside of what you know do you take your writing? Share your thoughts by leaving a comment, and keep writing.

By Melissa Donovan
Source: writingforward.com

Visit us at First Edition Design Publishing

4 Lies That Are Keeping You From Writing a Book

There is a book inside you.

There has to be. Why else are you reading a post about writing a book?

lies 2

Getting that book out, of course, is the extremely difficult part. The words don’t come out as we imagine. The time to write shrinks as life gets busier.

And so many questions vex us — so many lies that we tell ourselves to avoid the challenge ahead.

But you have to write your book. It’s one of the greatest driving forces in your life.

4 Lies That Stop You From Writing Your Book

Before you can get started, you have to confront and reject the four lies that have probably been keeping you from writing the book of your dreams. Tackle these lies head-on, and replace them with the truth:

1. It has to be long

How long should a novel be? Is there an exact number of words or pages for it to be a success?

This question can certainly stop us in our tracks. The idea of writing a novel always seems enormous, like climbing the world’s tallest mountain.

Yet there is no rule about how long the book has to be. That’s up to you.

Sure, there are genre-specific suggestions about word counts. The good news is that most of them are lower than you might think! Especially if you are a new author, agents and editors want to see how much story you can tell with fewer words, saving on publishing costs.

There is no absolute book length that works. Of Mice and Men is 30,000 words long, while A Game of Thrones is 300,000.

It’s up to you and your creative process, so don’t let false expectations and fear tell you that your book won’t be long enough to count.

2. I have to have the story figured out

This lie is a crippling one. It demands perfection even before we’ve started.

Yet it is impossible to know exactly how our stories are going to go before we’ve written them. Every attempt at a story runs into surprises and roadblocks. Our plans, no matter how exhaustive, always fail to materialize just how we thought they would.

This is completely natural — and it’s really, really good!

Yet our inner perfectionist makes impossible demands. It suggests that deviating from your plan is somehow failure.

But this is a lie! Creativity is deviation from the plan! It is finding solutions when logic and order don’t work!

So while it is extremely wise to have a plan, and know where your story is generally going, don’t give up on your book dream just because you haven’t created it yet!

3. I’ll start but I won’t finish

My favorite Shakespeare play is Macbeth, which features one of my favorite storytelling devices: the self-fulfilling prophecy. By resisting the witches, Macbeth brings about his own tragic doom.

Unfortunately, this trope extends into real life, especially with artists like us. We long to create, but fear that we lack the discipline or talent to finish something good.

So we give up before even starting. Hence, the self-fulfilling prophecy.

Don’t let this lie seduce you. It  is especially seductive because it delivers a sense of false control: “If I don’t start, then I won’t fail,” the thinking goes.

To fulfill your dream of writing a book, you have to commit to finishing, no matter what. Even if you fall off the wagon for a season, you can still get back in the writing groove.

But you have to get started first.

4. No one’s going to read it

This is similar to the previous lie because it speaks a prophecy that we fulfill on our own. “No one’s going to read it, so I just won’t write it,” we think to ourselves.

What a tragic lie! Our struggling self-confidence produces tangible failure, all by doing nothing!

We can’t know who’s going to read or buy our book yet. We just can’t. By the time we’ve finished writing it, our life situation will have changed because time rolls on.

I will say this, though: Very few people actually fulfill the commitment to write a book.

Most hem and haw, mumbling about “wishing” and “someday.” Very few actually do it.

By writing a book, you will attract readers to yourself, especially if you serve those readers along the way.

One popular way of writing a book is to blog it, as Andy Weir did with The Martian. One chapter at a time, he posted to his website and slowly gathered a following. While he is certainly a rare and privileged case, it shows how giving and serving with our writing can solve our readership problem.

Commit to Your Book

There’s a book inside of you. That’s why you’re on this website, looking for help with your writing.

So commit.

Whether it’s 100 words a day, 500, or 1000, commit to working on your book every day.

Join a community, like a local writer’s group, Becoming Writer, or the 100 Day Book Program. Hold yourself accountable by joining other writers with a similar dream as yours.

But whatever you do, own the reality that you are a writer with a dream. There is a book inside of you that is longing to be written. It won’t be easy. It never is.

But it is beautiful and totally worth it.

So commit to your book today, and begin the journey that will change your life forever!

Have you committed to writing your book? Share how you’re keeping up with your commitment in the comments below!

By David Safford
Source: thewritepractice.com

Visit us at First Edition Design Publishing

 

12 Nature-Inspired Creative Writing Prompts

Today’s post includes a selection of prompts from my book, 1200 Creative Writing Prompts. Enjoy!

Creative writing prompts are excellent tools for writers who are feeling uninspired or who simply want to tackle a new writing challenge. Today’s creative writing prompts focus on nature.

For centuries, writers have been composing poems that celebrate nature, stories that explore it, and essays that analyze it.

Nature is a huge source of inspiration for all creative people. You can find it heavily featured in film, television, art, and music.

Creative Writing Prompts

You can use these creative writing prompts in any way you choose. Sketch a scene, write a poem, draft a story, or compose an essay. The purpose of these prompts is to inspire you, so take the images they bring to your mind and run with them. And have fun!

  1. A young girl and her mother walk to the edge of a field, kneel down in the grass, and plant a tree.
  2. The protagonist wakes up in a seemingly endless field of wildflowers in full bloom with no idea how he or she got there.
  3. Write a piece using the following image: a smashed flower on the sidewalk.
  4. A family of five from a large, urban city decides to spend their one-week vacation camping.
  5. An elderly couple traveling through the desert spend an evening stargazing and sharing memories of their lives.
  6. A woman is working in her garden when she discovers an unusual egg.
  7. Write a piece using the following image: a clearing deep in the woods where sunlight filters through the overhead lattice of tree leaves.
  8. Some people are hiking in the woods when they are suddenly surrounded by hundreds of butterflies.
  9. A person who lives in a metropolitan apartment connects with nature through the birds that come to the window.
  10. Write a piece using the following image: an owl soaring through the night sky.
  11. A well-to-do family from the city that has lost all their wealth except an old, run-down farmhouse in the country. They are forced to move into it and learn to live humbly.
  12. Two adolescents, a sister and brother, are visiting their relatives’ farm and witness a sow giving birth.

Again, you can use these creative writing prompts to write anything at — poems, stories, songs, essays, blog posts, or just sit down and start freewriting.

By Melissa Donovan
Source: writingforward.com

Visit us at First Edition Design Publishing

 

Poetry: Making Music with Words

Most writers are primarily concerned with the meaning of the words they choose. Is the language precise and accurate? Do the words provide the best connotation for what the writer is trying to communicate? Does the language show, rather than tell?

But poets take language a step further and push it into the realm of music. Poets care about meaning, precision, and accuracy as well as connotation and imagery. But they also care about how words sound, because musicality is a fundamental feature of poetry.

Poets use various elements of music to compose a poem. But because the written word is read and not heard, some elements of music aren’t available, like pitch and timbre.

Spoken word and performance (or slam) poetry are exceptions, because these works are designed to be heard and can incorporate musical elements that aren’t available to authors who write to be read. But most poets rely on a variety of literary devices and techniques to bring music to their work. Foremost among these are meter, sound, rhyme, repetition, and structure.

Meter (Rhythm)

In poetry, meter is a syllabic pattern, which is determined by stressed and unstressed syllables. We’ll use bold to denote stressed syllables in the first line of “What Kind of Times Are These” by Adrienne Rich:

There’s a place between two stands of trees where the grass grows uphill

Let’s see what happens when we strip away the language, so we can see the raw meter of the line:

da-da-DUM da-DUM da-DUM da-DUM da-da DUM DUM da-DUM

As you can see, the meter gives the poem rhythm, an underlying drumbeat. This demonstration shows why it’s important to review the syllables in the lines of your poetry to check the meter.

Sound (Melody)

A song’s melody is determined by the sequence and length of notes played or sung by musicians. In poetry, melody is driven by the vowel and consonant sounds within the words of the poem. Consider this simple tune: la de-da, la de-da, la-la-la. 

Now compare it to this: doo-da, doo-da, doo-de-da.

We don’t know the exact notes or melody just from reading these sounds, but there is an implied tune when we read them aloud. We can bring a little rhythm to the sounds as well by placing stress on select syllables:

LA de-da, LA de-da, LA-LA-LA. 

DOO-da, DOO-da, DOO-de-DA.

So how do we put it all together? By choosing words that match the melody and meter that we’re aiming for:

LA de-da, LA de-da, LA-LA-LA. 
On the dock, six o’clock, stomp on rock

DOO-da, DOO-da, DOO-de-DA.
Stooping, drooping, boorish king

You’ll notice that in addition to rhythm and meter, we introduced some rhymes.

Rhyme

The most common rhymes are perfect end rhymes–words that appear at the end of lines in poetry and that rhyme perfectly. Here’s an example from Dr. Seuss’s The Lorax:

Unless someone like you cares a whole awful lot
Nothing is going to get better, it’s not.

The words lot and not rhyme perfectly and are placed at the end of the first two lines, respectively. The placement of rhyme in a poem, coupled with its meter, can give the lines a sing-song quality. We can use different meters, sounds, and rhyme placements to pull different musical qualities into our poetry. Here’s an excerpt from “Spelling” by Margaret Atwood, which shows internal rhymes:

At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite

Try reading these lines aloud to hear the inherent music contained within. Notice that the lines do not use a metrical pattern, but the layered internal rhymes give it rhythm:

  • away and breaks
  • hot and rock
  • bones, open, and flows
  • The word point appears three times in these five lines, but the repetition of this word is barely noticeable.

It’s worth noting that some poems don’t rhyme at all. Rhyme is important in poetry, but it’s actually a subset of a broader and even more important poetic device that is essential in both poetry and music: repetition. After all, rhyme is just repetition of sounds.

Repetition

Repetition is the technique that really sums up how we make music out of words in poetry. All of the techniques mentioned above ultimately use repetition:

  • We create a pattern of stressed and unstressed syllables — and a pattern is really just repetition.
  • We choose words and arrange them in such a way that they create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds.
  • And we use rhyme — maybe end rhymes that ring like cymbals or internal rhymes that jingle like a tambourine. Rhymes are, by nature, repetition.

Layering the repetitions of these elements creates greater musical dynamics in a poem.

As you can see, a poem’s musicality really comes from the repetition of various elements within the lines and stanzas. And there are more elements that we can repeat. Alliteration is the repetition of consonant sounds in close proximity: prickly pears. Assonance is the repetition of vowel sounds in close proximity: hat rack.

Some poems even use repetition in their very structure.

Structure

A poem’s music also comes from its structure — the length of lines and stanzas, placement of line and stanza breaks, punctuation, and spacing. All of these elements contribute to the poem’s structural sounds and therefore contribute to its musicality.

In music, a rest is an interval of silence. In poetry, these intervals are indicated by line breaks, stanza breaks, punctuation, and spacing. Rests are similar to the concept of white space in art.

For example, punctuation provides indicators for pausing (or resting) with commas and periods or inflections for questions and exclamations.

Do You Make Music with Poetry?

Plenty of excellent works of poetry aren’t especially musical. But musicality is an important aspect of poetry.

How do you infuse your poetry with music?

By Melissa Donovan
Source: writingforward.com

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