Tag Archives: short stories

Short Stories as Mini-Trilogies: Can it Work?

By Sarah Dahl, @sarahdahl13

Part of the Focus on Short Fiction Series

JH: Just because they’re short, doesn’t mean they can’t tell a long story. Today in our series “Focus on Short Fiction” Sarah Dahl returns to talk about writing trilogies – in the short form.

Technically, short stories have less time and space for everything: fewer characters, less world building, simpler arcs and subplots. Most times, there are no subplots, of course, and world building has to be spot-on: You need to create a sense of the people and place with just a few strokes of your pen. The drama is usually focused on one plotline and has one climax, very late in the story. Mastering this craft is mastering setup, timing and arcs, characters and resolution within as little space as possible. Writing short means writing without all the fluff and concluding absolutely on point.

But what if you have more to say about a character and his journey than fits into one short story? Can you write short stories that are connected, that carry on? Or let’s say: a mini-series, a trilogy that people can actually enjoy as such?

Giving more room – Do the story justice

To create a connected mini-trilogy or series you need to adhere to the rules of writing short for each individual story: be precise, on point, and conclude satisfactorily each time.

Do you feel a topic or characters you created for one short story only deserve to live on? Could you write a meaningful sequel – or ideally round it all up as a trilogy?

Here’s what happened to me: I only wrote my trilogy about Viking warriors Aldaith and Nyssa as a fun exercise without intention to even publish their first story. And I didn’t ever imagine that story to evolve into a trilogy.

I wrote their first encounter – “The Current – A Battle of Seduction” – after a brainstorming session with my writing buddy, to kill some block and boredom. No pressure of publication, just to keep writing something. I fancied the idea of a steamy game between two bloody, exhausted, adrenaline-pumped warriors: a bold shieldmaiden cornering and seducing a self-assured warrior. I wanted to rediscover the fun in writing sassy characters. And created an irresistible pair.

Two things happened: The exercise became a wonderfully sexy, fast-paced read with an outstanding female character. Nyssa is strong and fierce; she slays men on the battlefield and “in bed” (or in this case: a stream). Likewise, many readers fell for the confident yet vulnerable warrior Aldaith. They loved the dynamic between the pair. Without planning it, I had created an extraordinary couple whose story had only just begun.

Just like my eager readers, I felt there would be more depths to discover with these two, and that the roughly 8,000 words didn’t do them justice. So what I originally imagined to be a mere exercise and stand-alone suddenly needed at least a sequel.

More than just sequels – Planning a trilogy

The second thing that happened was: I edited and published the story I never planned to publish, and with publication the question of “form” became more important. To write just one sequel to “The Current” felt incomplete and random. A rounded-up trilogy with a starting story, middle development story, and ending story would be more enticing. Like throwing spotlights on the characters’ main turning points. Readers who fell for my couple would be able to follow their story further and to a satisfactory conclusion.

It took several inspirational walks in the forest to discover Nyssa and Aldaith’s complete story. In their second story (which I planned to be of a similar length, for balance and focus) I wanted to show proper development, on a much tighter scale. Their story in “The Current” started as a playful game of seduction to release post-battle tension. A hot game with an unexpected ending. Now what next?

Of course they wouldn’t be able to forget. They would fall for each other. They would yearn to be with the other in more ways than just for fun and fighting.

So I wondered: what would be a turning point for them, from fling to true lovers?

For story 2, I had to find the most emotional turning point, to zoom in on the point in their journey that propelled their relationship to something much more, life-changingly more.

What happened then was the story “Bonds”.

Zooming in on milestones and turning points

Nyssa and Aldaith are literally swept away by passion and adrenaline in “The Current”. Their sensual game is an outlet and attempt to reconnect with reality and feel more human again.

Then in “Bonds” I show how that passion changes its form, from loose fling to committed lovers. They discover the depth of their love and how that is a double-edged sword: They find their unbreakable bond – but also are now “bound” to each other in ways that could hinder their warrior lifestyle. For the first time, they know fear. The revelation hits them at the worst time possible: when relentlessly, and seductively, training for an upcoming battle.

Three parts of a trilogy – Make it three acts

So without planning it in advance (but you can do that of course, and I recommend it! ;-)) I laid out my first two stories like this: “The Current” introduces the protagonists, their world and views, and drops them in the middle of some steamy action. Similar to how you would start a novel, but more to the point and faster paced.

“Bonds” now forms what would be the middle section of a book, where the characters grow, make progress, but due to their fears reach a point of no return that complicates things and forces them to choose.

Naturally, story 3 would have to contain a major setback and the final push of my characters to a fulfilling climax and resolution of their journey. What went from fling to lovers needed to become “love of their life”.

Many inspirational walks later I connected dots from the previous two stories, and out came: “Battles”. In this concluding story the warriors face battles on many levels: They stand in the shield wall, but a devastating turning point lets them question everything they knew in life. They battle fear, pain, and unwelcome decisions. In the end, their lives are summarized with the help of modern voices: I inserted intersections of contemporary archaeologists discovering their graves, and with that the secret of what came after the last, life-changing decision the two made.

“The Current – A Battle of Seduction”:

Marked from the latest battle, Viking warrior Aldaith wants to recover by a stream. But instead of finding solitude, he stumbles on the fearless shield maiden Nyssa. The fierce beauty invites Aldaith into the water to engage in a very different kind of battle – one for which his training leaves him unprepared.

“Bonds – Under the Armour”:

Viking warrior Aldaith and his shield maiden Nyssa engage in a heated skirmish to prepare for an imminent battle. But the looming slaughter makes their sensual duel get out of hand in more ways than one …

“Battles – Sacrifices for Love”:

Shoulder to shoulder, in life, love, and the battlefield – that is what Viking warrior Aldaith and his shield maiden Nyssa promised each other. On their way to the battleground he dreams of their very own sensual rewards after the upcoming campaign. But what begins as just another shield wall turns out to be the ultimate test of their bond. This battle might be their last …

Telling more than fits one short story

So in the span of just three shortish stories unfolds what normally would take up a whole book, just without ANY fluff and subplots. Just introduction, middle part, ending. Of course this structure is much simpler and to the point. What normally happens over hundreds of pages has to be shown with the help of spotlights on the major turning points only. But it works, because I loosely applied three acts and an arc that spanned the three stories. Three stories instead of one gives some space for character development and depth that would not fit into one short story or even fit the FORM of shorter stories as such. And still, they can be read individually too, because there are satisfying endings to each.

To plot or to pants – use arcs

All this is a lot to pull off and get right, and to be honest, I didn’t plot it all. I took step by step and crafted the stories in line with the rough idea of having good character arcs: one in each story so that it could stand alone, and one for the trilogy of all three stories. End every short story with a revelation that furthers the entire plotline and leads to the next story. This may sound harder than it was for me, because I didn’t think so much about it (I’m a pantser anyway) but just followed my instinct about what would be most interesting to zoom in on with these two.

The themes for each story now read like this: opening up to someone (making yourself vulnerable) / Falling deep for each other (discovering the fear that comes with love) / Making major sacrifices for each other (overcoming that fear together). Or simply: from fling to lovers to love of their lives.

Over to you: do you write short works, or “shorts”? Would you like to develop one further, into more? Have you thought about writing a mini-series or trilogy with shorts? Would you like to read such a mini-trilogy?

Source: blog.janicehardy.com

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How to Write a Short Story: Free Tutorial

Short stories were once the training grounds for the best writers in the world. Writers like Ernest Hemingway, Leo Tolstoy, Mark Twain, and Stephen King learned the craft of writing through short stories before they published their first novels. Even though short stories have gone out of favor, they are still the best way for writers to learn the craft quickly.

In this free tutorial, you will learn why short stories are important for aspiring writers, how to write a short story, and how to submit your short stories to magazines and get them published.

Ten Steps to Publishing Short Stories

This effective tutorial will be conveniently delivered to your email inbox in ten manageable chunks. You’ll also get links to helpful resources and professional services. Here are the topics we’ll cover:

 

How to Write a Short Story

Everyone needs a little kick in the pants every once in a while. If you want to write but have been struggling with the discipline to do it, this tutorial will help by providing practical challenges given with a dose of inspiration.

Get Published

Thousands of literary magazines exist today to publish up and coming writers like you. This tutorial will help you discover those magazines and submit your short stories the right way so you can get published sooner.

Source: thewritepractice.com

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How Writing and Submitting Short Stories Improved My Novel

If you’re writing a novel and are nowhere near the end, why spend time on short stories? Doesn’t that distraction delay getting to the end of the current draft, a moment that always feels months away? I thought so once. One year, I wouldn’t let myself touch any other project until I’d worked on my novel every day. This lasted five months until I revisited “The End.” Again.

Why should a novel writer devote precious writing time to short stories? After five novel drafts, two years of submitting shorter fiction, and seven publications, here are my reasons.

Do Something With All Those Ideas

Not every idea deserves a novel. And there’s something cathartic about expressing an idea soon after inspiration strikes. I’m not holding my breath and suffocating the idea because I have to focus elsewhere. As powerful as some ideas feel in the moment, most are quite happy as short stories or flash fiction or poems, or being expressed at all. I now tend to start each idea in the shortest possible form. I only expand the word count if my gut and reader feedback suggest there’s more to say. In the meantime, I grow my list of stories and drafts, not only my list of ideas.

Understand the Impact of Every Edit

An effective edit rarely moves me in the same way as what inspired the story. Revising a longer work can be a dreary process because it’s difficult to grasp the impact of my efforts. This is not the case with flash fiction. Try changing a word in a 100-word story, swap sentences in 250 words, or drop a paragraph among only 1,000 words. You’ll notice an immediate impact on the entire piece. This inspires me toward better revisions by reminding me how powerful each change can be.

Feel A Sense of Completion More Often

Novel drafts take months or years to write. Short story drafts can take weeks. Flash fiction, anything under 1,000 words, can be even briefer. I’m not saying shorter work is easier to write, or requires any less thoughtful revision. But the satisfaction of reaching the end of a draft will happen sooner with shorter fiction. This can prevent listlessness after always having the same answer for “what are you working on?”

Practice Finding Comps

I read every market to which I submit. If I want a literary journal to publish my story, I not only follow their submission guidelines, but I prove I’ve engaged with what they’ve published. I do so by including the stories I read and liked in my cover letter to the editor. If they overlap with my subject matter or appeal to a similar audience, all the better.

In practice, this is akin to finding comparative titles, or comps, for a novel and citing them in your query letter. Prove that you’re thoughtful and have an understanding of the market.

Strengthen Your Query Letters

Every market where I’ve submitted short fiction requires a cover letter. Writing cover letters has taught me how to address editors, present myself, discuss my work, and highlight my accomplishments. This builds confidence in writing and revising query letters to literary agents. Growing my publication history also strengthens my credibility for the next stage of my writing journey.

Give More Than One Story A Chance

I no longer believe I have to withhold myself from other creative work to finish an ambitious project like a novel draft. Novels do take intense focus and persistence, but the reasons above led me to a new strategy.

I’m currently working on a novel during the weekdays and shorter projects on the weekend. This means that by default, the hardest thing gets the bulk of my time. Sometimes, my weekends are writing-free and the stories have to wait, but I’m always making progress.

Though my novel may take a while before it’s ready, all those shorter pieces are out there, being submitted, rejected, accepted, and in any case, read. Don’t withhold your words from the world because your magnum opus isn’t ready.

What’s been your experience juggling short and long projects?
Do you avoid multiple ongoing things at all cost?
How has one form of writing informed another?

 

Source: writerunboxed.com

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Small Moments Make Your Story Big

“A big story is about a small moment.” ~Matthew Dicks

Think about that for a moment (not a small one).

Every book you have ever read is about a small moment—an epiphany when a character realizes an emotional truth with complete clarity.

Let me provide examples:

THE MONSTORE is not just about a store that sells monsters. It’s about a brother and sister who learn to appreciate one another and cooperate.

 

7 ATE 9 is about number 9 realizing his worth.

 

LITTLE RED GLIDING HOOD is about not judging someone before you get to know them.

 

Before I read Matthew Dicks’ STORYWORTHY, I used to phrase this “small moment” concept differently. I would explain that a story, especially a picture book, required an emotional core. Now I realize that is an amorphous blob of a statement.

In other words, not very helpful.

Likewise, if I told you my manuscript was about siblings who learn to get along, that doesn’t sound very enticing, does it? Sounds preachy and boring—been there, done that.

However, frame that sibling story in a shop of misbehaving monsters and suddenly it’s a must-read.

Small moments. They are what make your story BIG.

You may ask, do I set out writing about small moments? NEVER. I begin with an appealing, kid-friendly premise about dolphins or aliens or robots or puppies. If I am doing my job correctly, my main dolphin is not going to be the same dolphin by the end of the story. That dolphin has changed. Not from a bottlenose to a pantropical spotted, but from a mean dolphin to a nice one. Or one who doesn’t believe in narwhals to one who does. That small moment of emotional transformation is what makes the journey through the waves (and the story) meaningful. Otherwise, it’s just splashing in the ocean.

Your small moment appears with the story’s organic evolution. Often, if you begin with a small moment you end up sounding like a big know-it-all. Why? Because you can unknowingly force that theme into being. Never do I write in THE MONSTORE, “Zach and Gracie learned to appreciate one another and cooperate.” SNOOZEFEST. Instead, they open another Monstore together. That’s a lot more fun, and the small moment of transformation shines through.

While STORYWORTHY by Matthew Dicks is about crafting personal storytelling narratives, it contains nuggets of writing gold applicable to picture books. I had a small moment myself when I read about small moments.

So examine your manuscript. Does it contain a small moment? If you hear from an editor that your story requires another layer, that emotional epiphany could be the big answer.

Source: taralazar.com

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9 Quick Fixes For Short Story Writers Who Run Out Of Ideas

It is Short Story Africa Day on 21 June each year! It is the shortest day in the southern hemisphere.

To celebrate, we’re sharing ways to find ideas for your stories. If you are a short story writer and you’re looking for a quick fix, try one of these.

1.  Find Out What Lies Behind The Lyrics

Choose a date. What song was number one on that day? Do some research about the song. Who wrote it? Why did they write it? Who inspired it? Use what you find out as inspiration for your short story.

2.  Use A Writing Prompt

Sign up for a daily writing prompt. Follow people who share them on social media. ‘A prompt can be anything. A word, a line from a poem or a song, a name or even a picture. Anything that gets you writing. Find ones you enjoy.’ (via) Your daily prompt could inspire your short story.

3.  Rewrite A Fairy Tale

Take a fairy take and write it as a modern day story. Change the sexes of the main characters. Choose a random setting. If the tale is too long for a short story, write the beginning or ending as your short story.

4.  Rewrite A Myth

A myth is an ancient story involving supernatural beings, ancestors, or heroes. It is used to explain aspects of the natural world or to show the psychology, customs, or ideals of a society. Examples: The Myth of Creation, Arthur and Camelot, The Rain Queen. Write a myth using one of our 20 Myth Prompts as a short story.

5.  Obsess Over Details

Find one thing that interests you. Keep a file and save these items in it. It can be in a photograph or something you’ve heard. Research it and use it as inspiration for a story. Use this random first line generator to start your story.

6.  Hashtags On Instagram

Choose a topic that interests you. Visit Instagram and click on a hashtag related to the topic. Look at the posts and choose an image that inspires a story. Use this ‘What if?’ generator to enhance your scenario.

7.  Ask Your Followers

If you have a social media following, ask your fans what they want you to write about. Create a poll of some of the ideas you get and write about the one that gets the most votes. Use easypolls or pollcode or pollmaker. Use the embed code to share it on your blog or link it to your social media platform.

8.  Use A Holiday

Which public holiday is next on the calendar. Write a short story about someone who is planning for this holiday, or a story that centres around the holiday in some way.

9.  Write About The Day Your Parents Met

Rewrite the story of your parent’s first meeting. Write it from the perspective of a stranger watching them. Change names, swap the sexes of the characters, change locations. Go!

By Amanda Patterson
Source: writerswrite.co.za

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All Quiet On The Realty Front Released #author #ebooks #realestate

All Quiet On The Realty Front by John Hepburn is now out in eBook (ISBN 9781937520632)  and print book (ISBN 9781937520625)  from First Edition Design Publishing.

First Edition Design Publishing

Released by First Edition Design Publishing in ebook and print book.

All Quiet On The Realty Front is a collection of short stories, all real estate related, some sad, some humorous, some food for thought. Initially written as a promotional, closing or a client gift from a real estate professional to their client, it was expanded due to reader request to be offered to the general reading public as a “fun” read.

First Edition Design Publishing based in Sarasota, Florida, USA leads the industry in eBook distribution.  They convert, format and submit eBooks to Amazon, Apple, Barnes and Noble, Sony, Google, Kobo, Diesel, 3M, Android, EBSCO,  Ingram, Baker and Taylor, Nielsen, scores of additional on-line retailers and libraries, schools, colleges and universities. Their reach is to over 100,000 distribution points in more than 100 countries.  The company also has a POD (Print On Demand) division, which creates printed books and makes them available worldwide through their distribution network.

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