Tag Archives: Writers Write

Why it’s So Much Better to Write to Express, Not to Impress

Have you ever watched a magician make his assistant levitate just by waving his hands?

Here’s what happens.  Two dancers come onto the stage to set the exotic atmosphere.  Once we’re in the mood, the magician’s assistant comes out and lies on a board supported by two chairs.

The magician puts the assistant into a trance. The dancers cover the assistant with the blanket on the board.  They remove the chairs and the magician begins waving his hands.

Magically, the assistant rises.  The magician passes a hoop around the assistant so we can see clearly that there are no ropes or wires lifting the board.

Amazing!

The audience claps and the magician does another trick.

Impressing is a strategy.

Wouldn’t it be great if your readers would be so riveted to your writing that nothing could stop them from reading every word?

What writer doesn’t want that?

Impressing is important, we’re told. If you can’t grab attention, you won’t get a chance to make an impact.

Consider the magician.  They’re making an impression all the time, aren’t they?  And they do it so well, they don’t even have to share their hidden message.

And what might that message be?

It’s okay to believe in magic.

Be careful not to overlook this fact.  The greatest magicians plan to show us that we should believe in magic.  If they just told us, then we’d dismiss it. If they didn’t plan for this, their shows wouldn’t be as good.

When the assistant rises and we can’t see why, we’re convinced (even if only for a moment).  The magician isn’t forcing us to believe.  They’re just presenting a picture and leaving it to us to interpret what we saw.

You impress with a headline or a startling statement to begin your blog post, your essay, or your book. Once you’ve got people’s attention, you’ve got one shot to make your message clear.

That’s where expression comes in.

Expression is a goal.

What impact do you want your writing to make?

The time to ask that question is before you write the first word.

Knowing what you want to accomplish helps you draw a map to get you there.  What road will you lead the reader down?  What sights will the reader see along the way?  What signposts will give hints for what is to come?

The words you choose will depend on the point you want to make.  Consider what the reader might be thinking when they find your piece.  What are they feeling?  What do they believe?  What do you want them to think or feel after they read?

To make your message clear, narrow your focus.

Narrowing means you pick one problem and provide a solution for it.  It means you tell one kind of story for one kind of reader.  To do more is to spread yourself thin and dilute your impact.

When you have one main point, it’s like a tour guide that directs you as you write.  It’s the ruthless editor that helps you cut out everything that doesn’t make your point. It’s the magnifying glass that excludes everything that doesn’t add to your message.

I grew up drinking sweet tea.  The first time or two I made it myself was a test.  I might add too much sugar or too much water.  Or maybe too many tea bags.  When it doesn’t taste right, you might suffer through a glass or two, but you can’t bring yourself to drink a whole gallon.

Your writing is a lot like sweet tea.  If you want your readers to enjoy your writing while they drink it in, suit it to their taste.  Be willing to test—and fail.  Analyze what happened, adjust your focus, and try again.  In time and with practice, you’ll find the right recipe.

You need both to make an impact.

To influence people, you have to draw them to you.

It’s not enough to open the door.  You’ve got to have something appealing inside.  If you bore them after you grab their attention, they’ll walk out on you.

TV producers are experts at this.  They tantalize you with the juiciest clips while you’re watching something else.  If they succeed, then they have to make watching so good you’ll go on a binge.

Think about your favorite shows.  What got you hooked?  What makes them so good you want to tell all your friends about them?

Here are a few:

  • Open loops – They show you a problem but withhold the solution until you watch. Characters you can identify with – When the hero seems like you, you think of them as a friend.  You see yourself in their shoes.  You may even find yourself rooting for them or talking to the screen to tell them what to do.
  • They sell hope – Have you had a bad day and want to laugh? Do you want to be as confident or skilled as your favorite character?  A few minutes escape can be just what the doctor ordered.

What can you add to this list?

Then ask yourself, “How can I use these techniques in my own writing?”

If you need help, take out one of your favorite author’s books.  Read for an hour.  Then grab a cup of coffee (or your favorite beverage) and write down the ways they capture your attention.

Then grab a pen and implement those techniques into your own writing.

Start with one strategy and implement it every day for a week.  Then add another the next week.  Soon you’ll become your ideal reader’s favorite writer!

Source : positivewriter.com

By Frank McKinley

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31 Writing Prompts For August 2019

Writers Write is a resource for writers. Use these writing prompts for August 2019 to get you writing.

If you want to know how to make the best use your prompts, we suggest you read: All About Writing Prompts & Writing Practice

A prompt can be anything: a word, a song title, a name, a myth, a photograph, or a quotation.

We hope our 31 prompts for August 2019 inspire you to start a writing routine.

Writing Prompts Aug 2019

By Mia Botha

Source: writerswrite.co.za

Visit us at First Edition Design Publishing

 

Navigating the Changing Face of Book Promotion with Smart, Effective Strategies

Much like the world of publishing, book promotion is constantly changing and with it, so are the services offered by book promotion companies. What may have worked just a few years ago doesn’t have quite the same impact today. I know from experience that the surge of books we see every day in the marketplace has a real effect on how various programs work. Today’s book promotion services are less about what you’re marketing in the moment and more about the foundation you’re creating.

So, what’s working in book promotion now? Surprisingly, it’s not at all what you would expect. Let’s take a look:

Email Newsletters: While it may seem really basic, unlike social media, email newsletters are an effective way to make a direct connection to your readers. We think of social media as the main way to reach our audience but in reality, it’s not as direct as we’d like it to be. And sending an email newsletter is actually a lot easier than say, managing a bunch of social media platforms. (Here’s a guide for getting started.)

Your Reader Fan Bases: Book publishing is rapidly growing and with around 4,500 books being published daily, it is crucial to build supportive reader fan bases. In the past, we’ve relied on the blogger market to help promote books but with such fierce competition, it is getting harder and harder to get attention. What remains steadfast though is your readers. Building excited and engaged reader fan bases is a fantastic way to build momentum for your book and letting readers help you with your book promotion by posting reviews and sharing your book release on their social stream. (Want to build fans and superfans? This article shows you how.)

Going Local: Many authors approach book promotion with the goal of reaching a national audience through big media. What shouldn’t be overlooked though is local media. Local media loves their local authors and can be a great launching pad for long-term success. It isn’t that you aren’t worthy of the national spotlight, but national media is harder than ever to get. Also, many bigger media outlets use scouts who research local stories that are gaining momentum, so making waves in your local market can lead to national exposure.

In addition to local media, you may also consider doing local events, whether at a library, bookstore or gift fair. And don’t forget non-bookstore markets like boutiques, coffee shops, and other area businesses that might be interested in your topic. (Here’s some more great advice on positioning yourself when it comes to media.)

Expanding Your Goodreads Presence: Goodreads is growing by leaps and bounds and with each month that passes, it gets more robust. Now more than ever, it’s imperative to get set up on Goodreads and start networking with genre-specific groups. More than any other social networking site, Goodreads is geared toward and caters to readers. Start by being a reader. Being more involved in networking and socializing and less on being the pushy marketer will garner you much more attention and will sell you more books in the long run.

Smart eBook Pricing: Digital clutter is changing the trends of ebook pricing. While price discounts and specials are good, that isn’t smart book pricing. As an example, book pricing at launch can be slightly lower than what your regular pricing might be, as even a dollar discount can give your book a helpful bump. But eBook pricing should still be weighed against what the market will bear. I also advise against pricing an eBook over $9.99, especially if you’re just starting out. As a new author, remember that readers are taking a chance on you and might be more inclined to purchase if your book’s price feels more like an impulse buy.

Amazon Book Page: It’s easy to get outwardly focused on book promotion and forget about the all-important landing page we are sending our readers to – Amazon! Your book page on Amazon should have a clear description with white space and no paragraphs crammed on top of each other. I also recommend using your Author Central Page to enhance your book page. With Author Central, you can add reviews, an author interview, or book experts. Think of your book page as a sample of your personality with information to help the reader decide to buy your book. It can also be a terrific way to drive more reader engagement on your page.

Amazon Advertising: I had some challenges with Amazon ads (also referred to as AMS ads) when they revamped their platform and the associated advertisement algorithm, but I’m happy to report that the platform has found its footing and the ads are improving. As a guideline, you’ll want to have 400 keywords at a minimum. Start your ads at $10 a day in budget and no more than .50 cents per click until you get a sense of how the various keywords are doing.

AMS ads are great to do at campaign launch, starting them a week before the book launches if it’s on pre-order. You can also use them to promote pricing strategies, lowering the book price for a few days to coincide with an eBook promotion.

Keeping Your Social Media Footprint Small: When you try to be *everywhere* on social media, it’s hard to be engaged on all the sites, all the time. And in an age of fake followers and fake accounts, engagement matters. Even if their numbers are small, the user with the most engagement far outperforms the ones with millions of followers. This doesn’t mean less work though – you’ll still need to put the effort into the site you decide to be on. Engaging readers on one social media platform in a consistent and fun/informative/helpful way is a far better book promotion strategy than trying to be everywhere. As I always say: it’s not about being everywhere, but everywhere that matters. (For more ideas on integrating social media into your marketing, try this.)

Knowing Your Audience: Many authors I speak with have no idea who their actual reader market is. When I ask them, they’ll often say: everyone. You know who markets to everyone? McDonald’s, Apple, Amazon, Microsoft, etc. But they didn’t start out focused on everyone. Amazon, for example, started out as a book site, reaching readers. It wasn’t until they built a base of readers that they began expanding out into other things. Knowing your audience is not only important when you’re writing your book, but absolutely crucial when you’re trying to market it. Zeroing in on your core reader, specifically, is key to any successful book promotion campaign. (Need help finding your readership? Try this article.)

While book promotion can seem like a daunting feat, it doesn’t have to be. By focusing your efforts into smart strategies that are tailored to your book and your audience, a successful marketing campaign can be just around the corner!

By ANGELA ACKERMAN

Source: writershelpingwriters.net

Visit us at First Edition Design Publishing

 

Walk Like a Dog

I am in a swarm of family and work this summer and even forgot to do my post on Wednesday, which dear Therese forgave. I still had no time to write a new post, thanks to conferences and family and a new book out, but here is an offering–my very first post at Writer Unboxed, dated April 23, 2008.

Almost every word is still the same. Different dogs, longer walks, but still the same actions.

——————–

 

“If you are seeking creative ideas, go out walking. Angels whisper to a man when he goes for a walk.” ~Raymond Inmon

I am a great believer in walking. Not speed walking or to win some contest; not to conquer or prove anything (although competition, too, can be good for the soul). Just plain old walking. Walking to shake out the tight spots in a body. Walking to fire up the imagination, to cure the blues, to nourish the spirit.

I especially believe in writers walking. Sitting at a keyboard for unending hours is hardly a healthy act for the body, and sitting in a single room, all by yourself with only a cup of coffee and your iPod for company hardly does a thing for refilling the well. Walking takes no special clothing, and almost everyone can do it. You don’t have to walk fast to get the benefit, or even go anywhere special. Walk out your front door and walk along your street or lane or alley or field. Walk like a dog, imbued with curiosity and pleasure in the moment itself: right now, walking!

Every day around 8:30, my chow mix patters into my office and sits down with a heavy sigh. I ignore him at first, usually, since My Writing Is Important and dogs can be walked at any point during the day. Jack disagrees. After ten minutes, he creeps closer to my chair and breathes on my side. Just that hot, hopeful breath, unbelievably annoying. Still, I can often ignore it a little longer.

At which point, he will raise his glittery gold-red paw and put it lightly on my leg. Please? Which he knows I cannot resist.

So I gather up leashes and harnesses and treats and poo bags and off we go, into the neighborhood, on a single 1.5 mile loop around the suburban park system between houses. Every day, the same walk, though we sometimes switch direction. Every day, the dogs—there is a terrier mix, too—can barely restrain their joy at getting out the door, into the world. The world! The great big amazing world! They snuffle the same bushes with fresh curiosity every day, stick their noses in the same prairie dog holes hoping this time to snare some tidbit of baby rodent. They prance along the same routes to lift their legs, offering their comments on the neighborhood dog blog.

It takes roughly a half hour. While the dogs are doing dog things, my writer brain is inevitably unknotting some little issue with the work, whether it is a sentence or a plot, a character issue or a connection. Some days I am tired and don’t want to think at all; often it is those days, when I’m yawning while the dogs snuffle over the juniper bush, that I notice something I haven’t seen. A landscape drawn in colored chalk, perhaps by a knot of teenagers who cheerily waved at me not too long ago at dusk, hoping their friendliness would distract me from the scent of burning cannibis in the air. Or perhaps I notice the border collie on the corner is sticking his nose over the fence and it reminds me of a dog I once loved, who would be a perfect addition to the character who is so flat. If I am walking like my dogs, I see the grove of aspens anew each day, and the sky, and the mountains, changing every hour.

Walking every morning this way shakes out my limbs, gets some sunshine on my face, opens the shutters of my brain and lets a freshening wind blow through. I collect images—that old leaf, that smell of pine needles, spicy and wet, the curtains hanging askew in an upstairs bedroom—and music, of birds, of traffic, of the echoey, lost sound of children playing in the distance, out of sight. When I return to the keyboard, the usual stiffness of a long-time writer is shaken out. My spine is straighter, my oxygen-enriched brain a much more efficient organ, and the work much better, and I’ve worked out some knot of tension in my body, and in the work.

Do you like to walk? Is there a time of day you like best?

By

Source: writerunboxed.com

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How to Overcome the Fear of Coming Out as a Writer

Are you nervous about coming out as a writer?

Maybe you just want to write for yourself and not share your words with others? It can be scary putting yourself out there.

I have that fear too – even after writing and publishing hundreds of posts and a range of books.

A short while ago, I heard something that totally changed my mind about this. Watch the short video below about the magic words I heard.

Click on the image to watch the video.

Source: writetodone.com

Visit us at First Edition Design Publishing

 

How Joining a Writing Community Helped These 11 Authors Get Published

I recently reached out to several writers in our Write to Publish community to ask whether joining a writing community has helped them get published, grow their audience, and make progress on their journey to becoming bestselling authors.

Getting published is an amazing, exciting process. It can also feel a little mysterious, especially if you’ve never done it before. What does it take to publish? More than that, what does it take to publish successfully—to publish a beautiful piece of writing and share it with crowds of readers?

I’ve worked with hundreds of writers as they navigated the publishing process, sometimes for the very first time. In fact, I built Write to Publish, our platform and publishing program, to help writers master publishing.

The Fundamental Truth About Publishing

There’s one fundamental truth about publishing that many writers don’t realize. Here it is:

That may sound strange. There’s this stereotype of the great author secluded away in a cabin in the woods somewhere, writing all day and night in an isolated haven of inspiration. Eventually, he emerges with a genius manuscript, sends it off to a publisher, and publishes the next Great American Novel.

Personally, I believed that stereotype for a long time. But what I’ve found, and what the eleven writers I talked to have found, is that it’s simply not true.

On the contrary, if you want to be a successful author, you need other people.

Joining a Writing Community Can Help You Get Published

Some writers knew they needed a writing community around them in order to publish their writing. Rev. Jonathan Srock, an undelivered minister who shares his stories and writing about faith at jonathansrock.com, was looking for a writing community when he joined Write to Publish. “I joined the program so I could learn how to publish my work and be surrounded by a community of authors who understood what it was like. And I’ve made some great friends along the way!”

Others discovered along the way how important community is at every step of the writing journey. Imogen Mann, a recovering lawyer who writes fiction and business documentation at imogenmann.com, says her Write to Publish community shifted her thinking about collaboration. “I’ve learned that the writing process is just as collaborative and multi-tiered as the publishing process,” she says. “This was a bit of a revelation but when you think about it, it makes perfect sense — it’s the same in any profession.”

Pharmacist and novelist Kim Williams (birdsofafeatherbooktogether.blog), credits the community she found with helping her actually follow through on publishing her writing. “Being part of a community of like-minded people is worth its weight in gold,” she says. “Left to my own devices, I may not have pursued my passion.”

Psychologist Suzanne Ruiter, who writes children’s books and articles about education at suzanneruiter.com, enjoys getting to know other writers who “get it,” who understand the joys and challenges of publishing your writing. “We writers need each other to get there,” she says. “We are busy doing a difficult job with a lot of tasks we have to get familiar with, and the best people we can find to support us are people who are learning to do so too.”

Each of these writers have connected with a community that supports them at every step—and each one points back to that community as a core part of their success.

Joining a Writing Community Is the Secret to Finding Readers for Your Writing

When I talk with writers about the importance of finding your Cartel, of building a community to give you a boost in your publishing efforts, I always hear some form of the same question:

But I want to share my writing with readers, not other writers. Why should I connect with writers instead?

I get it. We all want to build an audience of readers who will buy all our stories and books and even share them with their friends.

But here’s a truth that might surprise you: the way to build your audience of readers is to connect with other writers.

“I need to build a solid author platform and I feel that the first and best way to do it is to belong to a community of writers,” says Jane Kavuma-Kayonga, who writes stories to change people’s lives at apagefrommunakusbook834350529.blog.

Horror writer Iseult Murphy, who shares her writing at iseultmurphy.com, agrees. “I loved the emphasis [in Write to Publish] on putting together a team of writers who would support and encourage you, and you them, on your writing journey. Then, when it came to your work being published, you had a network of people to help promote your work. I loved this idea and thought I would get plenty of useful tips on how to get my work read, which I did.”

“Most writers want to be read and I can only do that by sharing and being part of a bigger community,” says author David Rae (davidrae-stories.com). “Being part of the community has made me a better writer and more professional and ambitious in my approach.”

“Actual publication is easy, but . . . getting attention to what you publish is hard,” says award-winning children’s story author Tamara Paxton, who shares her writing at tamarapaxtoncopley.com. “I learned that getting an email list, writing cartel, and reviews are everything.”

For Karen Bellinger, a creator of stories across multimedia platforms at thetimescribe.com, connecting with other writers was the difference between successful publication and shouting into the void. “This program has taught me that building a community and using it to help you craft your very best work BEFORE you hit publish is absolutely critical. Not just because it gives you the invaluable feedback needed to improve initial drafts, but because otherwise, your hard work risks disappearing into the internet ether, never to find its audience.”

When you connect with other writers, you gain access to a much wider base of readers. If you want readers to find your writing, reach out to other writers first.

Sharing Your Writing Is Hard—And Rewarding

Publishing your writing is thrilling and terrifying at the same time. When you publish, you invite other people to read your writing. That’s a vulnerable thing to do—your writing is your personal creation, after all, and you never know how people will respond to it.

One of the best things you can do is to share your writing with a few writers you trust before you publish it publicly and send it out into the world. Supportive writers will give you the feedback you need to craft your best piece of writing.

Plus, the act of sharing in a small, low-stakes setting is great practice for sharing your writing with the wider world.

Of course, that doesn’t mean it’s easy. In fact, for many writers, this was the hardest part of Write to Publish.

“[The most challenging part of this process was] shyness,” says David. “We’re all self-conscious shrinking violets. Sharing work and communicating to other people does not come naturally to me at any rate.”

But he says it was worth it to be bold and share his writing. “Almost always, sharing and reading comments on your work leads to improvement and to seeing your work move in exciting new ways. And really, what is better that having someone read and comment on your work?”

Imogen and Karen agree. “Having to collaborate and ‘expose’ myself online was hard. I’m naturally a self contained person, so working with people I didn’t know was initially uncomfortable,” says Imogen. “I’ve always had to do this in my work, and it never gets easier, you just get better at dealing with it.”

“The hardest thing for me has been stepping out of my comfort zone — not just writing my stories down, but releasing them into the greater world and soliciting feedback on them,” says Karen. “Necessary as both publication and critique are if we are to improve as writers, that’s really scary!”

Jonathan appreciates the feedback and support of his fellow writers, which makes sharing more than worth it. “Having others [look] at my work and critique it is extremely helpful. . . . The kindness of other writers . . . is both helpful and welcome. They make me a better writer!”

It’s Okay to Ask for Help from Your Writing Community

For some people, sharing their writing was the hardest part. For others, it was asking for help.

“The most challenging part has been learning to ask for help from other writers. It seemed impolite to ask,” says Cathy Ryan, who writes speculative and real-life fiction at cathyryanwrites.com. But, she adds, “writers need to help each other so our voices can be heard.”

Madeline Slovenz, who writes realistic fiction for children, young adults, and open-minded grownups at madelineslovenz.com, agrees that asking for help takes courage, and that it’s absolutely essential. “I have learned that it takes courage to ask for help, but unless we can step up and say, ‘I’m excited to tell you that I’ve published a story,’ our work will sit in a digital file that is unlikely to be found.”

“Dare to ask,” says Suzanne. “Make that first step with people who are in the same position: you are not the only one who is struggling. There are very warm, intelligent other writers who also try to find their way in this.”

When You Join a Writing Community, You Might Make Surprising Connections

You never know how someone might respond when you reach out.

Iseult knew before she began that she needed the support of other writers. What she didn’t know was how to connect with authors she admired — authors a few steps ahead of her in their careers, people who seemed inaccessible until she reached out.

“Because of this course I have approached successful authors I have read and admired for years and they have agreed to talk with me — something I would never have considered before taking the course,” she says. “I have learned a lot from my conversations with them.”

It’s intimidating to reach out to other authors. But many writers are far more accessible than you might imagine, and are happy to connect with another writer.

They know as well as anyone that building an author career isn’t a solo activity. We all need community to support us along the way.

The First Step to Publishing: Find Your Writing Community

Publishing your writing is an amazing goal. But before you publish, I have a question for you:

Have you found your writing community yet?

Who will support you in your writing and publishing journey? Who will give you feedback, spur you on when you’re discouraged, help you navigate unfamiliar challenges, and celebrate with you when you share your writing with the world?

And if you haven’t found your community yet, or if you want to publish but you’re not sure how to get started, I’d love to support you.

The next semester of Write to Publish is now open. Will you join Cathy, David, Iseult, Jonathan, and more in connecting with writers and publishing your writing?

 

Your writing is worth sharing. And if it’s worth sharing, it’s worth collaborating with other writers to share it.

How do you collaborate with other writers? Let me know in the comments.

By Joe Bunting

Source: thewritepractice.com

Visit us at First Edition Design Publishing

How to Refine Your Raw Writing Talent – by Jerry B. Jenkins

Discouraging, isn’t it?

You write a few blog posts and friends sing your praises. You dream, Maybe I’ve got what it takes to score a publishing deal.

But then you run your idea and your samples past an agent, an editor, or a published author, and the music screeches to a halt. You interpret their “meh” as a scathing critique and you’re rudely awakened from your dream.

Special Note: This is a guest post by New York Times Bestselling author, Jerry B. Jenkins. Jerry’s one of the most successful authors of our time with over 70 million copies of his books sold. Visit: jerryjenkins.com

Unfortunately, I’ve seen it over and over.

Writers ask me for feedback. I believe they want real input, but when they see my suggested edits, their faces fall.

I know they were dreaming I would say, “Where have you been? How has a major publishing house not found you yet?”

They weren’t really looking for input—they were looking to be discovered.

You might have a boatload of talent—enough to tell compelling stories in fresh ways. But if you can’t accept criticism from those in the business, you’re not going to succeed.

I’ve written and published 195 books, including 21 New York Times bestsellers, yet I still need fresh eyes on my work. And I’ve had to become a ferocious self-editor.

Writing is a craft.

That means you must build your writing muscles and learn the skills.

Writing is a craft. That means you must build your writing muscles and learn the skills.

Regardless how talented you think you are, writing takes work. Many talented athletes never become pros because they believed raw talent alone would carry them.

That doesn’t have to be you, as long as you cultivate your skills.

3 Ways to Hone Your Talent

1. Read, Read, Read

Writers are readers. Good writers are good readers. Great writers are great readers.

Writing in your favorite genre? You should have read at least 200 titles in it. Learn the conventions. Know the rules you plan to break.

You’ll become aware of what works and what doesn’t. And you’ll likely see a vast difference in your writing.

2. Write, Write, Write

Dreamers talk about writing. Writers write.

Don’t expect to grow unless you’re in the chair doing it. 

Write short stuff first. Articles, blogs. Learn to work with an editor. Learn the business. Get a quarter million cliches out of your system.

3. Welcome Brutally Honest Feedback

The fastest way to shave years off your learning curve is to seek real input from someone who knows.

But be prepared. Your ego may take a bruising.

Yes—the red ink hurts. During my early years in the newspaper and magazine business, editors tore my work apart.

But it made me the writer I am today. Without that scrutiny I don’t know where I’d be, but it wouldn’t be on any bestseller lists.

Expect to be heavily edited and learn to aggressively self-edit.

Take advantage of every opportunity to grow. Assume there is always room for improvement.

I am still learning and trying to sharpen my skills, after over 50 years in this game.

By Bryan Hutchinson

Source: positivewriter.com

Visit us at First Edition Design Publishing

 

Want to be funny? Here are 5 simply ways to mix humor into your writing!

Creating content that puts smiles on the readers’ faces can be very challenging. Not only is humor very subjective but you also need to know how to use just the right dose. This doesn’t mean that you are facing an impossible task. It means that you’ll need to add a bit of strategy to your creativity.

Depending on the type of content you want to produce, there are different ways of incorporating humor. For some inspiration and motivation, the following five ways of incorporating humor in your writing will give you some helpful ideas.

How to do it without overdoing it?

What you need to understand about humor is that not everyone finds the same jokes funny. That is actually not your problem, but what can be your problem is if you cross the line and offend your readers.

So, how to avoid such an inconvenience?

Here are some don’ts that you should keep in mind before you risk getting chased with pitchforks and torches:

  • Racism
  • Sexism
  • Putdowns
  • Dark humor
  • Corny, used-up jokes
  • Bashing your competition

Now that we know what type of humor should be avoided, let’s get to the useful tricks.

1. The joke is on you

Show your readers that you are not a sensitive little flower and that you can handle a good joke. According to a study (HSQ; Martin, Puhlik-Doris, Larsen, Gray, & Weir, 2003), people who make themselves the butt of their own jokes actually demonstrate greater levels of happiness and self-assurance.

Self-deprecation is a safe choice, meaning that you won’t risk offending anyone and you’ll portray yourself as a confident individual.

Who knows you better than yourself? Take all those funny and cringy stories, stereotypes, and flaws and use them in your writing.

There is more to it than just making people laugh by joking about yourself. Readers will be able to relate and create a connection with you if you open up. It shows that you are honest and willing to accept your flaws.

Of course, if you don’t feel comfortable with this type of humor don’t force it. It is important that you truly feel good about yourself and are ready to share with the world some of your embarrassing stories and insecurities.

2. Are you ready to compare?

Those of you who have read Robert Schimmel’s book Cancer on $5 a Day (Chemo Not Included) might have noticed the following part:

This stupid hospital gown is riding up my ass. I try to pull it down and it snaps right back up like a window shade. I cross my legs and suddenly I’m Sharon Stone.

When using comparison it is crucial that you use situations that are generally known or popular. Like Robert did with Sharon’s famous scene in Basic Instinct.

Writers are used to using comparisons and metaphors in various styles so this shouldn’t be a difficult challenge.

Just think through what depicts the situation that you want to describe. Is it painful, sexual, embarrassing? Then brainstorm and wait until something valuable comes to your mind. It should just come instinctively.

3. Get playful with words

Jazz up your writing with simple word twisting or word tweaks. Whether you want to use the already existing ones or make something up, it is up to you. The choices are endless.

For example, what do you find to be funnier skedaddle or hurry? A promiscuous man or a mimbo?

Using simple but funny words will give a humorous tone to seemingly ordinary sentences.

You can even make some of your own word combinations. Go wild and come up with new words that can add that something extra to your writing. Who knows, maybe it will even end up in a dictionary one day. Dare to dream!

4. Go big or go home

A little exaggeration can’t hurt anyone, can it? This has always been a popular technique among comics and humor writers and for a good reason.

There are writers who base their work on exaggeration. Just look at the work of Dave Barry, a Pulitzer Prize winner for humor writing. He is the master of exaggeration, but don’t take my word for it. Let his work speak for himself:

  • Eugene is located in western Oregon, approximately 278 billion miles from anything.
  • I have been a gigantic Rolling Stones fan since approximately the Spanish-American War.
  • If you were to open up a baby’s head – and I am not for a moment suggesting that you should – you would find nothing but an enormous drool gland.
  • It is a well-documented fact that guys will not ask for directions. This is a biological thing. This is why it takes several million sperm cells … to locate a female egg, despite the fact that the egg is, relative to them, the size of Wisconsin.

Is this enough to convince you?

5. Get down to details

Besides helping the readers to really picture what you are describing, including all the small details can sprinkle some humor on any situation.

Think about these two examples:

  • She was holding an old, rag doll.
  • She was holding what seemed to be an old, rag doll. However, it was more like a yellow ball of fabric with two black-ish patches for the eyes and a crooked smile (maybe it had a stroke, who am I to judge).

The more details you give, the scene will look more absurd and comical. Really picture all the little things that make that specific thing what it is.

I’m not saying that generalization can’t be funny, but when you really get down to specifics that is when things get spicy.

Joke ahead!

Hopefully, the above-mentioned tips have given you some inspiration and ideas on how to add that humorous effect to your writing.

It is up to you in which direction you will go, but as long as you don’t hold back, I’m sure that you will manage to create something great and worthy of every laugh.

What’s the funniest piece you ever wrote? Is it published on a website or on your blog? If so, link to it and share it with us in the comments below!

By Bryan Hutchinson

Source: positivewriter.com

Visit us at First Edition Design Publishing

How to Unleash the Writing Genius Inside You

The biggest enemy any writer faces is one’s self and often appears as writer’s block.

If left untreated, it can be devastating to your output and your writing career. Nobody wants that, so let’s solve this problem!

Maybe you’ve heard of writers who get up every morning and put paws to the keyboard for an hour or two before breakfast. These are the people who churn out three or four novels a year like it was nothing (it’s not, of course). If you’re not doing the same, your gut reaction is likely to be jealous – crazy jealous.

How do they do that anyway? Do they add a magic potion to their morning coffee? Do the writing gods live in the spare bedroom of these high producers? Are they directly related to King Midas so every book they publish turns to gold?

It’s an entertaining notion to think successful people are born with innate talent that you don’t have. That lets you off the hook and justifies your complaining.

But it doesn’t get your book written.

If you suffer from any kind of writer’s block, you know all too well it’s a real thing. Sometimes it feels like a writer’s wall that is so high all the ideas on the other side are trapped there, forever out of your reach.

Unleash the genius one block at a time

Writer’s block doesn’t have to be forever.

Seth Godin makes the bold assertion that he never has writer’s block. To him, writing is another form of talking, and he is never at a loss for words.

If you’re an introvert, that might not comfort you much.

The truth is, words are readily available. You just have to reach out and grab them. The Muse loves the chase, and you can’t catch her by complaining about not being able to catch her.

In this post, you’ll learn how to hunt her down and make her do your bidding.

First, let’s identify the common blocks we writers face every time we sit at our desks.

Perfectionism. “If it’s not perfect, it’s not worth doing,” you might say to yourself.

Really? What is “perfect” anyway? Compared to what?

Everybody’s definition of perfect is different.

Aim to be effective instead.

Procrastination. “I’ll get started writing the moment this episode of Game of Thrones is over.” Or right after you unload the dryer. Or as soon as you wake up tomorrow.

The longer you wait, the easier it is not to start at all.

When you finish reading this post, you’ll face every blank page with confidence.

Fear. Someone might criticize you. Someone else might leave a nasty comment. Or worse, nobody will read your work at all.

Fear makes you freeze. Breathing is hard, and thinking becomes impossible. Except for worst case scenarios. Amazingly, you can come up with an endless supply of those.

What if you could blast past all your fears and tap into the writing genius inside you? What would that do for your production? Your confidence? How would the quality of your writing improve?

Forget about fear for 30 minutes a day

When we don’t want to do something, we do something else.

The dishes are piled up in the sink. But it’s been a long day and you’re tired. So you watch an episode or two of Black Mirror on Netflix. After that, you’ll feel more like dealing with the dirty dishes.

But you fall asleep on the couch instead.

What if you just went into the kitchen right after dinner and loaded the dishwasher before you plop onto the couch? Sure, it’s not fun dealing with the dishes. But it won’t be later either. Just get it over with.

When you’re done, you can rest in peace.

Dorothea Brande taught writers to get up and spend the first 30 minutes of the day writing “as fast as you can.” She gave that advice in 1934 and it as sound today as it was then.

Why did she recommend writers do this?

Because for those 30 minutes, you’re focusing on writing and nothing else. You’re ignoring everything in the universe besides putting words on paper. Call it freewriting, a stream of consciousness, a brain dump, or whatever you want.

How to make freewriting work for you today

It might sound crazy to have rules for “free” writing. But there are a few important ones.

And don’t worry, they won’t hamper your creativity at all.

First, set a timer. It can be for 5 minutes or 5 hours. You choose. If you’re just starting out, 5-10 minutes is plenty of time.

You might want to use the first 5 minutes to warm up your writing muscles. You can write about anything you want:

  • What you dreamed about last night.
  • The weather yesterday, today, or tomorrow.
  • How sleepy you still feel.
  • How stupid this seems.
  • How much you enjoyed watching Black Mirror last night.

The point is you’ll be putting words on paper. Set the timer again for 10 or 20 minutes and you can get more focused. Start with a prompt and write whatever comes to mind about it.

Second, don’t edit as you go. Please. You’ll be using both sides of your brain at once. That’s like drawing a picture, and erasing it at the same time.

The main reason you don’t want to edit while you write is that you risk wiping the flavor out of it. Try this instead. Write for 30 minutes or an hour. Take a break. Go walk. Load the dishwasher. Watch an episode of Breaking Bad. After you’ve put some space between you and your writing, then come back with a less critical eye.

Maybe you can even pretend your best friend wrote it.

Third, make sure you’re totally isolated when you write. Turn off the internet. Don’t answer the phone. Turn off the TV. Let your loved ones know not to bother you because it’s “writing time.”

If you need noise, listen to your favorite music. Just make sure it puts you into a peak state so you write something awesome.

When the timer stops, you have to stop, too.

If you can’t, I say keep going until you exhaust your idea mill.

If there’s one rule you can break, this is it.

Fourth, set a time limit for editing, too. Why edit forever? The more you slice away, the blander your writing becomes. Decide what you want to achieve and edit for that. Leave the spice in.

Proofreading doesn’t count as editing. Of course, you should do that, too. Fix the typos and read your work aloud. Does it sound human and conversational?

Perfect.

And I mean perfect by anyone’s standard.

Especially the reader’s.

In the end, the reader’s opinion is the most important one.

Now go pour out your soul on paper

We don’t want another “me, too” writer. We want you at your gloriously imperfect best. Entertain us with your wit. Dazzle us with your insights. Be bold in your creativity and share the story only you can tell.

If you’re not freewriting already, today is the day to begin.

If you are, share your experience in the comments. Pass this post to your friends who struggle with writer’s block. Let’s start a movement of creative geniuses changing the world with their words!

By Frank McKinley

Source: positivewriter.com

Visit us at First Edition Design Publishing

Stay Thirsty

I love a good ad campaign.

When I started running a small publishing business years ago, I had to teach myself advertising and marketing. I read some classics on the subject, such as How to Write a Good Advertisement by Victor O. Schwab and Tested Advertising Methods by John Caples.

My favorite, though, was Ogilvy on Advertising by the legendary ad man David Ogilvy. This volume made me appreciate what goes into successful ads, and just how hard they are to pull off. It also made me realize that some of the same elements of a good ad can be applied to our stories.

One of my favorite campaigns was “The most interesting man in the world” commercials for Dos Equis beer.

A typical spot featured “vintage film” of this man in various pursuits, while a narrator recited a few facts about him. A few of my favorites:

• He lives vicariously through himself.

• He once had an awkward moment, just to see how it feels.

• The police often question him, just because they find him interesting.

• He once taught a German shepherd to bark in Spanish.

• When he drives a car off the lot, its price increases in value.

• Superman has pajamas with his logo.

At the end of the commercial we’d see him—now a handsome, older man—sitting in a bar with admiring young people at his elbow. He would look into the camera and say, in a slight Spanish accent, “I don’t always drink beer, but when I do I prefer Dos Equis.”

And then, at the end of each ad, comes the man’s signature sign off: “Stay thirsty, my friends.”

What was so good about this campaign?

It was risky. Having a graying man as the lead character in a beer ad was, as they say, counter programming.

It was funny without trying too hard. The understated way the deep-voiced narrator extolled the man’s legend was pitch perfect.

It had a complete backstory, revealed a little at a time in the mock film clips.

These are qualities of a good novel, too: risky, in that it doesn’t repeat the same old; a bit of unforced humor is always welcome; and its backstory renders characters real and complex without slowing down the narrative. All that we can learn from “the most interesting man in the world” campaign.

And from the man himself we can learn, as writers, to live life expansively and not just lollygag through our existence. Not waiting for inspiration but going after it, as Jack London once said, “with a club.” Believing, with Jack Kerouac, in the “holy contour of life.”

We ought to be seekers as well as storytellers, a little mad sometimes, risking the pity and scorn of our fellows as we pursue the artistic vision. Then we park ourselves at the keyboard and strive to get it down on the page. Why go through it all? Because the world needs dreams rendered in words.

Writer, keep after it and someday this may be said of you as well: “His charisma can be seen from space. Even his enemies list him as their emergency contact number.”

Stay thirsty, my friends.

Source: writershelpingwriters.net

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