Tag Archives: writers

In the time you spend on social media each year, you could read 200 books

Somebody once asked Warren Buffett about his secret to success. Buffett pointed to a stack of books and said,

Read 500 pages like this every day. That’s how knowledge works. It builds up, like compound interest. All of you can do it, but I guarantee not many of you will…

When I first found this quote of Buffett’s two years ago, something was wrong.

It was Dec. 2014. I’d found my dream job. Some days, I would be there, sitting at my dream job, and I would think, “My god what if I’m still here in 40 years? I don’t want to die like this…”

Something wasn’t right. I’d followed the prescription. Good grades. Leadership. Recommendations. College. Dream Job. I was a winner. I’d finished the race. Here I was in the land of dreams. But something was terribly, terribly wrong.

Every day, from my dream job desk, I looked out into their eyes. Empty, empty eyes.

There were no answers.

In January of 2015, I found Buffett’s quote. I decided to read. I was going to read and read and read and never stop until I got some damn answers.

I didn’t quite make 500 pages a day, but, in these last two years, I’ve read over 400 books cover to cover. That decision to start reading was one of the most important decisions in my life.

Books gave me the courage to travel. Books gave me the conviction to quit my job. Books gave me role models and heroes and meaning in a world where I had none.

I want to say reading 200 books a year is an amazing thing. But the truth is, it’s not. Anybody can do it.

All it takes is some simple math and the right tools.

1. Do not quit before you start

When average Joe hears the advice “Read 500 pages like this every day,” his snap reaction is to say, “No way! That’s impossible!”

Joe will then go on to make up reasons to justify his belief without doing any deep thinking at all. These might include “I’m too busy,” “I’m not smart enough,” or “Books just aren’t for me.”

But what if we go a little deeper? For example, what does it actually take to read 200 books a year? Two years ago, I stopped to do the simple math. Here’s what I found: Reading 200 books a year isn’t hard at all.

It’s just like Buffett says. Anyone can do it, but most people won’t.

2. Do the simple math

How much time does it take to read 200 books a year?

First, let’s look at two quick statistics:

  • The average American reads 200–400 words per minute (Since you’re on Medium, I’m going to assume you read 400 wpm like me)
  • Typical non-fiction books have ~50,000 words

Now, all we need are some quick calculations…

  • 200 books * 50,000 words/book = 10 million words
  • 10 million words/400 wpm = 25,000 minutes
  • 25,000 minutes/60 = 417 hours

That’s all there is to it. To read 200 books, simply spend 417 hours a year reading.

I know, I know. If your brain is like mine, it probably saw “417 hours” and immediately tried to shut off. Most people only work 40 hours a week! How can we possibly read for 417 hours?

Don’t let your monkey brain turn you away yet. Let’s do a quick reframe for what 417 hours really means…

3. Find the time

Wowsers, 417 hours. That sure feels like a lot. But what does 417 hours really mean? Let’s try to get some more perspective.

Here’s how much time a single American spends on social media and TV in a year:

  • 608 hours on social media
  • 1642 hours on TV

Wow. That’s 2250 hours a year spent on TRASH. If those hours were spent reading instead, you could be reading over 1,000 books a year!

Here’s the simple truth behind reading a lot of books: It’s not that hard. We have all the time we need. The scary part—the part we all ignore—is that we are too addicted, too weak, and too distracted to do what we all know is important…

All it takes to start reading a lot more is to take “empty time” spent Twitter-stalking celebrities or watching Desperate Housewives and convert some of it to reading time.

The theory is simple. It’s the execution that’s hard.

4. Execute

We all know reading is important. We all know we should do more of it. But we don’t. The main reason this happens is a failure to execute.

I’m not so perfect at it yet, but here are some tactics that have helped me get results.

I. Use environmental design

If you were quitting cocaine, would you keep it lying around the house? Of course not. Media is designed to be addictive. Moving away from media addiction can be as difficult as quitting drugs.

The biggest bang-for-buck changes here are environmental.

If you want to read, make sure (1) you remove all distractions from your environment and (2) you make books as easy to access as possible.

As an example, here’s my immediate environment:

from original
(Charles Chu)

I travel a lot. That doesn’t stop me from reading. The picture on the left is of my “bookshelf” in Thailand. I try to keep books everywhere so I can just pick one up and start reading.

The picture on the right is my smartphone desktop. Notice there are only two apps. One of them—the Kindle app—is for reading. The other is for habits… Which brings me to my next point.

II. Upload habits

Willpower is not a good tool for lifestyle change. It always fails you when you need it most. Instead of relying on strength of mind, build a fortress of habits—these are what will keep you resilient in tough times.

If you’re not familiar with habit science, my favorite book on the subject is Tynan’s Superhuman by Habit. It’s infinitely practical, and practical is all I care about.

Getting good at habit formation took me years. Many of the mistakes I made were avoidable. If I could go back, I’d find a habit coach. Here’s how I see it. One game-changing idea from a good book is worth thousands of dollars. If a coach helps you read ONE more good book a year, you already get your money’s worth.

(A shout out to Cherry Jeffs and Nathan Sudds, two coaches who have helped me out a lot.)

III. Go multi-medium

When it comes to reading, be a jack of all trades, not a specialist.

If your goal is to read more, you can’t be picky about where you read or what mediums you use. I read paper books. I read on my phone. I listen to audiobooks. And I do these things everywhere—on park benches, in buses, in the toilet… Wherever I can.

Make your reading opportunistic. If you have a chance, take it. If you don’t have a chance, find one.

I read a book one day and my whole life was changed.

— Orhan Pamuk

If I hadn’t started reading, perhaps I’d still be at my dream job. Perhaps I’d still be at my desk, taking peeks at the clock and wondering if that was how I was going to die…

If you’re looking for answers, give reading a try. You may find much, much more than what you were looking for.

Source: qz.com

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Your Story Matters (Or… What a Reader Wants You to Know)

Hi, dear Villagers! *waves*

Let me take a brief moment to introduce myself. I’m Carrie, aka MeezCarrie, of ReadingIsMySuperPower. And I LOVE STORY!! I love short stories. I love epic stories. I love in between sized stories. I love contemporary stories. Historical stories. Mystery stories. Amish stories. Even some speculative and YA stories.

But most of all? I love THE Story. The one that starts with the ultimate ‘once upon a time’ – “In the beginning, God created the heavens and the earth” (Genesis 1:1) – and ends with the best ‘happily ever after’ ever (Revelation 21:4)

Because we are all part of that Story.

Yes, we all have a story in progress that is our own life. But everyone we meet does, too. And all those stories-in-progress are part of the Big Story that God is telling. Let me tell you – that is SO exciting to me!

I’m one of the new Seekerville bloggers, but I’m not seeking publication. I’m content to read other people’s stories and talk (incessantly) about them. But that up there? What I just said about being part of God’s Story?

That means I’m sorta like all the rest of y’all.

In a small way.

Ok.. not at all the same.

BUT… I am part of the greatest Story in the world. And so are you. That’s pretty stinkin’ incredible. The Author and Finisher of my Faith is telling a Story about me and about you. And He has promised to keep writing it until it’s completed – not when I die or when you die, but until the day Jesus returns. (Philippians 1:6)

Back in November, I had the pinch-me privilege of speaking with Cynthia Ruchti at the Art of Writing Conference just ahead of the 2017 Christy Awards gala. We talked about the darts of author discouragement and how to dodge them. After our session, a woman came up to me in tears. She whispered, “I didn’t know anybody else knew how I feel.” And then we both were in tears lol!

Author friends – can I encourage you a moment? You’re not alone. Writing may be a solitary career but the discouragements are consistent. Fear of rejection. The reality of rejection. Fear of the  possibility of a bad review. The depths of despair over an actual bad review. Your family doesn’t take you seriously. Your friends don’t take you seriously. It doesn’t pay the bills. It barely pays for coffee.

Oh… wait… I was supposed to be encouraging you. LOL.

I really was headed here, I promise.

You’re not alone. And you’re not left defenseless.

God has given you each other, and He has given you His Word. Community and grace wrapped up in a safe place like Seekerville.

You want to know another secret? YOUR STORY MATTERS.

Yep. I went there: all caps.

Because it’s so incredibly true and so incredibly important to understand.

The story you’re writing matters.

That story you’ve agonized over. The one that’s kept you up all hours of the night. The one that may or may not currently be taunting you with a blinking cursor of ‘I got nothing’. It matters. Even if no one else ever reads it. Even if no agent or publishing house wants it. Even if your beta readers and editors send it back with more tracked changes than you had words to start with.

Your story matters. Believe it. And believe in it.

But you know what? The story that God is writing in you and through you matters most of all. He is making you more like Jesus every day. He knew you before He formed you in your mother’s womb, and He had already had plans for your life. (Psalm 139, Jeremiah 1) He created you as a writer before you even had fully developed hands to hold a pen or tap away on a keyboard. Even better – He knew your role in His Story before you ever made your grand arrival on planet Earth. And that story matters on a scale we can’t even begin to imagine.

Maybe you’re like me and the only thing you write is a blog post… or a grocery list. Your story matters too. God placed you in His Story at just the right time and in just the right place so that you would come to know Him (Acts 17). He pursued you with an everlasting love and has engraved you on the palm of His hand. (Jeremiah 31, Isaiah 49). Think about that for a second – you matter so much to the God of the Universe that those nail-scarred Hands have your name on them.

Your story matters. Believe it. And believe in it.

I know good stories. I’m surrounded by them, à la the Dr. Seuss method of decorating. All the crannies, all the nooks, etc. This Big Story that God is telling is a good story. It’s the best story. It’s the standard by which all other stories are measured (whether they realize it or not). It’s also a true story. This fairy-tale to beat all fairy-tales – a prince on a white horse come to vanquish the enemy and rescue his bride – that’s OUR story (Revelation 19).

So when you’re tempted to throw in the towel and give up on your story – the one you’re writing or the one you’re living – remember this:

Your story matters. Believe it. And believe in it.

By Carrie Schmidt
Source: seekerville.blogspot.com

Visit us at First Edition Design Publishing

How to Spark Your Story With an Inciting Incident

If you are planning on writing a story, there is something you need to consider besides basic plot structure. You need to determine your Inciting Incident.

What incident will compel your protagonist to act?

What Is an Inciting Incident?

I am reading The Story Grid by Shawn Coyne and Story by Robert McGee to learn how to write a compelling story. Both Coyne and McGee emphasize the importance of writing a compelling inciting incident.

To incite means to stir, encourage, or urge on; to stimulate or prompt to action.

An inciting incident, then, is an event that forces your protagonist to act, compelling them to stop sitting around and do something.

Shawn Coyne has this to say about inciting incidents:

No matter the unit of story (beat, scene, sequence, act, or global Story) what the inciting incident must do is upset the life balance of your lead protagonist/s. It must make them uncomfortably out of sync . . . for good or for ill.

Robert McKee agrees:

If the protagonist’s toaster breaks it won’t compel her to get a job because she can afford to buy a new toaster.

However, if her bank manager steals all of the money from her account and flies to Brazil, she will be compelled to get a job. She is forced to act.

As Robert McKee says,

The protagonist must react to the Inciting Incident.

Why Do You Need an Inciting Incident?

If nothing happens to your protagonist you don’t have a story. Something has to happen.

Without an inciting incident nothing meaningful can happen. And when nothing meaningful happens, it’s not a story. —Shawn Coyne

If the story I am writing is about a toaster, but my toaster doesn’t do anything but sit on the counter, there is no story.

If the toaster catches on fire and burns down the house, then there is a story. Will the toaster get caught? Will the fire department blame the cat? Can the toaster be repaired?

How Does an Inciting Incident Happen?

An inciting incident can happen in one of two ways:

  1. By choice
  2. By accident

The protagonist might choose to adopt six cats, buy a one-way ticket to Japan, or decide to enter a hairy leg contest. All of these inciting incidents would compel the protagonist to take action.

Inciting incidents that are not by choice can happen as a coincidence, randomly, or as an accident. The protagonist meets a Naval Officer at a bar. A cat climbs into the protagonist’s lap and refuses to leave. You thought your flight left Bangkok at two in the afternoon, but it left at two in the morning, and there are no flights for another three days and you have spent all of your money.

No matter whether the inciting incident happens by choice or by accident, Robert McKee says it should occur “in the first 25 percent of the telling, no matter what the medium.”

If the writer, playwright, or screenwriter waits too long to incite the protagonist to action, the reader or audience might get bored and not continue with the story.

How Do You Resolve the Inciting Incident?

Shawn Coyne says the ending of a story must have two things:

  1. The ending must be reasonable and an inevitable result of the inciting incident.
  2. The ending must be surprising.

He gives examples of inciting incidents from different genres that have climaxes that are expected.

Murder mystery

  • Inciting incident = the discovery of a dead body
  • Climax = solving of the crime

Love story

  • Inciting incident = lovers meet
  • Climax = will the couple stay together?

Horror novel

  • Inciting incident = attack by the monster
  • Climax = confrontation between lead character victim and the monster from the inciting incident

An inciting incident creates chaos in the life of the protagonist. The story occurs when the protagonist tries to get their life back into balance. As Robert McKee says,

Characters are what they do. Story events impact the characters, and the characters impact events.

The climax or resolution of the story will put the protagonist’s life back together in some sort of new way, for better or worse. Hopefully, it will put their life back into balance.

What will your protagonist do? What is going to incite them to take action? Please let me know in the comments.

By Pamela Hodges
Source: thewritepractice.com

Visit us at First Edition Design Publishing

Reality Check for Authors … What Were You Thinking?

I’ve often said that authoring can be (and is at times) a lonely number. When you are hunkered down, the less “outside” noise, the better. When you are wondering,

What was I thinking when I thought (and told everyone) I could write a book?

… it can be a scary thought. When you are taking on the role of publisher, it could be your Holy Moly moment.

Those of us who are long-in-the-tooth in the publishing world get all those feelings, thoughts and experiences. And one thing we all know, is that YOU are not alone. Ever. There are gazillions of authors and authors-to-be who go through those same moments. What was I thinking …

I’m a HUGE supporter of creating an Author Inner Circle. An AIC that serves as a trusted advisory board … just to you. Your AIC knows you, what your book is about, helps shape your publishing plans, and acts as a reality check.

Throughout the publishing journey, authors need feedback, reality checks and plain old-fashion butt-kicking. And authors need a little kindness. Few think about putting together an “official” type of board to serve in the feedback/reality check/butt-kicking honors. An Author Inner Circle … a type of Advisory Board. Do you have one? Have you thought about creating one?

Who Belongs in Your Author Inner Circle?

It’s a new year. How about creating yours? Your Author Inner Circle … trusted colleagues, friends, and always individuals who have “been there, done that.” Most likely, Mom, Dad and your siblings are not included. The exception would be that they are experienced in publishing on their own—otherwise, you take a pass on them.

What you want are individuals who “get it” … they have an inkling of what is going on in the publishing business. They are also someones who:

  • have a kaleidoscope of business experience;
  • are connected with others;
  • have a sense of humor;
  • will say it as it is;
  • will call out the elephant in the room (which could be you);
  • love to brainstorming and bounce off-the-wall ideas around;
  • move you to action;
  • get what social media marketing is about;
  • will embrace your Vision for your book and where you want to go with it.

That’s a lot of someones … individuals who rarely will encompass all the ingredients as a single person.

Here are my nine someones that can make the difference between success and failure in your publishing endeavors:

  1. You want someone who has got an inkling of what is going on in the publishing business. We all know publishing is in a combo evolution and revolution. Who is out there in the midst of it?
  2. You want someone who gets your Vision for your book and where you want to go with it. She or he gets it; gets you; and becomes your cheerleader. The passion you have and amount of time, energy and money you invest in your commitment to your book project is understood and supported.
  3. You want someone who is connected with others and opens doors. Yes you do—someone with a phone call, text, or email request can get you to a source—someone who knows someone else that can smooth your way or offer assistance.
  4. You want someone who has a kaleidoscope of business experience. Absolutely—one of the key failure factors in the authoring/publishing business that most authors don’t recognize. This person gets a P & L, understands contracts and negotiating. If he or she knows publishing, it’s a bonus.
  5. You want someone who loves brainstorming and off-the-wall ideas. Eccentric, a tad wacky—you name it, this person walks to a different tune … most of them you don’t get, but once in a while, your unique and odd-ball someone hits it out of the park.
  6. You want some who gets social media marketing. But there’s a catch, this person has to be able to articulate knowledge/concept/game plan in your mother tongue what he or she is saying and you understand it. It doesn’t mean that you are going to be the full time implementer of what social media you are creating and using. For me, I write mine—but I don’t push it out. I have someone on my team that does that task daily.
  7. You want someone who has a sense of humor. Not only can authoring and publishing be lonely at times as you tunnel yourself into the completing of your book—there are booby traps along the way. Being goofy can be a good thing.
  1. You want someone who will say it as it is and not side-step any elephant in the room, including you. Let’s face it; we all get stubborn at times; quite myopic in the author paths we get into our head. You need a reality checker. Who is out there and has the guts to tell you that you are off your authoring/book rocker?
  2. You want a “Go-Go-Go” person who gets you into action. No butt-sitting allowed or procrastination allowed.

As you start to build this team of individuals, take little steps. You may instantly know who will fill several of the slots I suggest. You may have other categories based on your genre that need to be added. Some, you will interact with one-on-one via phone, in person, or an online platform. Some, you might gather over Zoom, Go-to- Meeting, Skype or other online video mediums. And some may be let’s get together for breakfast or lunch.

This is a time I will say to you, just do it … it’s a new year for you and your publishing.

By Judith Briles
Source: thebookdesigner.com

Visit us at First Edition Design Publishing

Kill Perfectionism With This One Practice

It can feel impossible to know where to start writing.

We can become paralyzed by fear, worrying our words will offend or bore readers, or worse, that we’ll never have any readers at all.

If we jump in, we might quickly find ourselves nose-deep in all the complications of story writing, tangled in plot, character development, and dialogue tags. Or a Google search might drown us in writing advice, suddenly flinging us into an identity crisis — who are we, why do we write? Are we plotters or pantsers? How can we even know the difference? *hides under desk*

This isn’t just a problem for newbies, either.

The Story of a Perfectionist Writer

Despite having been a published nonfiction writer for over a decade, when I wanted to branch into fiction writing, I had no idea where or how to start.

As a planner, it made sense to me to begin with an outline. I started there, but pretty soon I became bogged down in perfectionism, trying to think the whole story out before beginning to write it. The story screeched to a halt.

I’d heard many stories are character led, whatever that meant, so I created a character; a gruff, bristly cowboy, leaning up against a barn, with a cigarette smouldering between his thick fingers. Unfortunately for him, that was all the depth I could give him without the context of a story. Years later, when I’d think of him, he’d still be standing there, smoking that same cigarette, isolated and alone without a plot to live in. Poor guy.

My solitary efforts yielded nothing, so I read. And researched. And listened to podcasts and watched videos. (A perfectionist’s fancy way of procrastinating.) In the swirl of information, the identity crisis hit. Who was I? Why did I want to write fiction? Was the ability inborn, or could I learn it?

Pretty soon I was convinced fiction writing was too complicated for me.

The Advice That Transformed My Writing

Finally I invited my friend for coffee and to beg for advice. She’s an avid fiction author who pumps out at least one book a year and has thirty titles to her credit, so I knew she’d have some excellent insight.

“How on earth am I supposed to do this??” I asked her. “How does one create a story?” I leaned in, eager for the key to my fiction-writing success.

She shrugged. “You just write it.” She said it matter-of-factly, like it was as obvious. To me, it was obviously wrong. That’s what I’d been trying to do, and it wasn’t working.

“Just write it? I can’t do that. I need a plan.”

“No you don’t. I start most stories without a plan. As I write, the story comes.”

“What?! That’s insane!”

She shrugged again. “You might end up writing a whole lot of crap, but if you keep going, you find the good stuff.”

I didn’t buy it, but let the advice percolate. Writing was too difficult a task to risk “writing crap.” I couldn’t bring myself to do it.

Then, in the book Outlining Your Novel, K.M. Weiland proposed two words that changed my life: “What if?” I realized finding the answer would necessitate a lot of dead-end scenarios. I would have to jot down a lot of crummy ideas and terrible plots before I came up with the best one. I would have to allow those incomplete, embryonic, never-to-see-the-light-of-day ideas out onto paper.

That’s when I realized my friend’s advice was true. I would have to “just write it.”

That morning, I sat to write a fiction piece. Anything. It didn’t matter. I was just going to make it up on the spot. Even if it was crap, I decided, it would at least blunt the perfectionism that had held me back.

Inspired by a painting, I wrote one line. Then another. I kept adding one after the other without knowing anything about who was in the story or why. It was a freeing exercise to “just write.” What resulted was a mediocre story that had a reasonable plot and semi-inspiring conclusion.

3 Lessons About Perfectionism From a Writer Who “Just Wrote”

The experience taught me three things:

1. Giving yourself permission to write total crap quiets perfectionism

Perfectionism isn’t necessarily bad. In its healthy state, it can drive us to achieve goals and feel a deep sense of satisfaction as a result. In its unhealthy state, though, it can freeze us with fear or cripple us with self-criticism. That’s the version we need to break free from.

It starts with giving ourselves permission to not be perfect — to write crap.

With that permission firmly in place, it becomes this decision to conduct an experiment, the results of which do not define us or our abilities.

This one, highly effective, low-risk decision can make an effective path through perfectionism. It sure did for me.

2. Permission to write crap unlocks creativity

Creativity is a cautious, tender creature. It hides from anything that might kill it — like the pressure we put on it to be something it isn’t.
However, with the decision to cast aside high-achievement and simply run an experiment, suddenly the pressure to write the next Harry Potter dissipates, and we’re free to let whatever we think of flow onto that blank page.

Permission to write crap unlocks creativity.

“It’s about getting that critic out of the way and immersing yourself in a flow of pure creativity. Do that, and you’re doing well.” Sean Platt, Write, Publish, Repeat

3. To grow in the craft of writing, one must write

Research, reading, thinking, or “letting it percolate” do not a book write. They’re necessary to the process of writing, but they are not the only elements.

Knowing and doing are two different things — it’s the difference between knowledge and experience. One can become knowledgeable about driving by reading books, interviewing the best drivers and car manufacturers, and studying related stats.

When they get in the car, though, the realities of the experience come to life. Hundreds of traffic signs, lights, pedestrians, and flashing ads all pull attention from what seemed like a simple task. Understanding is born.

Sometimes, perfectionism is just a cover for procrastination.

The Secret to Writing Success

Here it is: At some point, every single writer must finally follow these three steps: 1) Place butt on chair. 2) Place fingers on writing apparatus. 3) Write words.

Give yourself permission to do just that, and who knows what stories you’ll create?

What strategies do you use to overcome perfectionism in writing? Let us know in the comments.

Source: thewritepractice.com

Visit us at First Edition Design Publishing

Encouraging Words for Writers: 3 Essential Reminders for Struggling Writers

There are a lot of things that stop us from writing. Fear of failure, discouragement, and exhaustion are my big three. Sometimes, what we need to push through those barriers is a reminder of who we are and why we do what we do. We need someone to come alongside us and speak encouraging words for writers.

We need to be told again the stories that have led us to the place we are now.

3 Encouraging Reminders for Writers

On the wall of my office, I have a collage of quotes and pictures that have inspired me. Each quote represents a story from my past. I read over them whenever I need a boost of encouragement (which is at least once a day).

These encouraging words for writers are a wonderful source of strength for me. Many of the quotes on the wall are from friends and family who had the right words for me at the exact right time.

Here are three I lean on regularly to get me through rough patches.

1. “Work the process.”

My mentor said this to me at a moment when I was completely lost.

Things at work were falling apart. Several projects had started to break down at the same time, another staff member had verbally attacked me in a staff meeting, and I was being accused of something I didn’t do. On top of that, the organization I worked for was in financial trouble and I wasn’t sure we were going to turn things around.

I called my mentor to ask for help because I had no idea what to do next. We sat in an empty hallway in the basement of the building. It was late and everyone had gone home. Leaning against the painted cinderblock wall, I explained to him in detail everything that was going wrong and all the extravagant plans and drastic measures I had designed in my head that would turn things around.

After hearing me out, he said, “Work the process.” I asked him to explain.

“Don’t do anything extravagant. Don’t take drastic action. There are processes in place. Work the process.”

Often as a writer, I work myself into a dark place. I begin to feel like my writing is worthless. I grow discouraged and lose focus. I find a thousand things to do instead of writing the next chapter.

When I get in that head space, I remind myself to “work the process.”

There is a process to my writing. I write after my family has gone to sleep. I sit at my kitchen table with my laptop, a drink, and a notepad, I skim the last chapter I wrote, I look at my outline, and then I write the next chapter.

When life is hard and I don’t feel like writing, the process keeps me focused and moving in the right direction.

It’s not extravagant. It’s not drastic. It is mundane and routine; and when things get hard, that’s exactly what we need.

2. “No one is going to die on the table.”

I wasn’t prepared for the pre-med course load I took on my sophomore year of college.

My freshman year, I’d been a music major. Since the classes were mostly about performing, I’d been able to wing it with a minimal amount of preparation. Instead of working hard in the practice rooms each day, I learned to play racquetball and became a regular on the basketball court.

Predictably, my disdain for practice made it clear to me and my teachers that I wasn’t going to cut it as a musician, so I decided to pursue one of my other interests, science. While I loved the classes, I was not prepared for the amount of studying that was required.

By the time I got to my midterms, I was way behind in multiple classes.

The night before three tests, a group of friends who were in class with me came over to study. We blew through our biology and chemistry notes in our first three hours together and I felt good about my prospects in the morning.

A little before midnight, we began studying for physics. I hated physics. Sitting at my small round kitchen table, my friends rattled off formulas, made up problems for one another, and answered practice questions with ease. I, on the other hand, was completely lost.

After an hour and a half of trying to “get it,” I excused myself from the study session, claiming I needed to get something from my bedroom. Hiding in my closet so no one could hear me, I began to cry. I called my dad and explained through tears what was happening. I was sure I was going to fail the test and it was too late for me to do anything about it.

After calming me down, he said several things to me that night that have stayed with me. One of which was, “Listen, if you fail tomorrow, no one is going to die on the table.”

Dad was a surgeon who primarily saw high-risk patients. When someone got to him, it was life-or-death. If he messed up or came to work unprepared, someone might literally die on the table.

The words he gave me that night were a fantastic reality check that I’ve used again and again. They’ve helped me take risks and push through fear. When my fear of failure begins to slow me down, I remember sitting in my closet and getting a good dose of perspective from my dad.

Through the years, fear has stayed with me. It is the greatest enemy of writing. Many nights I will sit down to write a chapter and hear fear in my ear whispering, “You’ve got nothing. You’re not a real writer. Stop kidding yourself. You’re going to fail.”

When that voice comes around, I remind myself of the stakes. If I write a terrible chapter, no one is going to die on the table. I’ll just erase it and try again tomorrow.

Having a refreshed perspective helps me move through fear and write.

3. “The tension is good.”

It was after midnight. My friend and I were alone on the second floor of a bar. On the table in front of us were stacks of meeting notes and ideas we’d sketched out together over the years. We were drinking coffee, talking about a non-profit we were both serving, and dreaming up ways to solve all the organization’s problems.

There were some amazing things happening in the organization. We were seeing real breakthroughs in the community we served and people were being helped.

At the same time, we could feel the organization hadn’t reached its full potential. We knew what it could be, but we weren’t sure how to get it there.

We thought that maybe, if we tweaked this one process, or increased our effort in this one area, or redirected resources to this other direction that we would see a breakthrough.

Caught in the tension between the good we were doing and the good we wanted to do, I began to complain. I whined about wanting the future to arrive already, and how I didn’t want to have to wait for changes to take hold.

After I finished another pointless rant, I remember my friend smiling at me and saying, “Don’t rush it. The tension is good.”

He was right. If we had made the changes right away that I wanted to make, we would have failed. Things that looked like a good idea at that moment were actually terrible ideas. Moving slow and making careful and strategic changes helped us see different paths and solutions that weren’t immediately apparent.

As a writer, I often find myself with a problem I can’t fix easily. For me, it usually has to do with plot. I’ll work myself into a hole in my story that I can’t get out of.

Weighed down by exhaustion, my gut tells me to just ignore it, hope readers won’t notice, and rush to the end. I tell myself, “Just publish it and move to the next one.”

Unfortunately, I’ve learned the hard way that readers always notice.

The phrase “the tension is good” has served over and over again to remind me that some problems need to sit. They can’t be solved right away. Instead, they need to be thought through because marinating in the tension will produce a better result.

Encouragement for the Journey

Those are three of the memories that bring me inspiration and encouragement. When I’m stumped in my writing, overwhelmed, afraid, or all three at once, these encouraging words for writers remind me that I will make my way through.

No, my writing isn’t perfect. But the process works. No one is going to die on the table. And the tension is good.

When you hit a rough patch, what encouraging words for writers do you lean on? Let us know in the comments.

By Jeff Elkins
Source: thewritepractice.com

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6 Things Writers Can Do This Holiday Season

Halloween is in the distant past (as is summer), Thanksgiving is behind us, and the Christmas season is in full swing. This is traditionally the time when the publishing business slows down, folks go on vacation, the holidays consume us, and not a lot gets done until after the new year.

I’m not sure if that still holds true or not. In this age of instant communication, maybe it’s just as easy to accept or reject a manuscript at home, on the train or bus, or even in the car (in the passenger seat, of course) as it is in the office. Needless to say, every publishing house, editor, agent, and writer does it differently. Many writers self-publish these days and can work around their holiday festivities with no worries about publishing houses slowing down during the last month of the year.

Aside from wondering if this holds true, I also want to mention how easy it is to put our writing on the back burner and take it easy for a while. If that works for you, and you don’t feel guilt or pressure, I say go for it. If, though, you’re like me and would rather know you’re on top of things in your little corner of this profession, you’ll continue doing what you always do.

You’ll people-watch. Malls are great places to watch others as they run from store to store, lugging around their latest purchases and cursing themselves for not leaving their winter coats in the car. You’ll see exasperated parents, cranky toddlers, whiny teenagers, bored middle-schoolers, frantic retail employees. You’ll see men and women who truly want to be there shopping their hearts out, and you’ll see others who gladly would give you a kidney on the spot if you would just get them out of there.

You’ll eavesdrop. Everyday conversations are interesting enough, but add in the stress and hustle-bustle of mall-shopping, and you’ve struck dialogue gold. Shopping is tough from the get-go; add in a heavy coat, bags of purchases whose handles, whether twine or plastic, are threatening to cut off the circulation to your hands at any moment, the food court and its horde of hungry humans, and the lines–let’s not forget the long lines–and you’ve got some juicy dialogue to steal.

You’ll take notes. Neither of the above activities will be worth a hill of beans if you don’t take notes. Dictate what you hear and see into your phone (and you’ll have the added advantage of looking like a spy), so all those gestures, words, and whining you’ve culled from your day of snooping won’t be forgotten.

You’ll continue journaling, writing devotionals, free-writing, or whatever you do with your computer when you’re not actually writing or editing (and Free Cell doesn’t count) your latest work-in-progress, if for no other reason than to keep your work fresh and in the forefront of your mind.

You’ll keep up with your blog posts, or at least warn your readers that you’ll be back in a couple of weeks. While I don’t personally have as much time to read blog posts during the holidays as I do during the rest of the year, I do look forward to a few of them and would wonder where they went if I wasn’t told in advance. It’s just common courtesy. You might also want to write some blog posts, tweets, etc., ahead of time and schedule them with Edgar or some other site that will do that for you. That allows you the freedom of not having to worry about missing important obligations.

And finally, I sincerely hope you’ll remember what this season is really all about and enjoy yourself, your family, the food, fun, and parties, the meaningful church activities, and all the traditions that surround you and your loved ones. No, we can’t forget we’re writers and losing a month out of the twelve we get each year will no doubt cause you to do some catching up come January. But a little forethought and a few minutes each day devoted to what you do best will go a long way in keeping those January blues at bay.

Maintaining an orderly work life is important, but that pales in comparison to the memories you’ll make with your family and loved ones. A little bit of planning will go a long way in giving yourself the freedom to truly enjoy the holidays and all they entail.

Source: authorculture.blogspot.com

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When to Do That Stringing-Words-Together Thing with Hyphens

These people at Daily Writing Tips  put out a lot of great articles for writers. This latest one is by Mark Nichol
 The negotiator is described as working behind the scenes. When that phrase appears in isolation, as an adverbial phrase rather than as a phrasal adjective modifying a noun that follows, no hyphenation is needed, but here, it serves the latter function: “Who was the behind-the-scenes negotiator who facilitated the deal?”When are hyphens required to string together a sequence of words, and when are the hyphens extraneous? The following sentences, each with a discussion and a revision, illustrate the syntactical situations in which they are necessary and when they are superfluous.

1. Who was the behind the scenes negotiator who facilitated the deal?

The negotiator is described as working behind the scenes. When that phrase appears in isolation, as an adverbial phrase rather than as a phrasal adjective modifying a noun that follows, no hyphenation is needed, but here, it serves the latter function: “Who was the behind-the-scenes negotiator who facilitated the deal?”

 

See the rest at Daily Writing Tips

 

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The Why and How of Developing a Blog Strategy

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Another great post over at BadRedHeadMedia!

Blog

In my continuing series where I answer questions asked by YOU (in this case, this question comes from writer Camela Cami Thompson), staff writer Naomi Blackburn takes on ‘What is a blog strategy and is it important for authors to have one?’ Thanks Camela for a fab question! Here you go….

 

I am always shocked when authors ask me if they have to blog. My resounding YES always leads to, “But I don’t know what to write about!”

Why Blog?

Blogs are wonderful because they give authors an opportunity to take an active role in marketing their works to their readers while also providing a way to network with other authors. Let’s face it. Before an author has name recognition by the public, a chunk of the effort is focused on relationship building with a readership base. What better way than a blog to help to facilitate this?

Develop a Blog Strategy and Calendar

As with everything in the business world, the key to success is always in the planning. Developing a blog calendar and strategy allows for seamless posts and provides alternatives to marketing and social media opportunities besides shouting “BUY MY BOOK!”

First, decide what you want to blog about. Ask yourself:

  • Is it close to the subject matter of my works?
  • What do I want my “brand” to be?
  • Who do I want my target audience to be?

Maybe you want to be recognized as a dynamic professional, such as Molly Greene, who is an author of romantic mystery fiction, but writes a blog specifically focused on blogging for authors. Or do you want to focus on your readers and write on topics close to the genre of your books? For example, maybe you write romantic fiction and want to use your blogs to discuss suggestions for romantic interludes with that special someone.

The next step in your blogging strategy is to plan out a list of topics on a calendar. For example, I have a desktop calendar that has my topics listed for the next three months. Having a calendar with mapped out blog post topics allows me to write ahead. My calendar is based on the topics for my forthcoming book, The Author CEO: The Book. Preplanning also allows for emergency posts and/or guest posts, as needed. Have a new book in the works? Having a blog calendar allows for scheduling pre-release blog posts announcing the new release.

(On this note, I am of the opinion that everyone must have a professional blog, no matter who the target audience is. Since your blog is essentially your corporate image, I always recommend hiring a professional to develop the site that hosts the blog.)

Still Not Sure What to Write About?

One of my favorite posts by Molly Greene that I frequently recommend to clients is 101 Blog Topic Ideas. The post is divided into several categories and Molly, in her own pithy way, addresses numerous topics—from supporting other authors to showcasing one’s own work.

Networking with authors is critical in blogging. It can get very difficult to come up with fresh ideas. Always having that “spot on” blog post can become stressful. Furthermore, the lack of networking and only writing for your own blog can lead to isolation, which not only costs you in terms of visibility, but also in potential lost opportunities for cross-promotional blog posts. So, come up with ways to have guests on your blog, and offer posts to others who may also be looking for fresh or new content.

I know that I am not an “expert” in everything. Being able to host subject matter experts—such as an author attorney writing on Copyright, Fair Use, and Book Reviewers—on my blog allowed me to present my readers with information I wouldn’t have otherwise been able to provide them.

Editing Matters

Regardless of what topics you choose, I can’t stress enough the importance of using an editor or, at the very least, having someone else review your posts. It drives me crazy when I see mistakes in author’s blog posts. This is your business. This is your craft.

Think about your favorite company. What would you think if you were looking at their marketing material and it was laden with mistakes? Would you think less of them? I recently had the chance to review an author’s blog. She had done a wonderful job of coming up with topics. One of the headings was a recipe section that contained some fantastic-looking recipes. As I went through them, I saw that they were loaded with typos, and some even had a couple of ingredients missing from the directions area. What was I to think?

In The End

So, what are you waiting for? Blogging is a must-do marketing opportunity for authors, and is also another outlet for creativity, interaction, and fun. Because I consider blogging to be such an important aspect of every author’s business development plan, I think it is worthwhile to bring in a blogging coach to learn the ins and outs of successful blogging. After all, it’s your business at stake, why not invest in it?

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A Checklist for Considering Writers’ Groups

 

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From the good people at AuthorCulture

WEDNESDAY, JULY 30, 2014

 

People have a variety of viewpoints when it comes to belonging to the writer’s group or workshop. Some authors like Dean Koontz abhor them. Some say they will cause you to quit writing or destroy your writing style. Others say they could not write without them.

I have experienced both points of view. Over the years, I have belonged to three writer’s groups. The first was the Frisco (Texas) Writer’s Group. It was a hybrid group. Some sessions focused on the learning the business of writing. Other sessions were for critique. Over time, I outgrew this group of mainly want to be writers. I attended the group from 2006 through 2009.

While attending the first group, I learned of the Dallas-Fort Worth Writer’s Workshop. It is a larger group with many full-time and published writers. They sponsor the DFW Writer’s Convention. In 2008, I attended convention.

I joined the DFW Writer’s Workshop in 2009. I was a paid member through 2012. For several years, I drove twenty-five miles each way through heavy Dallas – Fort Worth traffic and freeway construction to attend the group.

The meetings had a set agenda. They began with an introduction of guests and new members. Next was a time of sharing submissions, rejections, being asked to send a full manuscript, and getting an agent. You could also sign-up to read. You were assigned to critique groups for the evening. There you read. Then others commented on your work. You did not respond to their comments. The comments were extremely helpful and required a thick skin at times. The group has been around since 1977. Over the years, members have had over 300 traditionally published books. The group charges $100 per year to be a member. It meets 52 weeks a year.

I had published over two-dozen magazine articles before joining the group. I credit the group with keeping me motivated. It caused me to look at my writing at a level I did not know existed. It provided encouragement as I witnessed fellow members being published. The group was a first-amendment group where you could write anything. The critique group helped me write, as I needed something new to read each week. While in the group, I published over a dozen pieces. I also completed the 80,000 words book that I am currently shopping.

In 2011, I joined Wholehearted Writing Group. It is located less than two miles from my day job. The location was the reason for joining. The group is more about writing prompts than analyzing or working on your current project. It meets 26 times a year with the cost of $10 per meeting.

Whether you are joining the writers’ group to gain new friends, network, or to improve your craft and motivation, you need to make sure it meets your needs. Below are some points to consider when selecting, joining, and attending a writer’s group.

  1. Does the writer’s workshop have in writing defined goals?
  2. Does the group start on time and stay on mission? I will use the DFW Writer’s Workshop that I belonged to as an example.
  3. Does the group have an interest in your writing or is it just a niche group?
  4. Are there rules for people whose work is critiqued to follow?
  5. Does the organization allow you time to network and develop relationships with others in the group?
  6. Should I pay to attend a writer’s group?
  • Does the group know where it is going?
  • Does it regularly meet?
  • Are members submitting, progressing in the craft and publishing?
  • The group starts on time – 7 PM. It began with a large group session.
  • They recognize guests, ask them what they write, and how they found out about the workshop.
  • They ask for rejections followed by asking for submissions.
  • They ask is anyone has sold articles or gotten a contract for their manuscript.
  • After the large group session, they break into small critique groups.
  • Writer’s read for ten minutes followed by a critique of five minutes.
  • They have a monitor for a group who times and moderates the readings and critiques. The monitor keeps the group on track.
  • The group ends at 9:30 PM. Ending on time respects the participants.
  • Is it a first-amendment group allowing freedom of expression?
  • Does the group focus only on fiction or non-fiction?
  • Does it require you to filter your writing through the scope of the group? For example, you would not want to attend a Christian writer’s group if you write erotica.
  • Having guidelines is essential.
  • People get defensive when others are telling them what they did wrong.
  • The man or woman receiving the critique needs to have rules to follow.
  • We have him or her listen with no response or rebuttal.
  • You need to listen to what people have to say about your writing and learn from it.
  • Do the group members like each other?
  • Are they happy to see you and urge you to participate?
  • Does the group assimilate new members?
  • Does everyone get to read?
  • If the group members spend more time telling you how great they are or what they hope to do instead of staying on schedule and mission, find a different group.
  • Most writers’ groups in the USA are free and run by volunteers. Fee-based groups are also common.
  • One of the most expensive writer’s groups in the USA is the Original Los Angeles Writers Group™. The cost for new members is $475 a year while returning members get a break at $450. That is about $9.00 per week.
  • The Kansas City Writer’s Critique Group meets in ten-week sessions with each session costing $65.00 ($5.50 per week).
  • The DFW Writer’s Group in Texas is $100 per year (paid in advance). You must be a paid member to read.
  • The Burlington Vermont Writer’s Group cost $12.00 per month.
  • Wholehearted Writing in Dallas, Texas is $10 a session.
  • I have attended pay and free groups. Most pay groups are very polished, professional, stay on task honoring the attendee’s time by starting and stopping on time plus having a set break. Many are connected to educational institutions or are legal nonprofits with a constitution by-laws and elected leadership from the paid membership that manage / lead the group. They are not social in nature and have had an evaluation element. The leader in the pay group may receive your writing assignment in advance. They check your style, grammar, and transitions as a proofreader or outside editor. They may lead you in structured revisions.

While people have a variety of viewpoints when it comes to belonging to the writer’s workshop, a writer’s group is not for everyone, but it could be what you need to get to the next level.

 

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