Tag Archives: poem

15 Marketplaces to Publish Your Poetry

Since there are hundreds of publications in the US and abroad that publish poetry, finding the perfect fit for your verses may seem a bit overwhelming. If you’ve been writing and submitting for a while now, then you already have a list of publications on-hand. If you’re yet to publish your first poem or collection of poems, then you’ll want to start conducting targeted market research.

While you may want to aim for your favorite professional-level publication, sometimes it may take a while to get into its print – or cyber – pages. It’s important to remain positive and continue to focus on your craft by attending workshops, reading articles, creating – or joining – a critique group, and so forth.

The 15 Top Marketplaces to Publish Your Poetry

 

5 Markets for Mainstream Literary Poetry

5 Markets for Minimalist Poetry

5 Markets for Science and Speculative Fiction Poetry

What to Do Before Submitting

In general, many submission guidelines encourage you to send three-to-five poems at a time. So, once you have a completed file of poems to submit, here are just a few questions to ask before submitting your work:

  • Do you know the type of poetry this publication tends to publish?
  • Are you familiar with the editors’ likes, dislikes, and pet peeves?
  • Have you checked, double- checked, and triple-checked the guidelines and followed them to the letter?
  • Have you proofed and edited your poems? Read them out loud?
  • Have you workshopped the poems, and do they represent your “best” work?

If you responded, “yes,” to the questions above, then submit your poems with a nice cover letter, when requested, and be sure to note the guidelines for these as well.

Keeping Track of Your Submissions

One way to maintain awareness of your progress and success is to create a submissions log. If you’re a prolific poet that submits work on a weekly basis, for example, then a log is a valuable tool. If you’re new to being published, then you have a visual and interactive display to note the cumulative results of your actions.

Here are just a few reasons why it’s a good to keep track:

  • You are aware of which poems are being considered and by whom.
  • You know when they’ve been submitted, which is particularly important when noting how long you need to wait before querying.
  • You don’t inadvertently simsub (i.e., submit simultaneous submissions).
  • You don’t resubmit a revised poem(s) to a publication that indicates not to do this unless invited.
  • You will be able to note which publications you’ve considered for your work, thus determining if it’s a good market fit.

While some people may use Excel or another type of software, I create tables in a Word doc. Here are the categories in my current submissions log:

  • Date submitted
  • Publication and poem titles
  • Date accepted and specific issue
  • Date rejected
  • Payment amount

Since I set up my tables to allow for additional information, I also make note of the editors’ names, website URLs, and other information, such as editor comments, which are always appreciated. In addition to my regular submissions log, I also have a month-to-month table where I track the total number of submissions, rejections, and payment.

Visualize Success

One of my favorite motivational sayings is this: “What we focus on, grows.” I keep this in mind when writing, and yes, when opening my email to an acceptance or thank-you-for-submitting-but-it’s-not-a-good-fit-for-us letter. It’s also important to stay focused when, or if, those rejection notes seem to pile up. One of my early writing mentors told me that while I may be a good writer, it would be my dedication to craft and persistence that would make a significant difference. He was right.

Here’s to your success as a poet or with any other form of writing in which you choose to engage.

Source: freelancewriting.com

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Poetry: Rhythm and Meter

Rhythm is everywhere: we hear it in the hum of vehicles and appliances. We feel it when we walk or run. We see it in the very rising and setting of the sun. Even our hearts beat to a rhythm. Rhythm is built into the way we experience and perceive the world.

Merriam-Webster’s Dictionary offers several definitions for rhythm:

  • an ordered recurrent alternation of strong and weak elements in the flow of sound and silence in speech
  • the aspect of music comprising all the elements (such as accent, meter, and tempo) that relate to forward movement
  • movement, fluctuation, or variation marked by the regular recurrence or natural flow of related elements 

Poetry encapsulates all of these definitions of rhythm. But what about meter? 

The words rhythm and meter are often used interchangeably, but their meanings are slightly different in the context of poetry. Perinne’s Sound and Sense describes this difference clearly and simply: “rhythm is the flow of sound; meter is the patterns in the sounds.”

Scansion

In poetry, meter is determined by accented (stressed) and unaccented (unstressed) syllables. Silence (or pauses) also contributes to a poem’s meter. Scansion is the practice of marking up a poem to reveal its meter. Here is a traditional method of marking up a poem, using Edgar Allan Poe’s “Annabel Lee” as an example:scansion annabel leeThe character that looks like the bottom half of a circle is called a breve. The breve indicates unstressed syllables, and the slash indicates stressed syllables. You won’t find the breve on your keyboard, but it is available in Microsoft Word by using the Insert –> Symbol function.

However, working with breves and slashes on a computer in this manner is tedious and time consuming. Fortunately, there are some other methods available to us.

Some dictionaries include pronunciation guides, which indicate stressed and unstressed syllables. Dictionaries often use quotation marks for stressed syllables and apostrophes for unstressed syllables: PO”e’try’. This isn’t easy on the eyes. Another option, which is much clearer, is to use all caps for stressed syllables and all lowercase letters for unstressed syllables: POetry; and we can add hyphens to further denote each syllable: PO-e-try. Ah, that’s more like it: easy to read and easy to type.

Metrical Units

We now know how to show meter with scansion, but we also need to know how to talk about it. Here is some special terminology that helps us communicate when discussing meter:

A metrical foot is a unit of metrical measurement that includes stressed and unstressed syllables. Here are a few types of metrical feet:

  • Anapest: Two unstressed syllables followed by a stressed syllable (da-da-DA). Example: un-der-STAND.
  • Dactyl: One stressed syllable followed by two unstressed syllables (DA-da-da). Example: PROM-i-nent.
  • Iamb: One unstressed syllable followed by one stressed syllable (da-DA). Example: be-LONG
  • Trochee: One stressed syllable followed by one unstressed syllable (DA-da). Example: O-ver

We also use special terminology to refer to the number of feet in a line of poetry:

  • 1 foot: monometer
  • 2 feet: dimeter
  • 3 feet: trimeter
  • 4 feet: tetrameter
  • 5 feet: pentameter

Let’s return to the first line of “Annabel Lee” and show its metrical feet:

it was MA|ny and MA|ny a YEAR | aGO ||

This line consists of three anapests followed by an iamb, or a combination of anapestic and iambic feet.

But what about the number of feet? How do those factor into the language we use to talk about meter? Let’s look at a line from Shakespeare’s “Sonnet 18” (please note that I have changed the capitalization to accommodate scansion):

shall I | comPARE | thee TO | a SUM | mer’s DAY? ||
Thou ART | more LOVE | ly AND | more TEM | perATE:

Each line consists of five metrical feet, so this poem is written in pentameter. Each line also includes five iambs, one stressed syllable followed by one unstressed syllable. These lines are therefore written in iambic pentameter.

Silence (Rests, Pauses)

In poetry, line breaks, stanza breaks, white space, and punctuation provide cues for pauses. We’ll pause a little longer between stanzas than we will between lines. We’ll hold on a period longer than on a comma. Sometimes breaks and punctuation are part of the aesthetic design of a poem, but their placement will almost always affect a poem’s meter and rhythm, because they instruct the reader to pause.

End-stopped lines contain a complete grammatical phrase (or clause) or terminate with a period, closing parenthesis, colon, or semicolon. Enjambment occurs when a line break occurs in the middle of a complete phrase or clause or when terminal punctuation marks are absent. The first two lines of “Annabel Lee” (above) are enjambed; the first two lines of “Sonnet 18” (above) are end-stopped.

Let’s Get Back to Rhythm

Rhythm is best understood as the flow of sound, whereas meter is a pattern of sound. If we mistakenly equate rhythm and meter, we might assume that free verse poetry lacks rhythm because it doesn’t use metrical patterns. Let’s look at the first stanza of “Spelling” by Margaret Atwood, which is written in free verse:

My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.

There’s no discernible pattern in the meter, which is why the poem is called free verse. Yet the poem still has a flow, a rhythm. If the rhythm isn’t coming from the poem’s meter, where is it coming from?

Even though there aren’t repeated patterns, the accented and unaccented syllables still inform the rhythm. But so do the pauses. Consider the pause after “spelling” and before “how to make spells.” This pause influences the musicality of the poem. But the poem uses some other tricks to create rhythm. Look at the rhyme of “yellow” and “spell” (not a perfect rhyme, but a rhyme nonetheless). And look at how it echoes into the next two lines with “spelling” and the repetition of “spell” in the final line. There’s a pattern of sound there, which creates rhythm.

As we can see, meter is not the only contributing factor to rhythm.

How Rhythmical is Your Poetry?

If meter is a pattern of sounds and rhythm is the flow of sound, which of these elements is more important in poetry? When you write poetry, do you check for meter or rhythm? Do you prefer metrical poems or are you drawn to poems with vivid rhythm? Share your thoughts by leaving a comment, and keep writing poetry!

By Melissa Donovan
Source: writingforward.com

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Poetry Prompts for Ranting and Raving

It’s easy to think of poetry as soft, flowery, and convoluted. It’s the stuff of Shakespeare, greeting cards, and children’s books. It’s precious, sweet, and erudite.

But some of the most exciting modern poetry defies all those stereotypes, and you need look no further than the slam poetry and spoken word communities to see how poetry can be infused with rage, passion, and humor.

These poets have mastered the art of ranting and raving with passion via performance poetry. It’s no wonder that during live recordings of some of their most impassioned poems, the crowd can be heard hooting and hollering.

Today’s poetry prompts encourage you to write a poem that unleashes your passion.

Poetry Prompts

You can use these poetry prompts to write any kind of poem you want. But for some reason, poems that rant and rave work exceptionally well in performance poetry. These pieces have luster on the page, but they explode when read aloud, so I recommend working on a poem that is meant to be performed. There is a list of links to some excellent recordings of performance poetry at the end of this post.

How to use these poetry prompts:

Choose one of the lists below and write a poem using all of the words in the list. You can also write a poem mixing and matching words from these lists or using all of the words from all of the lists.

Social Consciousness Personal Affronts Road Rage & Pet Peeves
humanity
corruption
eager
hunger
fair
power
greed
redemption
freedom
insult
betrayal
violated
lost
rude
bully
robbed
forgotten
liar
curse
line
impatience
thoughtless
chatter
hurry
spam
stop
gesture

Explore Performance Poetry

Need some ideas to help you get started with these poetry prompts? Below are links to a few examples of performed poems that are beautifully executed — well written and brilliantly performed. Once you follow the link, you’ll need to click the pod icon to listen to the performances.

WARNING: some of these poems may contain offensive language. But they show the breadth of subject matter that a performance poem can tackle. Some are full of anger, others are imbibed with grace, and a couple are sprinkled with humor. Enjoy!

All these poems and many more can be found on IndieFeed Performance Poetry, one of my favorite podcasts that is unfortunately no longer active; but the archives remain online for all to enjoy. I highly recommend checking it out (you can also access it via iTunes).

By Melissa Donovan

Source: writingforward.com

Visit us at First Edition Design Publishing