Tag Archives: on writing

31 Writing Prompts For August 2019

Writers Write is a resource for writers. Use these writing prompts for August 2019 to get you writing.

If you want to know how to make the best use your prompts, we suggest you read: All About Writing Prompts & Writing Practice

A prompt can be anything: a word, a song title, a name, a myth, a photograph, or a quotation.

We hope our 31 prompts for August 2019 inspire you to start a writing routine.

Writing Prompts Aug 2019

By Mia Botha

Source: writerswrite.co.za

Visit us at First Edition Design Publishing

 

How to Be the CEO of Your Life

Photos by Megan Tsang Hand

May 24, 2019, was my last day as a high school English teacher. Last week I gave myself a bit of a vacation as my husband and I spent time visiting his family and friends in Virginia and lounging at the beach. So I consider today, June 3, 2019, my first day of work as my own boss.

Related Reading: So…I quit my job!

I’ve dreamt of being an entrepreneur since before I was old enough to correctly pronounce the word. But juggling my writing business with my teaching career for all these years has taught me that whether you are self-employed or not you do have the power to be the CEO of your life. And if I don’t hold on to those lessons that I’ve learned I won’t truly live the life of an unbossed woman even as a full-time freelancer and entrepreneur as I could easily run myself ragged trying to meet deadlines and care for clients. So let’s discuss how we can all truly live like a boss.

Know thyself.

First and foremost, I’ve learned that to be the CEO of your own life you have to know yourself. Alyssa Mastromonaco agrees with me. Alyssa has worked for Bernie Sanders, John Kerry, and President Barack Obama and in the June issue of InStyle magazine, she offers advice on how to be your own chief of staff. She says, for starters, you must ask yourself some essential questions:

When do you function best? Are you cool as a cucumber or prone to bouts of anxiety? What are your priorities? Are you goal-oriented? How do you keep track of impending tasks? How do you fuel yourself? Do you need to eat healthy? Sleep a lot? Work out?

I know I function best early in the morning. That’s why I’ve spent the past several years getting up at 4 a.m. That’s how I managed to freelance for several publications, blog, and run See Jane Write while also teaching full time.  That’s why I will continue to be an early riser even now that I’m self-employed.

Maybe you work best in the morning, too. If so, you’re going to have to put your big girl panties on and set that alarm for an hour earlier so you can work on your writing before you head to your day job. If you work better late at night, turn off the TV and get to work.

If you’re as cool as a cucumber I salute you. I envy you a bit, too. I have wrestled with overwhelming bouts of anxiety since I was a child, anxiety that can send me into full-blown panic attacks, anxiety that could easily keep me from getting things done. But I see my therapist regularly and I plan, plan, plan. I know that having a plan for my day, my week, and even my month calms me.

I fuel myself with prayer, exercise, and quality time with my husband and my closest friends. So when I skip my morning quiet time or my daily workouts or go weeks without a date night or girl time I start feeling like my whole world is crashing around me. Therefore, I must make these things a priority.

Alyssa Mastromonaco’s book So Here’s the Thing is out now and is definitely on my TBR list.

Be a goal digger.

If you want to be an unbossed woman, if you want to be the CEO of your life you also need goals and a plan for achieving them.

To set my goals for June I first reviewed my goals for the year. What things do I need to do this month to move closer to achieving my 2019 goals? And what goal will be my top priority?

My #1 goal for the year was to quit my day job, which I’ve done. But to make sure I don’t regret this decision I need to keep growing my business. So my top priority for this month is to increase my monthly recurring revenue by $1,000.

Another goal for the year is to write for 10 of my favorite publications. So this month I will send pitches to two of my favorite media outlets.

I want to reach 10,000 followers on Instagram this year, so I’d like to increase my IG following by 1,000 this month.

Because I want to go to Dubai at the end of the year, I need to renew my passport this month.

And to help with my goal of losing 40 pounds I plan to walk/run 100 miles this month as I do every June.

Other plans for the month include three speaking engagements and booking a venue for my husband’s 40th birthday party. I also want to read Elaine Welteroth’s forthcoming book More Than Enough and see her speak in Atlanta.

So, let’s review…

June 2019 Goals & Plans

GOALS

#1 Priority: Increase my monthly recurring revenue by $1,000

Send pitches to two of my favorite media outlets

Increase my Instagram following by 1,000

PLANS

Renew my passport

Book venue for Edd’s 40th birthday party

Speak at the Southern Christian Writer’s Conference, The Women’s Network June meeting and the American Advertising Federation Montgomery June meeting

Read More Than Enough by Elaine Welteroth

See Elaine Welteroth speak in Atlanta

What are your goals and plans for June? What changes will you make this month to be the CEO of your life?

Source: seejanewritebham.com

Visit us at First Edition Design Publishing

M MacKinnon on How to Write Paranormal Fiction

Writing fiction with paranormal elements can be tricky, especially in a modern setting. You want your readers to suspend their disbelief and just go with the story. You don’t want them to roll their eyes because the concept of your paranormal world is too far-fetched. Today we’re talking with paranormal romance writer M MacKinnon to get her take on writing paranormal fiction.

How to Write Paranormal Fiction

Paranormal elements in a story should be necessary and seem natural within the confines of the setting and plot. The paranormal should fit in because it feels right and makes sense for the plot of the story, not because you’re trying to jump on a popular trend.

Paranormal fiction is a genre I fell in love with at a young age, so I was super excited to talk with this month’s interviewee to discuss how she developed her paranormal romance series, The Highland Spirits Series.

M MacKinnon is the author of The Comyn’s Curse, a paranormal romance set in Scotland. She began her writing career with Downton Abbey fanfiction. Eventually, she found The Write Practice and completed the first draft of her novel in our 100 Day Book course last year. The Comyn’s Curse is out in select bookstores and online merchants as of today.

You can get in touch with M MacKinnon via her website (where she offers a free short story for signing up for her email list), Facebook, or Twitter.

Now let’s dive into MacKinnon’s paranormal world!

Congratulations on the release of your first novel, The Comyn’s Curse! Tell me a little about the book and the series it opens.

I had no idea what paranormal romance is. After my first stay (a month) in Inverness, Scotland, I came home with a driving urge to write something about the magic of the Scottish Highlands. I did some research on legends and found the legend of the handless ghost who is said to haunt Rait Castle, near Nairn.

Something about the one paragraph synopsis (it was all I could find anywhere) called to me, and I became quite irate on behalf of the ghost. She had no name and in some tales wasn’t even a woman! So I decided to write her story, give her a name and a romance, and draw a parallel between the woman who had lived and died in 1442 and a fictional American girl from New Jersey, who is her descendant.

The book is my love affair with Scotland, its history and mysteries.

Part way through the plotting of The Comyn’s Curse, I knew that there would have to be more—the story just had to continue. So I decided to make it a trilogy and dedicate the next two novels to Aubrey’s two best friends who had supported her through her travails.

The second features her friend Kate, a police detective, and the third is about her friend Colleen, a nurse. Each will have a real legend from the past, each will involve the girls traveling to Scotland and finding love in the Highlands, and each will have a mystery and danger beyond the ghost story. The Piper’s Warning, Kate’s story, is in second-draft phase, and The Healer’s Legacy, Colleen’s tale, is plotted and about three chapters in.

I’m glad I made the decision, because I love my characters, including my ghosts, and I want to do right by them.

The novel takes place primarily in Scotland. I know you visited the country to do research. Can you talk about your research process a bit?

I really didn’t start my research until I came home, because the idea for the story didn’t come until then, but I was able to incorporate a lot of information gleaned as a tourist and quite a bit from the books I bought while there. I’m a huge history nut, and I tend to haunt bookstores. (See what I did there?)

My research on Rait, a ruined hall castle outside Nairn, came about first through a Facebook group called “Save Rait Castle”. When we went back last August for our second visit, I went first to the members of that group, who are passionate about the preservation of what’s left of the castle, and asked if anyone would be willing to guide my husband and me on a pilgrimage to the castle.

We met a wonderful Scottish gentleman named Victor Cameron, who has an acknowledgment in the book, got to know him, and spent an amazing day touring the castle I had written about for almost four months! A truly emotional experience. In fact, I stood in the doorway of the castle and cried.

If you couldn’t have visited, how would you have gone about researching?

I would have had to rely on the library and my bookstores, as well as social media sites like the one I found. I probably wouldn’t have written a book based in Scotland, though, if I hadn’t been there to experience its magic.

The Comyn’s Curse is a paranormal romance novel that has a backdrop containing real places and current events. How do you weave paranormal elements into a modern story? What techniques do you use to walk that fine line between a reader’s suspended disbelief and being too far-fetched?

Well, I knew I needed to have a modern romance in order to make the story click, and I wanted to make the life (or afterlife) of my ghost a bit more pleasant than history did, so I decided to create a parallel between the two main characters in the book, with Aubrey, my protagonist, unknowingly being the descendant of the Rait Castle ghost. The curse was created in order to give a reason for the ghost to be hanging around, with Aubrey being the solution she has sought for almost seven hundred years.

I had both my modern protagonist and her ultimate love interest come together in a purely normal way, but then find that each was descended from one of the lovers of the past. The paths of both couples intersected at key points in the book.

What made you decide to include paranormal elements in this story? Did you want to go in that direction from the start?

Yes, the story started with the real legend of the ghost with no hands. I couldn’t find any more than a paragraph on her, anywhere, but something about her fate called to me and I felt I had to give her a better life (or afterlife) than she had received in that one paragraph.

Even the castle is forgotten by many Scots who live very near it; they’d never heard of Rait Castle in the book store at the local Inverness mall! It just seemed wrong. I’ve righted history, and I think the ghost is very grateful.

Do you like to stay within paranormal canon, or make up your own ‘rules’ for your paranormal elements?

Well, funny you should ask! The first (and only!) time I pitched the book was to a young agent who told me that she didn’t think my book was paranormal romance at all, and she should know because she dealt primarily with that genre.

I was fairly devastated because I suddenly felt “genre-less,” but other authors told me to stick with my own thoughts on my own story, and fortunately I did. I was somewhat relieved to see in the Kirkus review that my work was a “pleasing cross-genre novel” that had “something for everyone.”  It explained a lot.

That’s tough to hear that from an agent. Did you think of cutting the paranormal elements to make it “fit” better in a genre?

No, I was never going to give up my ghost! I just felt that it was my fault that I hadn’t sold the concept in a pitch which lasted five minutes. The whole idea of trying to sell a book which includes history, romance, ghosts, and conspiracy in a few minutes was daunting, and frankly, I thought it was ridiculous.

What I did think about was how to find the genre in which the story fit best, and as I said to that agent, “well, it has ghosts, and romance, doesn’t it? How can that not be paranormal?”

She had no answer, which was fine with me.

Is there anything about writing the paranormal that was more difficult than sticking to reality?

No, since the paranormal part of the story was actually real history, that was the easiest part. Making it fit the modern era was a bit more difficult, but as soon as I met Aubrey, my protagonist, everything fell into place. It just seemed right.

You also have some espionage and mystery thrown in there. Can you talk about your plotting process?

I decided fairly early in the plotting that I would have not only the parallel stories of the past and present romances, but a mystery as well, because . . . well, I love mysteries. So I researched Brexit and invented a villain who was conspiring to undermine the new surge toward a second referendum for Scottish independence in the wake of Brexit.

I decided to structure the novel into “books” or parts, each beginning with a short piece from 1442, then two modern chapters, a modern “conspiracy” chapter from the POV [point of view] of the antagonist, and then two more modern chapters. The three stories parallel each other until the end, when they all come together in a climactic series of events.

What’s one thing you’ve struggled with in your writing and how did you overcome it?

I think the main struggles have been with the mechanics faced by beginning authors, such as head-hopping, show don’t tell, and over-use of proper English. (I was an English major, and the idea of not using semicolons when two independent clauses are put together was very difficult to overcome at first!)

I also tend to edit as I go, rather than just writing and then going back to it later, which can cause thesaurus headaches and insomnia as I lie there rewriting in the darkness, but I’m not sure that’s such a bad thing. I suspect it’s just my style.

Any other advice you’d like to give aspiring writers out there?

Any chance you have to join a writer’s group like The Write Practice, any courses like 100 Day Book or NaNoWriMo, DO IT! Don’t let anyone tell you that you don’t have it in you, or that your story shouldn’t be told. Find a good editor and be accepting of his/her advice—there’s a reason they’re in that business.

My most fervent advice is to find other authors and share, critique and allow yourself to be critiqued. The more you help others with their writing, the more they’ll invest in yours, and everybody wins! I’ve made some amazing friends doing this, and I don’t think I’d be looking at the launch of my first novel in a three book series without them.

What’s next for you?

After the launch of The Comyn’s Curse, I’ll refine and submit The Piper’s Warning, probably this summer. While that is going on I’ll dive back in head first to The Healer’s Legacy.

I have a YA fantasy novel, Slither, which is five chapters in and waiting patiently on the shelf for this Scottish stuff to be finished (I haven’t the heart to tell those characters that it may never be finished), and I fully intend to get back to that at some point.

I do think that fantasy and paranormal romance are my forte, but I’ll be staying in that genre, but I love mystery and may someday write a thriller too. Who knows? It’s part of the joy of writing, isn’t it?

Your Turn to Write Paranormal Fiction

Not sure where to start writing paranormal fiction? Try taking an obscure legend or myth and turning it into the basis for your next story. Be sure to make the paranormal elements necessary to the story, so that without them, it couldn’t work as it does.

Who knows—your paranormal story might just send you traveling the world!

M MacKinnon would like to thank Meghan McKeever of New York Book Editors and DartFrog Books for their support in getting her work into readers’ hands. The Comyn’s Curse is available now on Kindle and in paperback. And stay tuned for the remaining books in the series!

How do you keep paranormal fiction elements “realistic” enough for your readers? Let me know in the comments!

By Sarah Gribble

Source: thewritepractice.com

Visit us at First Edition Design Publishing

10 Reasons Why You Should be Proud to be a Writer

Sometimes I compare my job as a writer to his and I wonder if I’m bringing enough value to the world and helping enough people.

Genevieve Parker-Hill

The above quote comes from a wonderful post called Write the Book, Save the World.

In the post Genevieve wonders why she should be proud to be a writer when her husband who works with a large nonprofit organization seems to be bringing so much more value to the world?

Here at WritetoDone we believe every single writer matters. As Genevieve says:

what if your work helped just one person? What if your work connected with one person and colored their life with joy for one moment? What if it gave just one person a powerful connective experience, a sense that they aren’t alone?

Below are 10 reasons why you should be proud to be a writer in the real world, because in the real world, writing, and writers, really matter.

proud-to-be-a-writer

Let me know in the comments below why YOU are proud to be a writer.

Source: writetodone.com

Visit us at First Edition Design Publishing

36 Tips for Writing Just About Anything

There’s a lot more to writing than typing words.

Writing well takes years of study, practice, and experience. It requires diligence, attention to detail, and dedication to the craft. Each project has a unique set of requirements and different types of writing have different rules.

For example, when we’re writing fiction, we have one set of concerns (character, plot, and setting, to name a few), and when we’re writing poetry, we have en entirely different set of issues to deal with.

Writing becomes natural with practice, but there are countless elements to deal with in any given project.

Tips for Writing

Here are thirty-six tips for writing just about anything. You can use this as a checklist when you start a new writing project and refer back to it whenever you get stuck. However, keep in mind that these tips don’t address the specifics of fiction, poetry, or nonfiction; they’re general tips for writing anything rather than specific tips for form and genre.

  1. Start with a plan. To reach a destination, you must know where you’re going. We can freewrite in our journals and jot down ideas on scraps of paper, but bigger projects will go more smoothly if there’s a plan in place.
  2. Be prepared. What do you need in order to complete this project? Set up a space and schedule time to work on the project. Gather any supplies, materials, and resources you’ll need.
  3. Eliminate distractions. It’s impossible to write if you’re interrupted or distracted every few minutes. Turn off your phone, close your browser, and let others know you’re working.
  4. Know your audience. This is one of the most common tips for writing, and while it’s not mandatory, it means less revising once you’ve completed your first draft. Are you turning in this piece to an instructor? Submitting it to a magazine? Self-publishing? Who will read it?
  5. Be familiar with your genre. Sci-fi fans don’t want to read a book written by someone who’s never read any sci-fi books. If you don’t know your genre, you can’t possibly know your audience. Besides, if you don’t read a particular genre, why would you want to write it?
  6. Choose a style guide. There’s one style guide for journalism, one for medical writing, and another for everything else. If you’re submitting this project to a target publication or an agent (or if you’re self-publishing it), make sure you know which style guide you should follow.
  7. Brainstorm and outline. Nothing ruins a good writing session like realizing you have no idea what you’re trying to accomplish. Take a few minutes to jot down all ideas related to the project, and then spend some time drawing up an outline. You don’t have to follow it to the letter, but it will come in handy as a kind of road map.
  8. Conduct credible research. Most writing projects require some research. Whether you need the population of a city or the distance to another planet, check your facts and make sure your logic lines up. Also, make sure your sources are credible.
  9. Take breaks and stay healthy. If you’re writing for long periods, take a ten-minute break every hour. If you’re working on a long-term project, make sure you stay healthy by eating nutritious foods and getting plenty of exercise. It might take time away from your writing, but it will also make your writing better.
  10. Don’t procrastinate, and reward yourself when you reach goals. Writing requires a tremendous amount of discipline. It’s easy to procrastinate if there isn’t a boss hovering over your shoulder and pointing at the clock. Establish milestones for your project and reward yourself whenever you reach one.
  11. Stay inspired. Passion ebbs and flows, and so do ideas. But you can keep yourself motivated by figuring out what inspires you and regularly imbibing in it. Maybe books on the craft of writing keep you excited about your project. Reading or watching movies in your genre might help you stay motivated and inspired.
  12. Think about voice. In writing, voice is the tone of a piece — the author’s unique style. A children’s book shouldn’t sound like it was written by a college professor, and an academic essay shouldn’t sound like it was written by a child. Is your narrative dry, witty, humorous, self-depreciating, or cocky?
  13. Complete a rough draft. While you’re drafting, turn off your inner editor and don’t scrutinize every word or sentence. Let the ideas flow and let the scenes and ideas move forward. You can fix it up later.
  14. Keep it simple: Use clear, concise writing. For some audiences, you might ignore this rule, but keep in mind that the simpler and more accessible your writing is, the more people it will be able to reach.
  15. Use the active voice. Passive voice sounds old-fashioned and outdated. Apply the subject + verb + object construction to your sentences so they are clear and direct.
  16. Use vivid language. Avoid boring, meaningless words (like nice and very) and opt instead for words with pizazz. For example, don’t write very good. Write excellent.
  17. Know when to show and when to tell. The most important parts of a story should be shown. Don’t tell the reader the character was tired if her exhaustion is critical to the plot; show her yawning.
  18. Choose the best possible words. Vivid language helps readers visualize the narrative. You should also choose the most precise, accurate words possible. Don’t say dark red if you mean burgandy.
  19. Let it sit. Once you complete a draft (and after every revision), let your project sit for a while. Short pieces can sit for a few hours. Longer pieces (like a book) may need to sit for a few weeks. Then you can revise with fresh eyes.
  20. Read what you’ve written. Before you revise, save a copy of your original draft and read through the whole thing once. If it’s a book-length manuscript, take notes about major changes that you need to make.
  21. Chop it up. You may need to move large portions of text around. The opening scene might work better at the end. Your thesis statement could be misplaced somewhere in the middle of your paper. Use cut-and-paste with total abandon. Tip: open TextEdit or NotePad in the background and use it to store large chunks of text that you need to move around.
  22. Delete the excess. You may need to delete entire scenes if they are not relevant to the plot. In fact, you may need to delete some of your favorite sentences and paragraphs. Get rid of anything that isn’t essential to the project’s thesis, objective, or plot.
  23. Insert. You may find gaping holes in your draft. Be prepared to add new sentences, paragraphs, even entire chapters.
  24. Rewrite. Depending on how messy your first draft is, you may need to do multiple rewrites. A lot of writers get worn out by this process, but remember — your writing improves with each revision. So dig in and keep rewriting until it feels right.
  25. Edit. Once you have the main structure and concept down, you can edit for detail. This is where you make your sentences clear and concise. Look for grammatical errors, awkward wording, and vague phrasing.
  26. Eliminate unnecessary words. If you can delete a word without affecting the meaning of a sentence, then delete it. Often, articles (a, an, the) can be deleted as can pronouns.
  27. Get rid of the clichés. Better yet, don’t use them in the first place. However, when you’re editing, do your best to weed them out.
  28. Look it up! If you’re not sure about a word’s meaning or spelling, look it up. If you’re not sure whether you’ve structured a sentence correctly or used proper punctuation, look it up. Do not rewrite to get around the rules. Just learn them.
  29. Review the transitions. Each paragraph focuses on a different idea, but each paragraph should also flow naturally from the paragraph that precedes it.
  30. Check for repetition. There’s good repetition and bad repetition. Using the same word or phrase over and over, unnecessarily, is bad. Repeating themes, symbols, and images can be powerful.
  31. Make sure the sentence structures are varied. Sentences should vary in length and structure. Don’t start every sentence with “I” (a common mistake that young and new writers make). Follow long sentences with shorter ones.
  32. Read for flow. After editing, read it again. Does everything make sense? Does the entire thing flow naturally and smoothly? If not, go back and edit some more.
  33. Format your document. Formatting can be done at the beginning or toward the end. I usually format at the beginning, except when writing a long project, like a book, in which case, I wait till the end. Tip: don’t just learn how to format documents; instead, become a master of formatting. For example, if you use Word, learn how to use the Styles feature. You should know how to set spacing, indentations, font face and size, how to align text, and apply bold and italics.
  34. Proofread. No matter how strong your writing skills are, typos will slip past you. When you proofread, you’re looking for basic mistakes and typographical errors. Recommendation: proofread each piece until you can’t find any typos at all.
  35. Get a second opinion. Even though you proofread until you couldn’t find any typos, there are probably a few lingering around. There’s a scientific reason for this, but it doesn’t matter. What does matter is that you get someone else to check your work. If necessary, hire a professional.
  36. Final polish. Ideally, you’ll read through it one last time (after letting it sit again) and you’ll find it squeaky clean. This means it’s done and ready to be served.

And that’s not all…

This list might seem overwhelming, but it covers only the basics. If you’re writing fiction, there is a whole other set of things you need to do. If you’re writing for business or academia, there are additional rules to follow. Remember, there are many considerations for each form and style of writing. That’s why knowing your form and genre is so important.

But these tips for writing are a good start. Not only will they help you write, they’ll help you write well.

Do you have any tips for writing to add to this list? Share any tips that writers can use by leaving a comment, and keep writing!

By Melissa Donovan
Source: writingforward.com

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Do You Need a Creative Writing Degree to Succeed as a Writer?

Young and new writers often ask whether they need a creative writing degree in order to become an author or professional writer.

I’ve seen skilled and talented writers turn down opportunities or refuse to pursue their dreams because they feel their lack of a creative writing degree means they don’t have the credibility necessary to a career in writing.

Meanwhile, plenty of writers with no education, minimal writing skills, and scant experience in reading and writing are self-publishing, freelance writing, and offering copywriting services.

It’s an oft-asked question: Do you need a creative writing degree to succeed as a writer? Is it okay to write and publish a book if you don’t have a degree or if your degree is in something other than English or the language arts?

Before I go further, I should reveal that although I did earn a degree in creative writing, I don’t think a degree is necessary. But there is a caveat to my position on this issue: While I don’t think a degree is necessary, I certainly think it’s helpful. I also think that some writers will have a hard time succeeding without structured study and formal training whereas others are self-disciplined and motivated enough to educate themselves to the extent necessary to establish a successful writing career.

Do You Need a Creative Writing Degree?

First of all, a degree is not necessary to success in many fields, including writing. There are plenty of examples of individuals who became wildly successful and made meaningful contributions without any college degree whatsoever: Bill Gates, Abraham Lincoln, and Walt Disney, to name a few.

In the world of writing, the list of successful authors who did not obtain a degree (let alone a creative writing degree) is vast. Here is a small sampling: Louisa May Alcott, Maya Angelou, Jane Austen, William Blake, Ray Bradbury, Mark Twain (Samuel Clemens), Charles Dickens, Ernest Hemingway, Jack London, Edgar Allen Poe, Beatrix Potter, and JD Salinger.

So you obviously do not need a creative writing degree. After all, some of the greatest writers in history didn’t have a degree. Why should you?

A Creative Writing Degree is Not a Bad Idea

On the other hand, the degree definitely won’t hurt your chances. In fact, it will improve your chances. And if you struggle with writing or self-discipline, then the process of earning a degree will be of great benefit to you.

A college education might indeed be necessary for a particular career, such as a career in law or medicine. In fields of study where a degree is not a requirement, it often prepares you for the work ahead by teaching you specific skills and techniques and by forcing you to become knowledgeable about your field.

However, there is an even greater value in the the process of earning a degree. You become knowledgeable and educated. You learn how to learn, how to work without close supervision, and you are exposed to the wisdom of your instructors as well as the enthusiasm and support of your peers. College is a great environment for development at any age or in any field.

Earning a degree is also a testament to your drive and ability to complete a goal without any kind of immediate reward or gratification. College is not easy. It’s far easier to get a full-time job and buy lots of cool stuff. It’s more fun to spend your nights and weekends hanging out with your friends than staying in and studying. A college degree is, in many ways, a symbol representing your capacity to set out and accomplish a long-term goal.

Know Yourself

If you possess strong writing skills and are somewhat of an autodidact (a person who is self-taught), then you may not need a degree in creative writing. For some such people, a degree is completely unnecessary. On the other hand, if your writing is weak or if you need guidance and would appreciate the help of instructors and peers, maybe you do need a creative writing degree.

If you’re planning on going to college simply because you want to earn a degree and you hope to be a writer someday, you might as well get your degree in creative writing since that’s what you’re passionate about. On the other hand, if you hope to write biographies of famous actors and directors and you already write well, you might be better off studying film (and possibly minoring in creative writing).

You may be the kind of person who needs the validation of a degree. Maybe you’re an excellent writer but you’d feel better putting your work out there if you could back it up (even in your own mind) with that piece of paper that says you have some expertise in this area. Or you might be the kind of person who is confident enough to plunge into the career of a writer without any such validation.

You might find that time and money are barriers to earning a degree. If you have responsibilities that require you to work full time and if you’re raising a family, obtaining a degree might not be in the cards, either in terms of time or money. You might be better off focusing what little free time you have on reading and writing. But there are other options if you’ve got your heart set on a creative writing degree: look for accredited online colleges, find schools that offer night and weekend classes, and open yourself to the idea that you can take ten years rather than four years to complete your higher education.

Finally, some people have a desire to get a degree but they feel they’re too old. I personally think that’s a bunch of hogwash. You’re never too old to learn or obtain any kind of education. When I was just out of high school, I attended a college with many students who were middle-aged and older. I had tremendous respect for them and they brought a lot of wisdom to our classes, which balanced out the youthful inexperience of my other, much younger classmates. I don’t care if you’re eighteen, forty-two, or seventy, if you have a hankering to do something, go do it!

Making Tough Decisions

Ultimately, the decision rests with each of us. Do you need a creative writing degree? Only you can answer that question.

If you’re still not sure, then check with a local school (a community college is a good place to start) and make an appointment with an adviser in the English Department. If you’re in high school, get in touch with your school’s career counselor. Sometimes, these professionals can help you evaluate your own needs to determine which is the best course of action for you. But in the end, make sure whatever decision you make about your education is one that you’ve carefully weighed and are comfortable with.

And whether you earn a degree in creative writing or not, keep writing!

By Melissa Donovan

Sources:

Most Successful People Who Never Went to College
Famous Autodidacts
 

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Writing Sleuths – Pet Detectives

In a recent fiction novel, a neophyte private investigator (PI) grudgingly took on pet cases, from finding an African Helmeted Turtle to looking for her neighbor’s nasty-tempered dog. Tracking down these lost pets provided funny subplots, although a writer could also build a more serious story starring a PI who specializes in finding animals. This article defines the role of a pet detective, their skill set and tools, and techniques writers can apply to develop such a character.

What Is a Pet Detective?

Pet detectives are trained to find (or enhance the chances of finding) lost or missing pets. They use a mix of profiling, search-and-rescue, surveillance, even grief counseling techniques. They often use high-tech tools, from night-vision binoculars to motion-activated surveillance cameras. Their strategies have reunited thousands of lost pets with their human companions. There are even professional organizations, such as Pet Hunters International and Pet Detective University, that train PIs to become certified pet detectives.

Bloodhounds and other dogs can also be trained to assist pet PIs. Just as trailing dogs like German Shepherds, bloodhounds, and Border Collies can follow a human scent, they can also follow the scent of a pet from something like the cat’s bed or a dog’s favorite chew toy. Also, some search dogs are trained to detect specific animals, such as cats, while others
serve to attract other canines.

Tips for Writing a Pet Detective

If you’re writing a story with a sleuth who finds lost pets, think about the following questions:

  • Does he/she own a search dog?
  • What tools does your pet PI use? For example, night-vision binoculars, motion-activated surveillance cameras, a bionic ear to amplify sounds?
  • In real-life, a pet PI can make a lucrative living, from set fees of $300 to $1,000 a day. Does your character charge similarly? If so, his/her lifestyle will reflect a high income (unless they’re not very good with money or they have other financial obligations).
  • What investigative traits does your fictional pet PI use? As with other PIs, they might rely on their reasoning, analysis of physical evidence, interview and interrogation, and surveillance techniques to recover lost pets.
  • Where did your fictional pet PI learn about animal behavior-for example, in college, in a veterinarian’s office, or while growing up on a farm?

There’s one last point about writing a pet detective: he/she probably has a big heart. After all, animals possess all that is best in humans.

About the Author:

Colleen Collins-Kaufman is a professional PI and multi-published author. She and her business partner also teach online classes for writers developing sleuths and detective fiction. For more information, go to http://www.writingprivateinvestigators.com

Source: freelancewriting.com

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The Satisfaction of Excellence: The Growth Mindset for Writers

If someone had asked me in my early days as a book coach what quality was most critical to a writer’s success, I would have said perseverance. It was the thing that most obviously separated the writers who made it from those who didn’t. After all, in order to succeed, you have to finish, and in order to finish, you have to stick with it, day after day, month after month, year after year, whether the writing is going well or not. Perseverance trumps procrastination and doubt – the two things that tend to derail a great many writers.

While I still consider perseverance to be paramount, another quality has risen to the top of my list of qualities critical to a writer’s success: the ability to receive feedback.

In my early interactions with a potential client, I can tell what their general stance is on feedback. They fall somewhere on the spectrum from closed and defensive on the one side and open and willing to learn on the other.

CLOSED/DEFENSIVE OPEN/WILLING TO LEARN

Someone who is closed and defensive thinks they already know it all. They are hyper protective of their idea and their vision and if they seek help at all, it is under the guise of wanting confirmation that what they have written is already great. They don’t really want feedback; they want a quick “win.”

But winning is not a place you arrive; it’s a way you behave. And the most successful writers behave with a growth mindset.

That’s the term coined years ago by Dr. Carol Dweck, a Stanford professor of psychology and author of the book, Mindset. A growth mindset is the opposite from a fixed mindset. It means you are flexible and open, always willing to learn:

“The passion for stretching yourself and sticking to it, even (or especially) when it’s not going well, is the hallmark of the growth mindset. This is the mindset that allows people to thrive during some of the most challenging times in their lives.”

Here’s what a growth mindset tends to look like in writers:

  • The writer is open to improving. They are not afraid to look at their skills and to assess them. They acknowledge the areas where they could be better. They welcome honest feedback.
  • The writer is willing to learn. They read in their genre to see how writers they admire approach a character or a scene or a structural element. They read books and blogs about writing to learn from wise teachers. They go to lectures, partner with other ambitious writers, seek out a coach to help them get strong.
  • The writer wants to know how their work impacts their readers. They want the outcome to be effective and make an impact. They consider the end-goal of the work, not just how it makes them feel as they write.
  • The writer works hard to bring their vision to life, focusing on the work and not on external measures of success. One of my clients recently finished a draft of a novel; it is her second, and her first did not sell. She was starting to feel closed and fearful about the new book, until she recognized that feeling, and made a switch. She began to focus on what she calls “the satisfaction of excellence.” The satisfaction of excellence has nothing to do with landing an agent, getting a big book deal, or making a lot of money. It has to do with mastering the craft.
  • They are grateful for the chance to write, the time to write, the space to write. They are grateful for the people who support them and for their readers, no matter how small or large the number.

Good writing takes a very long time to develop – 10,000 hours spent trying to spin a tale or an argument, trying to find your voice. Having a growth mindset means that you don’t just sit alone during those 10,000 hours, banging away and ignoring the rest of the world. You seek to get better every time you write. You seek the satisfaction of excellence.

By Writing Coach
Source: writershelpingwriters.net

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Why a Serial Might Be a Good Move for Your Writing

Most of us are aware that there’s a strong audience for serial fiction out there. It’s not new. Serial fiction was published in newspapers in the Victorian age, in magazines, and consumed regularly on radio and television. Any series that has a continuing story is, in essence, serial. And the written word serial is gaining ground these days. Some of those authors are famous, some brand new, some indie, some trad-published, and some hybrids. Essentially, authors across the board have jumped on this stage.

If you’ve seen any of the serial outlets, like Serial Box, Wattpad, and Tapas, then you know that there are a range of authors out there supplying this niche with ever new stories.

(Here’s a great article from Den of Geek about some of the best serials out there.)

There are different platforms for this sort of fiction, as well. I’m going to break it into three big divisions: paid, free, and self-hosted.

Paid those big heavy-hitters like Serial Box (Born to the Blade and Tremontaine, for example), Belgravia, and Bookshots (James Patterson’s production). In these, the authors (or groups of authors) are paid for their regular segments.

The next layer down is the sites hosted by a third party, such as Wattpad, Tapas, or Radish. These allow writers of all stripe to post pieces of their fiction, and often allow readers to interact with them (which can be good or stressful.)

There is also the option of hosting your own serial, via a personal web-site or blog. (A good example of this in the Innkeeper Chronicles by Illona Andrews.) I have friends who are on Serial Box and Wattpad, but most of my experience comes from running serials of my own. I currently have three running. Yes, three… and it’s awesome.

First, let me talk about the three I’m doing.

The first of my serials is for my Patreon. Once a month I post a segment from a book that I’m working on (The Truth Undiscovered), usually a chapter of about 3000 words. To keep this one limited to my Patrons, I password protect the pages on my website, and forward the password to my Patrons. The second serial is from a completely different book (In Dreaming Bound) that I’m working on but is posted on my Patreon blog FREE every month, so that anyone who wants to follow that can do so. And the third serial (The Black Queen) is hosted free on my website.

Although I do receive funding via my Patreon serial, I am unpaid for the other two. So why would I do that? Why give away my work for free?

Well, since I started doing this serial work (back in 2016), I’ve had time to analyze what value it has to me. And I have some strong reasons to continue doing it.

1. The serials challenge me to produce regularly.

In the time that I’ve been doing serials, I’ve managed to get the Patreon out on time every month. This means often setting aside my other WIP and digging in for a couple of days to produce and edit those 3000 words, but the fact that my patrons are waiting for it keeps me working. To a lesser extent, the free serials keep me bustling, too. I’ve been publishing two chapters a week on The Black Queen, and that means I have to be sure they’re ready to go up. (Now, these are drafts and will be edited again later, but I do try to get them into readable states before hitting “Publish”.)

2. The serials allow me to connect with readers from different ‘worlds’.

The Patreon series is related to my Golden City novels (a prequel), the Patreon freebie is the sequel to my Dreaming Death novel, and the online freebie is the next book in the King’s Daughter series, following The Amiestrin Gambit and The Passing of Pawns—both of which were also serialized. This keeps me actively engaged with different worlds I’ve created, and with those readers who liked each one.

3. The serials allow me to experiment a little.

Now some people who write serials plot and outline, but others don’t. My two free serials are plotted out, but my Patreon series has been pantsed from one end to the other. It was a choice I made up front—to try something different—and I’ve enjoyed that a great deal. And it’s taught me a lot about chapter structure and planning that I can use in the future. I’m learning some craft in doing this.

4. I get to connect with new readers.

Although my readers don’t often communicate directly with me (as is common on a platform like Wattpad), I do get input. On my webpage, I get to see when the regulars check in on the weekend…there’s Poland, there’s Norway, there’s Germany, there’s UK and Singapore…. I recognize those hits, and I know they’re coming back every week to read.

5. I get to publish my serials as books when I’m done.

Back when I first started my Patreon, I wrote a serial novella for that called “After the War”. It took about seven months to get all the chapters up, but this is the one that hooked me on serial writing. Once it was complete, I edited the manuscript, sent it off to my editor/formatter, and got my illustrator to make a cover. And then I had a book, a nice resolution at the end of the cycle.

But surely there are some downsides, right? Yes, of course there are. Here are some of the things that can crop up.

1. A serial, when published as an entire product, can have overall pacing issues.

There may be chapters that are slower than others. (Have you had a beloved TV series with those two or three episodes per season that you never re-watch?) And when you’re writing in serial fashion (particularly in monthly installments rather than weekly) it’s easy to miss those.

2.  Continuity can be a bug-bear, particularly on the once-a-month schedule.

If you have gaps between writing sections, you may forget a description, a person’s name, and what day of the week it is. For my serials, I usually put the date and location at the top of each chapter (I don’t necessarily include those in the final product, though.) I keep a running Cast of Characters, and when I’m worried, I’ll go back and reread pertinent passages. It’s easy to make a mistake when you’re switching between WIPs.

3. Sometimes life knocks you off schedule.

When my dog had surgery recently, I ran a bit short on my Patron chapter. I published only 2/3 of the chapter, but I explained the situation to my patrons and they were very supportive. When I’m not going to get one of the free serials in on time, I’ll leave a note on my webpage.

4. You worry about plagiarism.

Well, as authors we have to worry about this all the time. It’s the backdrop against which we work. People will steal things off your website and repackage them as their own. So keep your posts with the appropriate dates on them, and make sure you have old copies of your files so that if there’s any problem, you will have those files as proof of your authorship.

Why Ebook Piracy Matters – Jana Oliver

How to Protect Against Plagiarism If You Post Fiction Online

For me the serials have been part of my over-all effort to write faster and to incorporate some new craft into my writing. I will be publishing five 90-100K novels this year, all of which will have been at least partially serialized. I will then start on 3 new serials (again, one for paid Patreon, one for free Patreon, and one for my website) and hopefully keep that ball rolling!

It never hurts to give new things a try.

By J. Kathleen Cheney
Source: blog.janicehardy.com

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Dependent Personality Disorder: Psychological Disorders for Writers

Personality disorders are fascinating–many are comparatively rare and they all lead to some pretty unreasonable and difficult to understand behaviours…which kind of makes them ideal for writers! Personality disorders capture the extremeness that our complex mix of nature and nurture can create—encapsulating that on a page is a challenge, but also exciting. If you’re looking for an extreme character, they can be your antagonist, your protagonist’s parent (and the source of their wound) or if you’re feeling really game—your hero, personality disorders are a goldmine! No matter which character, they will lend a layer of difference and interest to your story.

It’s doing it authentically that’s the key.

Today we’re delving into Dependent Personality Disorder (DPD). DPD is characterised by a  pervasive  and excessive  need  to be  taken  care of  by others. This  leads to  submissive  and clinging behaviour  and  fears of  separation, beginning by  early  adulthood and  present  in a  variety  of contexts (imagine the anxious toddler who fears separation and you’re getting the idea). The following characteristics are what you’ll see in a person with DPD:

  1. Has difficulty  making  everyday decisions

These characters struggle to make everyday decisions without an excessive amount  of advice  and reassurance  from others (e.g.,  what  colour shirt  to  wear to  work  or whether  to  carry an  umbrella). They will tend to be submissive and let others (often a single person—generally a parent or a spouse) assume responsibility for most major areas of their lives. Adults with this disorder typically need others to decide where they  should live, what  kind of job they should have, and which neighbours to befriend. With all these challenges, it’s not surprising that individuals with DPD struggle to function in the workplace, particularly if independent initiative is required. They may avoid positions of responsibility and become anxious when faced with decisions. Adolescents  with this  disorder may allow their  parent/s to decide what they  should wear, with  whom they should associate, how they should spend their free time, and what school or college they should attend.

This need for others to assume responsibility goes beyond age-appropriate and  situation-appropriate requests for assistance from others (e.g., the specific  needs  of children, elderly persons, and persons with a disability). DPD can occur in an individual who  has a  serious  medical condition or disability (in fact, chronic physical illness can predispose a person to DPD),  but in such cases the  difficulty  in taking  responsibility  must go beyond what would normally be associated with that condition or disability.

  1. Has difficulty disagreeing with others

Because a person with DPD has a powerful need for support and care (even overprotection and dominance), they will fear the loss of supporter approval. They will often have difficulty expressing disagreement  with other individuals, particularly those  on  whom they are dependent. These individuals feel so unable to function alone that they  will  agree with  things that they feel are wrong rather than risk  alienating their carer. They don’t get appropriately angry at others whose support and nurturance they need for fear of alienating them.

This means your character will be willing to submit to what others want, even if the  demands are unreasonable. This places them at risk of abuse, as their need to maintain an important bond often results in an imbalanced relationship.  They may make  extraordinary self-sacrifices or tolerate verbal,  physical, or sexual  abuse. It’s important to note that if  the  individual’s concerns regarding expressing disagreement need to be  realistic (e.g., realistic  fears of  retribution  from an abusive  spouse – this behaviour would not be considered evidence of DPD).

  1. Has difficulty doing things on  his  or her  own

A character presenting with DPD is unlikely to do anything independently because of a deep-seated lack of self-confidence in their judgment or abilities (as opposed to  a lack  of  motivation or  energy). Individuals  with this  disorder feel uncomfortable or  helpless when  alone  because of this  exaggerated fear of  being unable to care for themselves. Your character will  wait for  others to start things because they believe  others can  ‘do  it better.’  Only if you give them the assurance that someone else is supervising or approving, are they likely to function adequately.

  1. Goes to  excessive  lengths to  obtain  nurturance and  support  from others

These characters will proactively foster their dependence and elicit caregiving due to their self-perception that they are  unable  to function  adequately  without the  help  of others  (as opposed to being unable due to age or disability). Many of us have done this one some level—pretended we were incompetent so someone else did something for us (that’s how I got my husband to make mashed potato every time we had it). People with DPD dial this up, and perceive that they are genuinely incapable. They may fear  appearing more competent, because they may believe that this will lead to abandonment. To add another layer of complexity, because they rely on others to handle  their problems, they often don’t learn the skills of independent living (thankfully, I already knew how to make mashed potato), thus  perpetuating dependency.

  1. The prospect of being alone is frightening

Individuals  with  this disorder are often preoccupied with fears of  being left to care for themselves. They  see themselves as so totally dependent on the advice and help of  someone else that they worry about being  abandoned by that person when there are no  grounds to justify such fears.

If a close relationship ends (e.g., a  breakup  with a  lover or  the death  of  a caregiver),  your character may urgently seek another relationship to  provide the care and support  they need. Their belief that they are unable to function in the  absence of a close  relationship motivates these  individuals to become quickly and indiscriminately  attached to another  individual (and yes, that is risky and yes, it does leave them vulnerable).

  1. Negative Self-Talk

Individuals with DPD are often characterized by pessimism and self-doubt; they tend  to  belittle their abilities and assets, and  may constantly refer to them­selves as ‘stupid.’ Your character will  take  criticism and  disapproval as  proof  of their worthlessness. If they are involved in an abusive or unequal relationship, then their partner is likely to reinforce these beliefs.

Told you it was interesting! Weaving a character with DPD will be a challenge, particularly if you’re looking for a reader to empathise with them (their neediness makes them highly egocentric), but also a fascinating opportunity to capture how disordered our thinking can become.

By Tamar Sloan
Source: psychwriter.com.au

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