Tag Archives: self-publishing

What Kind of Self-Pub Are You? A Questionnaire and Tips for Maximizing Your Self-Pub Style

 

 

 

 

 

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4 of a kindby Carla Douglas and Corina Koch MacLeod
@CarlaJDouglas     @ckmacleodwriter

What’s your self-pub personality type? That’s right—there’s more than one!

Maybe you see yourself as one of a kind, and therefore you won’t be thrilled to be lumped into a category with others. On the other hand, you might see yourself as a member of a tribe. Your common traits and goals help establish your identity, and you won’t like the idea of being placed in a sub-group.

As editors, we’ve had the opportunity to work and interact with a variety of self-pubs. And over time, we’ve identified some distinct self-publishing styles and approaches. Below, we’ve narrowed our findings to four self-pub personality types.

Take our quiz to find out what kind of self-pub you are.

Note: Results may vary! You may discover that you don’t fit neatly into one category. That’s okay. This questionnaire is designed to get you to begin thinking about how you approach self-publishing and where editing fits into the scheme. We’ll summarize the characteristics of your type, and add some tips and resources that will help you get the most from the editing and production process.

– See more at: http://www.dontpanicbooks.com/beyondpaperediting/what-kind-of-self-pub-are-you/#sthash.yAwnk9hL.dpuf

 

First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) distributor. Ranked first in the industry, First Edition Design Publishing converts, formats and submits Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and scores of additional on-line retailers, libraries, schools, colleges and universities. The company also has a POD division, which creates printed books and makes them available worldwide through their distribution network. The company is a licensed and approved Aggregator and holds licenses with both Apple and Microsoft.

 

Visit us at http://firsteditiondesignpublishing.com/

 

5 Things You Should Know about Working with Beta Readers

First Edition Design Publishing

Another great post from Beyond Paper Editing

Friday, 18 July 2014

by Corina Koch MacLeod and Carla Douglas
@CKMacleodwriter @CarlaJDouglas

If you’re a self-publishing author, you’ve likely either read or been told that you need to hire an editor. But a professional edit costs money, and while self-publishing gurus will recommend that it’s money well spent, not every author has the wherewithall for such an investment.

Strange words coming from two editors, right?

If a professional edit isn’t currently in your budget, what do you do? Answer: find a beta reader! While beta readers are not editors — they likely won’t have the training, years of study, practice, or the inclination to snuggle up with The Chicago Manual of Style, just for fun — we do think that they can be helpful additions to your publishing team.

 

Profile of a Beta Reader

The point of acquiring beta readers is to garner information that will help you write a better book. So ideally, at least one of your beta readers should be the kind of person who’d be most likely to buy your book. Why? Their response to your book will help you gauge which parts of the book will work for your audience, and which parts may not.

We also recommend that you find a beta reader who knows more about writing craft than you do. (As editors, you knew we’d say that, right?) Think about it. One of the best ways to get better at anything is to get feedback from someone who’s more skilled and knowledgeable than you are. And if you can find a beta reader who has read lots of books in your genre and has a clear understanding of how your genre works, you’ve struck gold.

 

Where to Find Beta Readers

One way to find beta readers is to work your social media platforms. If you’ve been spending time to develop a positive online presence and a reputation for being helpful, an unforced opportunity to ask for help may present itself.

If you’re still building your author platform, consider joining a site like Scribofile, where you can offer feedback on other people’s writing to amass “karma points,” which you can then spend on acquiring feedback for your work.Wattpad is another option for finding beta readers. You can upload your book and write a compelling blurb that inspires people to read and respond to your book.

Local writing or critique groups may be an option for face-to-face feedback. Go to meetup.com to see if there are “crit” groups in your area.

 

Working With Beta Readers

 

Now that you’ve found your beta readers, consider the rules of engagement that will help you to create a healthy working relationship. Authors don’t usually pay beta readers, so any interaction needs to be positive and affirming. Presumably, this won’t be your last book, and treating your beta readers right will leave them open to helping you out next time, too.

 

Don’t Give Them a Draft

 

Your beta reader is still a reader — a reader who might tell other readers about your book. It’s important to treat your beta readers right, and that begins with what you ask them to read. Don’t give them your first draft. In fact, be sure that what you give them is the very best writing you can produce on your own. Write your draft and set it aside for at least a week. Go back to it and rewrite it if you need to. Then set it aside for another week — again. Revise, revise, revise, until it isn’t remotely possible for you to do any better.

 

Your Manuscript, Their Way

 

Before you send your manuscript to your beta readers, ask them what format they’d like it in. Beta readers might want to print your manuscript or read it on a Kindle. If they prefer the latter option, send them instructions for how to get your manuscript on an e-reader. Do whatever you can to remove any obstacles that will prevent your beta reader from carving out time to read your book.

 

Give Them Guidance

 

Let your beta reader know what kind of feedback you’d like from them. Develop a checklist with questions you’d like answers to. Do you want readers to comment on the strength of a character, or the organization of a concept? If you create a specific list of questions around content, beta readers won’t spend their time punctuating sentences. Adapt your revision checklist to meet the needs of each book your write.

 

Don’t Take it Personally

 

Remember, it takes a great deal of time to read and respond to a book. And your beta readers will have opinions that might sting a little. Be gracious for any feedback a beta reader gives you, even if you don’t agree with it. Ask yourself, “Will addressing this comment make for a better book?” If so, take their advice and apply it to your next revision. If not, whatever you do, don’t defend yourself. Your beta reader already knows your position (you’ve done as you’ve seen fit, as evidenced by your manuscript) but they don’t agree. Thank them for their comments and move on.

 

Return the Favour

 

Remember, you’re not paying your beta readers to read your book. They’re offering feedback because they want to help or they’re interested in your book’s premise or topic. If your beta reader asks you to be a beta reader in future, seriously consider returning the favour. And when it comes time to publish your book, give them a mention in your acknowledgements. Everyone likes to see their name in “print.”

Beta readers can play an important part in helping you create a better book — particularly at the revision stage of writing. After you’ve revised your book, based on their feedback, and once again made your book the best it can be, you’re ready for an editor (you knew we’d say that, right?).

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25 Word Lists for Writers

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Reposted from:

Beyond Paper Editing

Editors’ tips for writers

Thursday, 10 July 2014

by Corina Koch MacLeod
@CKmacleodwriter

I like lists—especially word lists. They help me to make sense of the world. Below is a round-up of useful word lists for writers. Use them to check for and address potential problems in your writing.

Needless Words

We all do it—use words that clutter up our writing. If you know what those words are, you can hunt them down and obliterate them.

10 Words to Cut From Your Writing at Entrepreneur

Needless Words at Tech Tools for Writers. This word list is nicely packaged in a macro that you run in Microsoft Word.* Talk about a timesaver.

*See this 30-second video for how to add a macro to Word.

Craft Words

There are parts of the writing craft that many writers struggle with at some point in their writing journey—telling too much instead of showing, for example. Some clever word wranglers have taken the time to create word lists that can help you to attend to common writer missteps:

TellingWords at Tech Tools for Writers—identifies words that may indicate instances of telling

-ly Words at Tech Tools for Writers—highlights adverbs often used in dialogue, which may indicate that you’re telling instead of showing. Often, he said and she said will suffice.

Historical Words

If you’re writing historical fiction, it makes sense to familiarize yourself with vocabulary from the time period in which you’re writing. These word lists will take you back in time.

100 Words that Define the First World War at the Oxford English Dictionary

Flapper Speak: Dictionary of Words from the 1920s and 1930s, by Margaret Chai Maloney

Glossary of 80s Terms at In the 80s

Genre Words

Some genres of writing have their own vocabularies. Learn the words genre readers will expect to read.

A Glossary of Science Fiction Jargon, by Eric S. Raymond

Sensual Words for Romance Writers, by Annette Blair

Gangster Glossary at Night of Mystery

Hard Boiled Slang Dictionary at Classic Crime Fiction

English Dialect Word Lists

For tips on writing with dialects, refer to How to Write Authentic Dialects, by Arlene Prunkl. These word lists will take you the rest of the way, eh!

A List of Quaint Southernisms at Alpha Dictionary

Glossary of English and British Words at Project Britain

Glossary of Canadian English at Wikipedia.org

Words from Other Languages

If you’re writing a book set in a another place, or if a character’s cultural background is of importance to the story, seasoning your story with the occasional foreign word or phrase is de rigeur.

French Phrases Used in English at the Phrase Finder German Loan Words in English at About.com

Russian Words Used in English at Daily Writing Tips

Spanish Words Become Our Own at About.com

The Yiddish Handbook: 40 Words You Should Know at Daily Writing Tips

Confusable Words

It’s easy to confuse words that look or sound similar, or that mean something other than what you think they mean. These lists will help you to sort out some of the more common confusables.

Misused Words by Daily Writing Tips

Commonly Confused Words by Oxford Dictionaries

10 Words that Don’t Mean What You Think They Do at Daily Writing Tips

Misspelled Words

Your word processor’s spell check can catch most of your misspellings, but not all of them. Here are some words that sneak through spell check or trip up writers.

Common Misspellings

Words Often Misspelled Because of Double Letters

There are many more lists that I can add to this round-up. If you have a favourite word list, tell us about it in the comments below.

 

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Largest Publishers Supply Less Than 8% of Ebook Titles; Achieve 50% of Ebook Sales

First Edition Design eBook Publishers

For those looking to predict what will happen in 2014, here is an interesting piece from back in October 29, 2013 by Thad McIlroy

If you read this entire blog entry your eyes are very likely to glaze over: it contains an overload of stats & calculations. So let me first offer an Executive Summary:

1. The five largest trade publishers in the U.S. published just 7.6% of all ebook titles between April 1, 2010, and May 21, 2012 (in other words, recently).

2. On the other hand their paltry title offering garnered roughly 50% of ebook sales volume during that period.

3. Still, despite those lopsided figures, ebook publishing is eroding the market share of the largest trade publishers, which stood at 65.1% less than a decade ago.

———————————

One of the latest filings in the ad nauseam Department of Justice struggle with Apple and the largest U.S. publishers (except Random House) offers some data nuggets that I find intriguing. The filing is a 103-page expert report from Roger E. Noll (PDF), hired by the state governments to estimate damages by the 5 publishers against consumers. (See Note 1 below.)

Publishers Weekly, quoting from the report, states that 1,348,121 ebook titles (excluding textbooks) were “purchased at least once” between April 1, 2010, and May 21, 2012. The top four e-book retailers at the time — Amazon, Barnes & Noble, Apple, and Sony — accounted for 98% of all retail ebook sales.

Noll calculates that 83,463 titles were sold by the five settling publishers. Random House is not among them, yet was the largest trade publisher during that period. For the fiscal year 2012 Random House (Bertelsmann) provided an estimate (PDF) that “more than 47,000 English-, German-, and Spanish- language Random House titles are available as e-books.” Today I found 18,423 results for “Random House” in NOOK Books on Barnes & Noble. Adding the latter (more useful) number into mix suggests that the (now) Big 5 published roughly 7.6% of all ebooks offered in the period under discussion. (See Note 2 below.)

To understand this data, first the easy bit: total title output in some perspective. To quote from a decade ago:

U.S. Book Production Soars to 175,000 New Titles in 2003

May 27, 2004 — R.R. Bowker, the leading provider of bibliographic information in North America, today released statistics on U.S. book publishing compiled from its Books In Print database. Based on preliminary figures, Bowker is projecting that U.S. title output in 2003 increased a staggering 19% to 175,000 new titles and editions, the highest total ever recorded.

The latest print book output recorded by Bowker ranges from “328,259 titles in 2010 to a projected 347,178 for 2011.” Ebooks are adding an order of magnitude number to the total. (See note 3 below for further detail on the number of titles published annually.)

Now the tricky part: market share.

The Publishers Weekly article quotes from Noll’s expert witness report that “the 6% of e-book titles sold by the five major houses (excluding Random House) generated more than $1.54 billion” in sales.

BookStats, the joint AAP/BISG data collection project, reported total revenues for the U.S. trade book industry at $13.94 billion in 2010, $13.97 billion in 2011 and $15.05 billion in 2012, for a three-year trade sale total of $43 billion.

BookStats separately reported that ebooks made up 6.4% of trade revenue in 2010 ($905 million), 15% in 2011 ($2.074 billion), and 20% in 2012 ($3.04 billion). Total ebook sales for the three years are then $6.2 billion (14.4% of overall trade sales in the period).

PRHOf course we know next to nothing about U.S. market share data for Random House or for Penguin, though estimates of the now merged companies peg their combined worldwide marketshare at 25%. The ownership of the venture is split 53% for Random House owner Bertelsmann and 47% for Penguin owner Pearson. This is assumed to roughly reflect their book sale ratios (on a worldwide basis) when the deal was struck in 2012.

Noll’s assessment of the percent of the damages incurred by each of the five publishers charged pegs Penguin’s sales in the period at $481,408,045 or 31% of the total. If I add in (a roughly estimated) $500 million for Random House total sales for the big publishers would hit $2.05 billion.

In the trading period covered by the DOJ suit, if we accept the there’s no significant seasonality to ebook sales, total trade publisher ebook sales would be just over $4 billion. The big 5 (formerly Big 6) then account for roughly 50% of ebook sales volume in this period.

To put this data in perspective I turned to The Culture and Commerce of Publishing in the 21st Century by Albert Greco, Clara Rodriguez, and Robert Wharton (Stanford University Press, 2006). A chart on page 15 of the book shows that in 2004 the 10 largest trade publishers (which, through consolidation, are roughly equivalent to the top 5 today) held 65.1% of the market; let’s call it two-thirds. Based on this data ebooks are starting to have a significant role in reducing the industry dominance by the largest publishers. Can that be a bad thing?

Next we have to focus on the all-too-dominant online retailer.

Notes

1. The damages calculated by Prof. Noll, given that he represents the plaintiffs, could naturally tend to the high side, consistent with how expert witnesses ply their trade (this aspect has been criticized in some of the trade press). But the underlying sales estimates, based as they usually are on published reports, are less pliable than the deductive techniques an expert might use to extrapolate damages from this core data.

2. Some variables lie outside of this data, mainly that we don’t know exactly when the titles that were purchased were published, which could throw the calculation off. But as book buying skews heavily to recently-published titles the factor should not be large.

3. Bowker recently reported that the number of self-published titles (both print and digital) in 2012 “jumped to more than 391,000, up 59 percent over 2011.” That puts the number of self-published titles at 231,000 in 2010. In 2012 Bowker noted that “while print accounts for 63 percent of self-published books, ebooks are gaining fast. E-book production in 2011 was 87,201, up 129 percent over 2010.” Bowker recorded roughly 265,000 self-published ebooks in the three years 2010-2012, suggesting that a million or so ebooks came from publishing houses, a number that isn’t borne out by other studies. It’s well known the many self-published authors aren’t using ISBNs and so don’t show up on Bowker’s radar but the figure nonetheless seems surprisingly large.

November 6, 2013

Over at Dear AuthorJane states “I’m not sure I agree with McIlroy’s final conclusion – that ebooks are having a significant role in reducing industry dominance by the largest publishers.”

I replied:

Thanks Jane for covering my blog post. I appreciate the critique.

The best marketshare figures I can find that are more recent than those quoted on my blog are Michael Hyatt’s , which showed 57.7% marketshare for the top 5 in 2009, a relatively modest decline from the 65.1 in 2004 (particularly because these numbers are always a little slippery).

I should have been more explicit in my argument. We know from numerous sources that ebook sales are eating into print sales, certainly for the largest publishers. With ebook sales now accounting for roughly 23-30% of the largest publishers total sales, and with their print book sales shrinking, the only way that these publishers can maintain their current market share is either by replicating their market dominance in ebooks, or by significantly increasing their market share in the remaining print book market. Neither seems likely.

Self-published authors, small & nimble, though still with modest sales volumes on a relative basis, are proving far more adept at learning how to successfully market their work than are the big trade publishing groups. That to me suggests that as ebook sales continue to grow as a percentage of total book sales, self-published authors will gain market share.

I’m not trying to imply that the mighty Random Penguin should have sleepless nights. But for the first time in many decades the publishing industry has a chance of becoming less dominated by a very small cadre.

– See more at: http://thefutureofpublishing.com/2013/10/largest-publishers-supply-less-than-8-of-ebook-titles-achieve-50-of-ebook-sales/#sthash.l6jTWJWy.dpuf

Visit: www.firsteditiondesignpublishing.com

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Five reasons why self-publishing beats traditional publishing #FED_ebooks #Writer #Author

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Five reasons why self-publishing beats traditional publishing

Guest Blog by Yvonne Capitelli

Someone recently asked me why I self-published. The truth is, when I finally decided the time was right to make my lifelong dream of writing children’s books a reality, it never occurred to me to start searching for a traditional publisher. I literally dove in! When my manuscript was complete, I searched the internet and library reading everything I could find on how to self-publish. I took one small step at a time and before long I was holding my dream in my hands. I think it’s because when I was young my parents instilled in me that I could be and do anything I put my mind to. There is always a way to figure things out if you are determined and persevere. I apply this concept to everything I’ve ever accomplished. Since my first book, I’ve experienced self-publishing and traditional publishing and I strongly encourage you to take the plunge and self-publish.

  • You have complete creative freedom. After all, it is your baby. Why not write the story you’ve always imagined, choose the illustrator, the title and cover. A word of advice… pay attention to all the little details. Make sure your book and media has a professional presentation: terrific cover, expert editing, formatting, spine detail, website, blog, publishing logo, advertising material, etc..

 

  • Some writers spend years searching for a publisher without success. Funds permitting, you can self-publish within months. EBook and Print On Demand self-publishing takes less than a week, it is extremely inexpensive and you can have worldwide distribution in a few weeks. (Worldwide exposure for less than what it would cost to print up advertising post cards and mail them. That’s incredible!)

 

  • You will make more money (royalties) and receive a much higher percentage from sales. Instead of 6% from a traditional publisher, if you self-print, you could receive as much as 75% when you want copies of your book. (Ed. note: POD (Print On Demand) also offers authors much higher returns than traditional publishing).

 

  • You don’t have to wait; you can publish your book now. You are the publisher and the author and since you’re wearing both hats, you’re in complete control over when, where and how. You will acquire an understanding of marketing and get feedback directly from your readers. You can always decide in the future to have a traditional publisher take over the printing and sales of your book. Your success of being a published author is up to you. An informative book that will help any indie author is 1001 Ways to Market Your Books by John Kremer.

 

  • Most importantly you hold all the rights to your book and have complete freedom over all aspects of your dream.

 

About Yvonne Capitelli:

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Yvonne Capitelli, Author

Yvonne Capitelli  is an authoritative children’s author and children’s motivational speaker. She has five awards to her credit for her debut,  bestselling children’s book Daria Rose and The Day She Chose. They include:  2012 Nominated Best Author of Long Island, 2011 Children’s Literary Classics Gold Award and KART Kids Book List, 2010 National Indie Excellence Awards Finalist, and 2009 Moonbeam Children’s Book Bronze Award Mind-BodySpirit/Self Esteem and Preferred Choice Award Creative Child Magazine.

Her books are fun, educational, beautifully illustrated and all center around imparting important life lessons. Children and adults alike will benefit from her fun and engaging stories that make you realize the amazing power we all have within.

The author’s children’s book, I Get It! I Get It! How John Figures it Out, released January 2012, is about one boy’s journey and triumph with Auditory Processing Disorder. It received the Book of The Year award from Creative Child Magazine. Ms. Capitelli’s second book of her Daria Rose Making Good Choices Series is due for release later this year.

Visit Yvonne at www.dariarosebooks.com or on Facebook www.facebook.com/ycapitelli

About First Edition Design Publishing:

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

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Marketing Director Talks About Self-publishing #FED_ebooks #author #indieauthor #writer

First Edition Design Publishing

 

First Edition Design Publishing Marketing Director talks about self-publishing and print on demand

 

We’re happy to share this video discussion with our affable Marketing Director, Tom Gahan. He gives insight into self-publishing and offers advice on promoting your book. The interview by author Linda Frank took place at the LTV television studios in Long Island, New York.

 Take a look, meet Tom and pick up some tips.

About eBook Publishing and POD (print on demand) Publishing with Tom Gahan from First Edition Design Publishing from Tom Gahan on Vimeo.

About First Edition Design Publishing:


Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market
First Edition Design Publishing is the world’s largest eBook and POD (Print On Demand) book distributor. Ranked first in the industry, First Edition Design Publishing converts and formats manuscripts for every type of platform (e-reader). They submit Fiction, Non-Fiction, Academic and Children’s Books to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, and over 100,000 additional on-line locations including retailers, libraries, schools, colleges and universities. The company’s POD division creates printed books and makes them available worldwide through their distribution network. First Edition Design Publishing is a licensed and approved Aggregator and holds licenses with Apple and Microsoft.

Visit: www.firsteditiondesignpublishing.com

Ebook Publishing Design Edition First Graphic Aggregators Ebooks Publishers Distribution POD Designing Approved Aggregator How Services Academic Distributor Chapter Submission Professional Firsteditiondesignpublishing.com published book market

First Edition Design eBook Publisher Aggregator Master Distrbutor 

Self-publishing Fuels Print Book Growth #FED_ebooks #Author #Writer #Indieauthor

First Edition Design Publishing

Self-publishing fuels growth of print books

Once demeaned as vanity projects, homegrown books are behind the 6% growth last year in print titles.

The romance with the printed word shows no signs of abating. Despite the rapid growth in e-book sales in recent years, print book output in 2011 grew by 6%, to 347,178 titles, compared to the prior year.

First Edition Design Publishing Print On DemandThe preliminary numbers released Tuesday by bibliographic database Bowker are “the most significant expansion in more than four years” in the traditional publishing sector, the company said in its annual report on U.S. print book publishing. The uptick was driven entirely by self-published titles. Without them, the number of print titles would have been flat.

“Much as e-books have been the sexier topic over the past few years, most people still read print books,” noted Michael Norris, a senior analyst with publishing research firm Simba Information.

He added that the allure of print clearly extends to self-published titles. “If you talk to the given self-published author, some will admit they get a certain amount of pleasure from holding a physical book, signing it, and giving it as a gift—something that you just can’t do with e-books,” he said.

The universe of printed books is larger than those tracked by Bowker, which only counts books assigned an ISBN number, which identifies them for commercial purposes.

Bowker also has a separate count for titles it classifies as reprint/print on demand. Those titles are sold almost exclusively on the Web, and are put out mainly by publishing houses specializing in works that are in the public domain.

There were 1.1 million titles in that category in 2011, down 69% from the prior year. Reprint and print-on-demand has seen explosive growth in recent years, and the 2011 number was still up 15% over 2009, the report noted.

Among the categories tracked by Bowker, fiction remained No. 1, with 60,000 titles. Children’ literature, including young adult, was second with 36,000 titles.

Though the report does not track sales, Bowker noted that the landscape of publishing is changing.

“What was once relegated to the outskirts of our industry—and even took on demeaning names like ‘vanity press’—is now not only a viable alternative but what is driving the title growth of our industry today,” said Kelly Gallagher, vice president of Bowker Market Research, in a statement. “Self-publishing is a true legitimate power to be reckoned with. Coupled with the explosive growth of e-books and digital content, these two forces are moving the industry in dramatic ways.”

Source: http://www.crainsnewyork.com

By: Matthew Flamm

First Edition Design eBook and POD Publishing

First Edition Design Publishing, is the world’s largest eBook distributor. Ranked first in the industry, they convert, format and submit eBooks to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Ingram, Baker and Taylor, Nielsen, EBSCO, scores of additional on-line retailers and libraries, schools, colleges and universities. The company also has a POD (Print On Demand) division, which creates printed books and makes them available worldwide through their distribution network. The Company is a licensed and approved eBook Aggregator, Apple Developer and Microsoft Solution Provider.

First Edition Design eBook and POD Publishing